1 / 11

Primary Source Summary Project

Primary Source Summary Project. Instructions remain posted on course website Paper due on Monday, 7 Oct 19 @ 5:00 pm (one week from today) Preliminary (completed) drafts accepted for advisory reading up to 5:00 pm today. Friendly Alert.

jdaigle
Télécharger la présentation

Primary Source Summary Project

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Primary Source Summary Project Instructions remain posted on course website Paper due on Monday, 7 Oct 19 @ 5:00 pm(one week from today) Preliminary (completed) drafts accepted for advisory reading up to 5:00 pm today

  2. Friendly Alert Instructions for the“Music Description Project”are now postedon the course web site

  3. Chapter Five “A Language of Feeling” : Cultivating Musical Tastes in Antebellum America

  4. Louis Moreau Gottschalk • Child prodigy in NOLA • Age 13 to Paris- rejected by Conservatoire- private study • Debut Salle Pleyel (age 16)- praised by Chopin (!)- “Creole” compositions “exotic” • Bamboula, danse des negres, Op. 2 (cf., next slide) • Gottschalk - The Banjo, Fantaisie Grotesque, Op.15 (LG 5.2 - p. 110) b. 1829, New Orleans;d. 1869, Rio de Janeiro

  5. “The Bamboula” by E.W. Kremble for The Century Magazine (1886)

  6. Gottschalk (2) • Touring piano virtuoso- US (to west coast)- Latin America • Compositions draw on:- Afro-Cuban- US (folk, trad., etc.) • Souvenir de Porto Rico (1857) • The Union (1862) • Fiesta criolla from "La Nuit des Tropiques«  (1858-59) • First American musician to achieve international fame

  7. Chapter Six “The Ethiopian Business” : Minstrelsy and Popular Song through the Civil War

  8. Minstrelsy (defined) • Uniquely US popular form • Widespread from 1840s to 1880s (& beyond) • Origins in NYC (& elsewhere) • “Variety show” format- song & dance- jokes & comic dialogue/monologues • Blackface (“covers”)

  9. George Washington Dixon(1801?-1861) • First (?) important US blackface performer • Working class background (NYC) • Circus act – singer & reciter of poems • “Ethiopian songs” • 1829 – “Coal Black Rose” (NYC, Bowery)- Coal Black Rose – YouTube (solo banjo)- Coal Black Rose (1829) (vocal) • Political satire & commentary • 1834 – “Long Tail Blue” (see following slide)- Long Tail Blue (solo banjo)- Long Tail Blue (banjo w/ voice)

  10. Dixon as “Zip Coon” Music Example: Zip CoonMusic Example: The Skillet Lickers-Turkey In The StrawMusic Example: Tennessee Mafia Jug Band "Turkey In The Straw"

  11. Thomas “Daddy” Rice(1808-1860) • b. NYC (Lower East Side)- the Bowery • Traveling performer by 1827 • Mimics black/southern speech- travels Ohio Valley & South • “Jim Crow” – observations of black workers/slaves • 1830s - “Jump Jim Crow” • Music Examples- Jump Jim Crow – YouTube- Melvin Wine - Jump Jim Crow

More Related