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Chapter 26 Dada, Surrealism, and Developments in the U.S.

Chapter 26 Dada, Surrealism, and Developments in the U.S. Artist: n/a Title: Hugo Ball Reciting the Sound Poem “Karawane” at the Cabaret Voltaire Date: 1916 Movement: Dadaism 1916-1923

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Chapter 26 Dada, Surrealism, and Developments in the U.S.

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  1. Chapter 26Dada, Surrealism, and Developments in the U.S.

  2. Artist: n/a Title: Hugo Ball Reciting the Sound Poem “Karawane” at the Cabaret Voltaire Date: 1916 Movement: Dadaism 1916-1923 The word Dada in German signifies baby talk, in French it is a child’s hobbyhorse, in Russian it translates to “yes, yes”, in the Kru African dialect it is “the tail of a sacred cow.” nihilism – (philosophy) an extreme form of skepticism: the denial of all real existence or the possibility of an objective basis for truth.

  3. The First Ready-Made Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912. Bicycle Wheel, 1951 (third version, after lost original of 1913), Metal wheel mounted on painted wood stool, 51 x 25 x 16 1/2"

  4. Ready-Mades Marcel Duchamp, Fountain, 1963 replica of 1917 original. Porcelain, 14” high. In Advance of the Broken Arm, August 1964 (fourth version, after lost original of November 1915), Wood and galvanized-iron snow shovel, 52" (132 cm) high

  5. Ready-Made-Aided Marcel Duchamp, Replica of L.H.O.O.Q., 1919, Color reproduction of the Mona Lisa altered with a pencil, 7 3/4" x 5". Alternate version

  6. Man Ray - Dadaist first; (later joined Surrealists) Man Ray, Indestructible Object (or Object to be Destroyed), 1964, replica of the original of 1923. Metronome with cut-out photograph of an eye on a pendulum, 8 7/8" x 4 3/8" x 4 3/8" Man Ray, Le Cadeau (The Gift), 1921, Iron and nails

  7. Man Ray, Untitled, c.1922. Rayograph (Photogram) Man Ray, Le Violon d'Ingres, 1924. Photograph.

  8. Salvador Dali, The Persistence of Memory, 1931, o/c; 9 1/2” x 13”

  9. “Everything we see hides another thing, we always want to see what is hidden by what we see.” ~ René Magritte Rene Magritte, The Treason of Images (This is not a Pipe), 1928, oil/canvas, 55 x 72cm. René Magritte, Time Transfixed, 1938. Oil on canvas, 4' 9 5/8" x 3' 2 3/8" René Magritte, The False Mirror, 1928. Oil on canvas, 21 1/4" x 21 7/8"

  10. Joan Miró, Dog Barking at the Moon, 1926. Oil on canvas, 28 1/4" x 26 1/4".

  11. Frida Kahlo, Thinking About Death. 1943, Oil on canvas; 17 1/2” x 14 1/2”

  12. Alberto Giacometti, Large Standing Woman III, 1960. 7' 8 1/2" high Alberto Giacometti, Nude in Profile, etching, 1955, 30.8 x 5.6 cm (image)

  13. Henry Moore, Reclining Figure, 1957-58. Roman travertine, 16' 8" long. UNESCO Building, Paris. Two views of Reclining Figure, 1951, Kew Gardens, London

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