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A Case Study: tensions in the European Capital of Culture 2008

A Case Study: tensions in the European Capital of Culture 2008. Liverpool as Symbol: creativity and decline. Atlantic Port and Triangular Trade Music and Militancy EU Priority One funding. Liverpool as Cross-roads: Cultural and Physical. Former track of imperial trade and migration

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A Case Study: tensions in the European Capital of Culture 2008

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  1. A Case Study:tensions in the European Capital of Culture 2008

  2. Liverpool as Symbol:creativity and decline • Atlantic Port and Triangular Trade • Music and Militancy • EU Priority One funding

  3. Liverpool as Cross-roads: Cultural and Physical • Former track of imperial trade and migration • First generation multiculturalism • Chinatown, Welsh streets • Newer tracks across an expanded Europe • New node for low-cost air travel

  4. Voicing dissent:Scouse identity • Conflicting associations of accent • Call centres – good • Business – bad • TV drama - stereotypical villain/scally • 1980s Militant council • Radical city • Unstable base for Labour Party

  5. Picket and Unemployed Centre • Association with “old politics” • “student other” within a trad/e union milieu • Loss of purpose for host organisation

  6. Saving the Picket • www.savethepicket.com set up • www.savethepicket.com/legacy.html

  7. Saving the Picket • Bailey, C. (2006) ‘The Liverpool Dockworkers' Strike 1995-9 and the Internet’ paper presented at Int. Conf. on Global Companies - Global Unions, Global Research - Global Campaigns, Cornell Global Labor Institute, New York, February 2006 • Carter et al (2003) Carter, C., Clegg, S., Hogan, J. and Kornberger, M. (2003), The Polyphonic Spree: The Case of the Liverpool Dockers, Industrial Relations Journal, 34:4 • Castree, N (2000) ‘Geographic Scale and Grassroots Internationalism: The Liverpool Dock Dispute, 1995-98’, Economic Geography, 76 (3), 272-92. • Routledge, P (2003) ‘Convergence space: process geographies of grassroots globalization networks’ Transactions of the Institute of British Geographers 28 (3), 333-349.

  8. Relocation, Relocation • Opportunity through creation of the Independent District • Web-site bridges between old and new • New web-based resources • support for on-line bookings • Links to performers • E-space for supporters and patrons

  9. Building a Brand Portfolio • Liverpool Biennial • A Foundation • Independent District

  10. Co-Branding Creativity • Florida R. (2002) The Rise of the Creative Class: And How It's Transforming Work, Leisure Community and Everyday Life s New York: Basic Books • Florida R. (2005) The Flight of the Creative Class: the new global competition for talent New York: HarperCollins • Markusen A. and King D. (2003) The Artistic Dividend: the arts’ hidden contributions to regional development Minneapolis: Humphrey Institute of Public Affairs • Peck J. (2005)‘Struggling with the Creative Class International Journal of Urban and Regional Research 29 (4) 740-770

  11. Archergate and Beyond • Resignation of first 2008 Artistic Director • Mistrust of “outsider” • Complaints of ”top-down” approach to culture • More emphasis on local componentsand activities • Concerns over impacts of development • Inspection of world heritage waterfront • Re-engagement with established identity • Phil (Brookside) Redmond • Ringo and Paul plus contemporary musicians

  12. What’s in a Name? • Flying Pickets – mobile and responsive • Picket fencing - driven into the ground • Radar Picket – gathering information

  13. What’s in a Name ? • Independents District • Baltic Triangle • Waterfront Business Park, Liverpool 1

  14. www.savethepicket.com • www.picketliverpool.com • www.myspace.com/picketliverpool • www.loveliverpool.com • icliverpool.icnetwork.co.uk

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