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AMLEIDE

Universit? di Tor Vergata. 2. TRE DATE. 1492: nuovi mondi, mobilit?;1517: Lutero affigge le sue tesi all'universit? di Wittenberg, Riforma Protestante;1546: Copernico pubblica il suo Trattato, viene definitivamente archiviato il sistema tolemaico.. John Donne. And new philosophy calls all in doub

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AMLEIDE

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    1. AMLEIDE Viaggio intorno a Shakespeare

    2. Università di Tor Vergata 2 TRE DATE 1492: nuovi mondi, mobilità; 1517: Lutero affigge le sue tesi all’università di Wittenberg, Riforma Protestante; 1546: Copernico pubblica il suo Trattato, viene definitivamente archiviato il sistema tolemaico.

    3. John Donne And new philosophy calls all in doubt, The element of fire is quite put out, The sun is lost, and th'earth, and no man's wit Can well direct him where to look for it. And freely men confess that this world's spent, When in the planets and the firmament They seek so many new; they see that this Is crumbled out again to his atomies. 'Tis all in pieces, all coherence gone, All just supply, and all relation; Prince, subject, father, son, are things forgot, For every man alone thinks he hath got To be a phoenix, and that then can be None of that kind, of which he is, but he.

    4. Università di Tor Vergata 4 Lancaster & York

    5. Università di Tor Vergata 5 Dopo Enrico VII Enrico VIII Tudor 1534 Atto di Supremazia Scisma anglicano

    6. Università di Tor Vergata 6 Elisabetta I Tudor

    7. Università di Tor Vergata 7 IL REGNO DI ELISABETTA I 1558-1603: inurbamento, Londra diventa una metropoli; Grande impulso alle arti: 1576 viene fondato il Theatre, il primo teatro di Londra; 1581: Francis Drake torna dal giro del mondo; 1584: primo insediamento in Virginia; 1588: sconfitta dell’Invincibile Armata; 1600: nasce la East India Company.

    8. Università di Tor Vergata 8 ASPETTI PROBLEMATICI Complotti e ostilità; la peste; la guerra con la Spagna; i conflitti religiosi.

    9. Università di Tor Vergata 9 Il teatro al tempo di Shakespeare Guardiamo questo filmato (da Shakespeare in Love di Tom Stoppard)

    10. Università di Tor Vergata 10 La struttura del teatro Osserviamo bene questo

    11. Università di Tor Vergata 11 Il Teatro e il pubblico. Il palcoscenico e il pubblico. L’ingresso degli spettatori. La reazione del pubblico.

    12. Università di Tor Vergata 12 William Shakespeare (1564-1616) Viene da un villaggio periferico: Stratford-Upon-Avon; Va a Londra e inizia a lavorare come attore nei teatri pubblici; Inizia a scrivere per il teatro e suscita l’invidia degli University Wits, ma non pubblica i testi teatrali; Pubblica invece sonetti e poemi.

    13. Università di Tor Vergata 13 William Shakespeare (1564-1616) Come conosciamo il suo teatro Heminge e Condell pubblicano l’In Folio del 1623 (First Folio), con quasi tutte le opere di Shakespeare; I curatori, che sono attori, raccolgono il materiale: copie pirata, copioni degli attori, prompt books; Gli studiosi, dal ‘700 in poi, confrontano le diverse versioni (In Folio, In Quarto); Si pubblica una edizione critica, corredata di introduzione, note, commenti; Per la datazione si ricorre a riferimenti interni ed esterni alle opere (Palladis Tamia di Francis Meres, 1598, Stationer’s Register, diari di viaggio e così via).

    14. Università di Tor Vergata 14 HAMLET The Tragedy of Hamlet, Prince of Denmark By William Shakespeare.

    15. Università di Tor Vergata 15 Hamlet, il setting. È ambientato in Danimarca; In un tempo lontano, il medioevo; È ispirato ad una storia vera; Si rifà alle cronache o narrazioni precedenti (Ur-Hamlet, Saxo Gramaticus Historiae Danicae; Belleforest Histoires Tragiques); È stato scritto intorno al 1601; Appartiene al genere Revenge Tragedy, (Tragedia di vendetta); Tragedia perché il vendicatore deve essere un personaggio tragico.

    16. Università di Tor Vergata 16 PERSONAGGI PRIMARI HAMLET, Prince of Denmark, son of the late King Hamlet and of Gertrude, HORATIO, a poor scholar, friend and confidant of Hamlet, GHOST of Hamlet’s dead father, CLAUDIUS, King of Denmark, brother of the late King Hamlet, GERTRUDE, Queen of Denmark, widow of the late King Hamlet and now the wife of his brother Claudius.

    17. Università di Tor Vergata 17 Altri personaggi importanti POLONIUS, Counsellor to the King, LAERTES, his son, OPHELIA, his daughter, ROSENCRANTZ and GUILDENSTERN, Courtiers, old school fellows of Hamlet, FRANCISCO, BARNARDO and MARCELLUS, soldiers, FORTINBRAS, Prince of Norway, A group of PLAYERS.

