1 / 19

Preparing Teaching Environments for Art Education

Preparing Teaching Environments for Art Education. When considering the many options available for arranging a classroom, three overarching concepts should be considered. A reasonable relationship exists between the characteristics of the environment and the behaviors of the inhabitants.

Télécharger la présentation

Preparing Teaching Environments for Art Education

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Preparing Teaching Environments for Art Education When considering the many options available for arranging a classroom, three overarching concepts should be considered...

  2. A reasonable relationship exists between the characteristics of the environment and the behaviors of the inhabitants. • Although the physical setting does not teach, it does tend to facilitate certain behaviors and hinder others.

  3. The environment must be organized to function in unison with the teaching methods being used. No single room layout is ideal for all phases of an art experience. • The art room should be expected to change several times during a lesson in response to the shifting directions of student work and the progress of the lesson.

  4. Research continues on the art classroom practices of teachers who have been described by their colleagues as being effective instructors; who include attention to physical environmental variables, including:

  5. Dividing the room into distinct zones or areas that are designated for specific functions or activities. • Perceiving the art classroom as a flexible setting that can be tailored to best suit the behavioral and participatory requirements of the lesson: Expressive (Studio) Responsive (Presentation, Lecture)

  6. Developing procedures that allow equipment that must be stored to be easily obtained and replaced. • Planning spatial arrangements to facilitate easy movement from one area in the room to another. The intent is to minimize crowding and congestion in high traffic areas.

  7. Art Room Design What you need to know...

  8. Consider... • General art room vs. specific studios • School size • Class size • Number of classes • Specialized studios: type and design • Storage areas • Unlocked • Locked • Student work • Supplies • Equipment • Accessories

  9. Provisions for showing images: • Storage • Blinds • Blackout curtains • Electric outlets • Ventilation • Display • Media area • Computer/Digital area • Instructor area • Sinks • Traps • “In-the-round

  10. White board / Smart board • Lights • Equipment • Provisions for all types of learners • Furniture

  11. Ordering Supplies Lisa - Congrats on your new job! I am so excited about mine but also really nervous! I'd love to share some ideas with you as well:) I just turned in my supply order today. It was pretty bigbecause the Art program is brand new this year (Art has been taught in the general classrooms for the last 20 years) and my room is completely empty save the tables, stools and my desk and chair. I am extremely lucky that there was a generous start up budget that allowed me to buy some big items that you buy once and they last forever, such as a large drying rack with wheels and a high quality paper cutter. Most of the items on my listare things that I used frequently during my student teaching but I also got some really neat stuff that I haven't had the opportunity to teach yet (like stuff for printmaking). Here is my list:

  12. Tempera paint • Watercolors • Camel Hair brushes • White Bristle brushes • Plastic 6-Well Muffin Pans (for paint) • Drawing Paper (9x12 and 12x18 in both 60lb and 80lb) • Newsprint • Construction Paper • Scratch-art supplies • Marker Classpack • Crayon Classpack • Colored Pencil Classpack • Cray-Pas Classpack

  13. Personal Mirrors (class set for portrait projects) • Print foam • Block ink • Hard Brayers • Plast’r Craft • Craft sticks • Glue (bottles and the Elmer's gallon and glue pump) • Drying Rack • Watercolor paper • Texture Plates • Willow Charcoal • Pressed Charcoal • Wooden rulers • 2” Masking Tape • Paper cutter

  14. Scissors • Swingline 747 Stapler and staples • Staple remover (the kind with the magnet for when you are taking own bulletin boards, etc) • X-Acto School Pro Electric Sharpener • #2 Pencils • Pink Pearl Erasers

  15. Consider the need for donated materials... • Cardboard egg cartons • Cool-whip containers • Cottage cheese/yogurt containers (the 32 oz size) • Fabric • Old file folders • Ice cream buckets with lids • Magazines • Newspapers • Ribbon • Yarn

  16. Terminology • Expendable/consumable supplies • Capital outlay items • Zero-based budgeting • Student-grade • Gross • Paper • Ream • Weight • Tooth • Newsprint • Sulphite

  17. Paint • Watercolor • Tempera • Acrylic • Drawing • India Ink • Ebony Pencils • Vine and Compressed Charcoal • Colored Pencils • Watercolor Pencils • Kneaded Erasers • Markers

  18. Ceramics and Sculpture • Earthenware • Stoneware • Air Dried Clay • Junior/Senior Cones • Kiln Wash • Posts and Stilts • Glazes/Underglazes • Plaster • Paper-mache • Sculpture wire

  19. Printmaking • Relief • Paper Lithography • Silk-screen

More Related