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Unit 1 Review

Learn about the role of a producer and cinematographer in film production, the importance of soundtracks, and the evolution of film techniques throughout history.

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Unit 1 Review

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  1. Unit 1 Review

  2. producer • the person in charge of all the financial and administrative aspects of a film’s production, from the very inception of the film project and its initial planning through all stages of production, distribution, and advertising

  3. shot • the uninterrupted action on the screen that results from a single take that has been printed and edited

  4. suspense • a state of uncertainty and delay that builds up anxiety as one awaits the outcome of a situation

  5. soundtrack • auditory accompaniment to the visual elements of film • includes dialogue, music, and sound effects

  6. Edwin Porter – “The Great Train Robbery” (1903) • The first important American film. It is much more realistic than the European films of the time, but it matches their length and scope. The first time this film was shown, the audience gave it a standing ovation and demanded the film be shown again immediately.

  7. cinematographer • director of photography; the individual in charge of putting each scene on film: including the lighting; the composition of the scene; the colors of the images; the choice of cameras, lenses, filters, and film stock; the settings of the camera; the set-ups and movements of the camera; and the integration of any special effects

  8. plot • the individual events and their arrangement in a narrative work; it may not follow the chronological events of “the story”

  9. D.W. Griffith – “The Girl and Her Trust” (1912) • Griffith alternates between close shots (to show emotion) and long shots (to present background and action sequences. • The acting is more intricate and subtle and the characters are not as one dimensional (they can not be summed up with one trait) and some are dynamic (they change during the story.

  10. denouement • the point in the plot , after the climax, when everything unravels and is resolved.

  11. exposition • the part of a narrative work, often the beginning, which establishes for the audience the general situation of the characters and the premises for the action • Ex. – “A long time ago in a galaxy far, far away…” • Ex. – The scene in the beginning of a romantic comedy where the audience learns the man has loved his coworker for years.

  12. “The Sprinkler Sprinkled” • This is a more advanced example of early comedy. • The simple characters have easily identifiable traits (boy – playful, mischievous; man – serious, vengeful). • There is a complete story with a conflict and a clear beginning, middle, and end.

  13. “in media res” • “in the middle of things” • when the first scene of a movie starts after events important to the story have already taken place • Ex - a story about a bank robbery that starts during the getaway and flashes back to the actual robbery or never shows the actual robbery

  14. The Birth of a Nation • Caused Riots Racist Film • The KKK are the heroes of the film Also known as The Clansmen

  15. flashback • a shot, scene, or sequence that has taken place in the past, before the present time established in the film • Ex – Two characters are talking about an event from their past. The screen gets cloudy. We then see the scene from the past.

  16. take • an attempt to get a shot on film; the single, uninterrupted operation of a camera as it continuously exposes a series of frames

  17. editing • organizing and assembling shots; the art of selecting, trimming, coordinating, and cutting the footage into a projection sequence that will become the film

  18. scene • a series of consecutive shots that take place in one location This _____ is a confrontation between cops and criminals on a city street.

  19. sequence • a group of consecutive shots and/or scenes that is not restricted to a single location but has its own beginning, middle, and end • If a movie was a book, a ______ would be a chapter. • Ex. - In a movie about a date, one ______ could be about the boy picking the girl up and meeting her parents.

  20. director • the individual responsible for putting a work on film and sometimes for the vision and final realization of the entire motion picture

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