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ALL QUIET ON THE WESTERN FRONT

ALL QUIET ON THE WESTERN FRONT. ERICH MARIA REMARQUE. LITERARY STYLE. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE. episodic structure a panoramic view of the war control of pace and tone 1 st person perspective the “worm’s eye view” everyman and the individual

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ALL QUIET ON THE WESTERN FRONT

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  1. ALL QUIET ON THE WESTERN FRONT ERICH MARIA REMARQUE

  2. LITERARY STYLE ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE • episodic structure • a panoramic view of the war • control of pace and tone • 1st person perspective • the “worm’s eye view” • everyman and the individual • documentary realism vs literary craft

  3. WHY IS THIS TEXT SO POWERFUL? ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE • the soldiers as boys • seeking protection / mothering • fullness of love and care among soldiers

  4. HUMANIZING VS DEHUMANIZING ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE • for the readers • for the characters • Is there room for humanization in war?

  5. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE Unthinking Aversion: A Critique of Violence

  6. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE Justice as Fairness and Impartiality: Rethinking a Just War

  7. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE Humanity Uber-Alas: A Certain Type of Salute to Nazism

  8. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE Enforcing Authority: A Violent Monopoly

  9. IS THIS BOOK STILL RELEVANT? ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE

  10. ALL QUIET ON THE WESTERN FRONT – ERICH MARIA REMARQUE “This book is intended neither as an accusation nor as a confession, but simply as an attempt to give an account of a generation that was destroyed in the war – even those of it who survived the shelling.”

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