    18. Università di Tor Vergata 18 Cosa vedremo Brani di film tratti da: Hamlet, Kenneth Branagh, 1996, con: Kenneth Branagh, Kate Winslet, Robin Williams, Billy Crystal, Jack Lemmon, Julie Christie, Charlton Heston, durata quattro o due ore; Hamlet, Franco Zeffirelli, 1990, con: Mel Gibson, Glenn Close, Helena Bonham-Carter, durata 2 ore circa.

    19. Università di Tor Vergata 19 ACT I La scena di apertura: l’arrivo dello spettro (il linguaggio che crea il mondo) Atto I, scena 2: la sala del trono (libertà di movimento) Atto I, Scena 4: il racconto dello spettro (ambiguità; sensazionalismo) Atto I, scena 5: il giuramento (il linguaggio di Amleto)

    20. Università di Tor Vergata 20 HAMLET Ah, ha, boy! say'st thou so? art thou there, truepenny? Come on--you hear this fellow in the cellarage-- Consent to swear. HORATIO Propose the oath, my lord. HAMLET Never to speak of this that you have seen, Swear by my sword. Ghost [Beneath] Swear. HAMLET Hic et ubique? then we'll shift our ground. Come hither, gentlemen, And lay your hands again upon my sword: Never to speak of this that you have heard, Swear by my sword. Ghost [Beneath] Swear. HAMLET Well said, old mole! canst work i' the earth so fast? A worthy pioner! Once more remove, good friends. HORATIO O day and night, but this is wondrous strange! HAMLET And therefore as a stranger give it welcome. There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy.

    21. Università di Tor Vergata 21 ACT I, scene 2 (Claudius) KING CLAUDIUS Though yet of Hamlet our dear brother's death The memory be green, and that it us befitted To bear our hearts in grief, and our whole kingdom To be contracted in one brow of woe, Yet so far hath discretion fought with nature That we with wisest sorrow think on him Together with remembrance of ourselves. Therefore our sometime sister, now our queen, Th’imperial jointress to this warlike state, Have we, as 'twere with a defeated joy, With an auspicious and a dropping eye, With mirth in funeral and with dirge in marriage, In equal scale weighing delight and dole, Taken to wife.

    22. Università di Tor Vergata 22 ACT II, scene 2 (Polonio) POLONIUS (…) My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit, And tediousness the limbs and outward flourishes, I will be brief. Your noble son is mad. Mad call I it, for, to define true madness, What is't but to be nothing else but mad? But let that go. QUEEN GERTRUDE More matter with less art. LORD POLONIUS Madam, I swear I use no art at all. That he is mad 'tis true; 'tis true 'tis pity; And pity 'tis 'tis true. A foolish figure-- But farewell it, for I will use no art. Mad let us grant him, then. And now remains That we find out the cause of this effect, Or rather say the cause of this defect, For this effect defective comes by cause. Thus it remains, and the remainder thus. Perpend.

    23. Università di Tor Vergata 23 ACT II Atto II: La finta pazzia di Amleto; arrivo di Rosencrantz e Guildenstern; arrivo degli attori; il re e la regina fanno spiare Amleto.

    24. Università di Tor Vergata 24 ACT II, scene 2 HAMLET (…) I have of late – but wherefore I know not -- lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appeareth nothing to me than a foul and pestilent congregation of vapours. What a piece of work is a man, how noble in reason, how infinite in faculties, in form and moving how express and admirable, in action how like an angel, in apprehension how like a god: the beauty of the world, the paragon of animals-- and yet, to me, what is this quintessence of dust? Man delights not me – no, nor woman neither, though by your smiling you seem to say so.

    25. Università di Tor Vergata 25 Atto III Atto III, scena 1: “essere o non essere” “to be or not to be”

    26. Università di Tor Vergata 26 ACT III, scene 1 (Amleto e Ofelia) OPHELIA Good my lord, How does your honour for this many a day? HAMLET I humbly thank you; well, well, well. OPHELIA My lord, I have remembrances of yours, That I have longed long to redeliver; I pray you, now receive them. HAMLET No, not I; I never gave you aught. OPHELIA My honour'd lord, you know right well you did; And, with them, words of so sweet breath composed As made the things more rich. Their perfume lost, Take these again; for to the noble mind Rich gifts wax poor when givers prove unkind. There, my lord.

    27. Università di Tor Vergata 27 Atto III, scena 2: play-within-the-play Atto III, scena 4: Amleto convince la madre, per errore uccide Polonio. Atto IV: Il Re manda Amleto in Inghilterra, Ofelia impazzisce e muore, Amleto torna grazie ad un arrembaggio pirata. Atto V, scena 2: complotto tra il Re e Laerte, duello finale.

    28. Università di Tor Vergata 28 I am dead, Horatio. Wretched Queen, adieu! You that look pale and tremble at this chance, That are but mutes or audience to this act, Had I but time (…) O, I could tell you But let it be. Horatio, I am dead; Thou liv’st; report me and my cause aright To the unsatisfied. (…) But I do prophesy the’election lights On Fortinbras. He has my dying voice. (…) The rest is silence.

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