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Dancing Through Different Worlds: An Autoethnography of the InteractiveBody in Ballroom Dance

Dancing Through Different Worlds: An Autoethnography of the InteractiveBody in Ballroom Dance. Presented by:. Dr. Kay Picart Assistant Professor of English & Humanities Florida State University. Methodology. Autoethnographic “Dancing Through Different Worlds”. Key Themes.

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Dancing Through Different Worlds: An Autoethnography of the InteractiveBody in Ballroom Dance

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  1. Dancing Through Different Worlds: An Autoethnography of the InteractiveBody in Ballroom Dance

  2. Presented by: Dr. Kay Picart Assistant Professor of English & Humanities Florida State University

  3. Methodology • Autoethnographic • “Dancing Through Different Worlds”

  4. Key Themes • Expression, Communication, Emotion • Ballroom as Competition and Art • Masculinity and Femininity • Being Subject-Objects of the Aesthetic Gaze

  5. Aim: • highlight the experience and expression of virtual emotions, such as passion, flirtation, attraction-repulsion, trust, haughtiness in ballroom smooth dances (such as the foxtrot, waltz, tango) and rhythm dances (such as the chacha, swing, rumba, mambo, samba) as correlated with interactive body forms and lines, costuming, & other aesthetic elements

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