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Equally Valid Choices in RDA (Some More Equally Valid Than Others)

Equally Valid Choices in RDA (Some More Equally Valid Than Others). MOUG Annual Meeting February 26, 2013. Tracey Snyder Assistant Music Librarian Cornell University. About t oday’s examples. Presented to you without any MARC tags, indicators, or subfields

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Equally Valid Choices in RDA (Some More Equally Valid Than Others)

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  1. Equally Valid Choices in RDA (Some More Equally Valid Than Others) MOUG Annual Meeting February 26, 2013 Tracey Snyder Assistant Music Librarian Cornell University

  2. About today’s examples Presented to you without any MARC tags, indicators, or subfields Presented to you with ISBD punctuation Comprised of manifestation-level elements and work- and expression-level access points Different valid choices result from application of various components of and supplements to RDA—Alternatives, Optional Omissions, Optional Additions, Core Elements, Cataloger’s Judgment, LC-PCC PS, PCC BSR, MLA BP, etc.

  3. Inaccuracies 1.7.9 1.7.9, cataloger’s judgment Otello / Giuseppe Verdi ; drammalirico in quattroatti di Arrigo Boito ; a cura di Mario Parenti (1964) ; English version by Francis Heuffer. Otello / Giuseppe Verdi ; drammalirico in quattroatti di Arrigo Boito ; a cura di Mario Parenti (1964) ; English version by Francis Heuffer. Statement of responsibility should read: Francis Hueffer.

  4. Transcription/Capitalization 1.7.2, Appendix A 1.7.1 LC-PCC PS 1st alternative The music of Cars Land. The music of Cars Land. —or— The Music of CARS LAND.

  5. Statement of responsibility 2.4.1.5 Optional Omission 2.4.1.5 (and LC-PCC PS on the Optional Omission) Teatime / Gary Todd [and four others]. Teatime / Garry Todd, Dave Solomon, John Russell, Nigel Coombes, Steve Beresford.

  6. Place of publication 2.8.2 core elements only 2.8.2.4 Mainz : Schott Mainz ; London ; Berlin ; Madrid ; New York ; Paris ; Prague ; Tokyo ; Toronto : Schott

  7. Publication/Distribution/Manufacture Statements—the Cascading Vortex of Horror 2.8.2.6/2.8.6.6 LC-PCC PS: most practical 2.8, 2.9, 2.10: most thorough, without any [?] [Milano?] : Ricordi, [1980?] [Place of publication not identified] : Ricordi, [date of publication not identified] New York : U.S.A. sole selling agent: Associated Music Publishers, a subsidiary of G. Schirmer, Inc., [date of distribution not identified] Milano : Industrialfoto, 1980.

  8. Publication/Distribution/Manufacture Statements—the Cascading Vortex of Horror 2.8.2.6/2.8.6.6 LC-PCC PS: most practical Worst case scenario: core elements only, pre-264 [Milano?] : Ricordi, [1980?] [Place of publication not identified] : Ricordi ; New York, [date of publication not identified], [date of distribution not identified] (1980)

  9. Incomplete Compilations of Musical Works The possibilities seem endless

  10. 6.14.2.8.6 Schubert, Franz, 1797-1828, composer. Two symphonies / Franz Schubert. Schubert, Franz, 1797-1828. Symphonies, D. 200, D major. Schubert, Franz, 1797-1828. Symphonies, D. 485, B♭ major.

  11. 6.14.2.8.6 Alternative (“instead of”) Schubert, Franz, 1797-1828, composer. Symphonies. Selections Two symphonies / Franz Schubert.

  12. 6.14.2.8.6 Alternative (“in addition to”) Schubert, Franz, 1797-1828, composer. Symphonies. Selections Two symphonies / Franz Schubert. Schubert, Franz, 1797-1828. Symphonies, D. 200, D major. Schubert, Franz, 1797-1828. Symphonies, D. 485, B♭ major.

  13. 6.14.2.8.6 Alternative, LC-PCC PS Schubert, Franz, 1797-1828, composer. Symphonies. Selections Two symphonies / Franz Schubert. Schubert, Franz, 1797-1828. Symphonies, D. 200, D major.

  14. Contributors, Related works—they’re not “core” 20.2, 25.1 Parenti, Mario. Saladino, Michele, 1835-1912. Hueffer, Francis, 1843-1889. Shakespeare, William, 1564-1616. Othello.

  15. Relationship designators—they’re not “core” 18.5 Parenti, Mario, editor. Saladino, Michele, 1835-1912, arranger of music. Hueffer, Francis, 1843-1889, translator. Libretto based on (work): Shakespeare, William, 1564-1616. Othello.

  16. Plan to attend “RDA Best Practices for Music: A Conversation” this Thursday at 1:30 to find out the MLA stance on these choices and more!

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