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Renee Cox: Ambivalence, Parody and Artistic Responsibility

Renee Cox: Ambivalence, Parody and Artistic Responsibility. A French print “La Belle Hottentot” after the display and objectification of Sarah Bartman (Saartje Bartman) in Britain and France, ca. 1814. Unknown artist, Femme de race Boschimanne,

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Renee Cox: Ambivalence, Parody and Artistic Responsibility

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  1. Renee Cox: Ambivalence, Parody and Artistic Responsibility

  2. A French print “La Belle Hottentot” after the display and objectification of Sarah Bartman (Saartje Bartman) in Britain and France, ca. 1814

  3. Unknown artist, Femme de race Boschimanne, Water color on velum, 1815—supposedly an illustration of a (Khoisan) South African Woman with extended steatopgyia—pandering to European fantasy of the exotic “other”

  4. Cartoon based on Saartjie (Sarah) Baartman, The Hottentot Venus

  5. Josephine Baker and the cult of Negrophilia

  6. Renee Cox, (after Saartje Bartman) Hottentot Venus, Photography, 1995

  7. Renee Cox, 41 Bullets at Green River, 2001

  8. Edouard Manet, Olympia, oil on canvas, 1863

  9. Renee Cox, Olympia’s Boyz, Digital c-print, 2001

  10. Jean Auguste Dominique Ingres, The Grand Odalisque, oil on canvas, 1814

  11. Renee Cox, BabyBack, Digital c-print, 2001

  12. Edouard Manet, Luncheon on the Grass, oil on canvas, 1863

  13. Renee Cox, Cousins at pussy pond, 2001

  14. Renee Cox, Chillin with Liberty Ektachrome print, 1998

  15. Leonardo da Vinci, Last Supper, 1498, tempera and oil on plaster (Santa Maria della Grazie, Milan)

  16. Renee Cox, Yo Mama’s Last Supper, C-print, 5 panels, 1996

  17. Renee Cox, Colonization of White People The In-Laws, 1997

  18. Renee Cox, Yo Mama The Sequel, 1993

  19. Renee Cox, The Kiss, 2001 http://www.reneecox.org/american-family

  20. Michael Ray Charles Beware Mixed media 1994

  21. Betye Saar: a) The Liberation of Aunt Jemima—mixed media, 1972 b) Double Duty—I’s Back Wid a vengeance, mixed media, 1997

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