Linear Dominants

1. Linear Dominants

3. Linear Dominants

5. If you want to be cool, use linear dominants, dudes.

6. Linear Dominants In Review Linear Dominants = V6, VII6. And inversions of V7 Linear dominants lead to members of the _____ family Linear dominants generally connect to these chords via _________ motion in all voices. All linear dominants except _____ contain the dissonant tritone between scale degrees ____ and ___ Resolve the tritone regularly whenever possible. All linear dominants can be constructed using only scale degrees ___, ___, ___, and ____. Each of these tones has a strong tendency. In general Take ^7 to __; ^4 to __; ^2 to either ___ or ___; and keep ____ as a common tone.

7. Linear Dominants: Voice Leading With V7 and its inversions the voice-leading ____ is required. The exception is the linear dominant chord ____: ^4 can resolve irregularly to ^5 if it leads to ____, the so-called __________ _____ progression. ^4 - ^5 With VII6 the voice-leading ___ is required. Never double the ____ in dominant-function chords.

8. Prolonging V Move freely btw members of dominant family Once dissonant 7th is introduced ^(4)it must be retained V$-V#-I and V#-V$-I are common

16. I ? ? I I I6 I V V6 V I I_________ V___ I