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VERS LA POST - RADIO

VERS LA POST - RADIO. “Radio Content in the Digital Age” Angeliki Gazi , PhD Antonia Grigoriou , Korinna Patelis , PhD Cyprus University of Technology. “Radio Content in the Digital Age”. Four Topics of Interest Technological Changes Social Changes Content Towards a Post Radio.

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VERS LA POST - RADIO

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  1. VERS LA POST - RADIO “Radio Content in the Digital Age” AngelikiGazi, PhD Antonia Grigoriou, KorinnaPatelis, PhD Cyprus University of Technology

  2. “Radio Content in the Digital Age” Four Topics of Interest • Technological Changes • Social Changes • Content • Towards a Post Radio

  3. “Radio Content in the Digital Age” Technological Changes Most discussed topics: • Digital Audio Broadcasting • Web Radio

  4. “Radio Content in the Digital Age” Technological Changes DAB: Despite the different kind of problems in EU countries, consumers have already invested in DAB in large numbers

  5. Technological Changes Web – Radio Most discussed topics: Radio comes towards the visual tradition New ways of participation “Radio Content in the Digital Age”

  6. “Radio Content in the Digital Age” Technological Changes • Radio comes towards the visual tradition: • video • image • written text

  7. “Radio Content in the Digital Age” Technological Changes Radio comes towards the visual tradition: The use of visible image in radio it is possible to be interpreted from the necessity of obliteration of the neccessity of doing away with the finite nature of sound

  8. “Radio Content in the Digital Age” Technological Changes New ways of participation • Interaction • Participation

  9. “Radio Content in the Digital Age” Technological Changes Web Interaction Web 1.0: e-mail, forum, chat, sms, online interviews, online surveys Web 2.0: blogs, wikis, content voting systems, social networks, etc.

  10. “Radio Content in the Digital Age” Technological Changes Web Participation Many radio theorists and researchers believe that any engagement by, or involvement of, listener within the radio constitutes participation, no matter how fleeting, mediated or insignificant.

  11. “Radio Content in the Digital Age” Social Changes: • Community Radios • Local Radios

  12. “Radio Content in the Digital Age” Social Changes – Optimistic View • The radio is in control of the groups of its listeners • External members have been integrated • No longer consists of a few friends • New parameters of belonging (training, handling of computer, Internet and sms) • Sectorization of the radio community • Multiplicity of allegiances • More virtual (belovingwithoutbelonging!)

  13. “Radio Content in the Digital Age” Social Changes –Pessimistic View New communications technologies that enable dialogue are available but are not yet being energetically explored for their potential to facilitate social changes in the way that Community and Local Radio are able to do. The adoption and adaptation of these new technologies will depend on the rate of the use of the internet within the target community.

  14. “Radio Content in the Digital Age” Content New content based in visual tradition

  15. “Radio Content in the Digital Age” Content If the visual images of radio sound elect seduction via the charm that the invisible persons, the invisible voices, words, musics exude, the traditional radio broadcasting lies precisely in the characteristic that renders the ellipticity of sound: the absence of the visible and the presence of visual image. And if the content of traditional radio based “in the remarkable absence of consciousness” (McLuhan, 1964) we should consider that the internet radiovision prefers things to be held still, so that they can be scrutinized in detail, dissected.

  16. “Radio Content in the Digital Age” Towards a Post Radio • Digitalisation and Internet do not seem to have solved all the challenges • It has not improved the quality of programmes nor increased local production • It does not encourage real autonomy of production nor a differentiation of programmes

  17. “Radio Content in the Digital Age” Towards a Post Radio For Baudrillard (1988) the language of radio is not a direct reference to an external reality, but the imposition of an arbitrary web of signifiers. The traditional radio broadcasting bred the sign system and with it, our expectations for radio’s assence. Any analysis of Post Radio must begin from these associations.

  18. “Radio Content in the Digital Age” Thank you for your attention

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