Heather Willis Allen, University of Miami Kate Paesani, Wayne State University

1. Implementing a Pedagogy of Multiliteracies: Selecting and Sequencing Content in Introductory Language Courses Heather Willis Allen, University of Miami Kate Paesani, Wayne State University

2. A Challenge to FL Programs “Replacing the two-tiered language-literature structure with a broader and more coherent curriculum in which language, literature, and culture are taught as a continuous whole … will reinvigorate language departments as valuable academic units central to the humanities and to the missions of higher education” (MLA, 2007, p. 3)

3. Literacy as a Curricular Goal “Literacy is the use of socially-, historically-, and culturally- situated practices of creating and interpreting meaning through texts. It entails at least a tacit awareness of the relationships between textual conventions and their contexts of use, and ideally, the ability to reflect critically on these relationships. Because it is purpose-sensitive, literacy is dynamic - not static - and variable across and within discourse communities and cultures. It draws on a wide range of cognitive abilities, on knowledge of written and spoken language, on knowledge of genres, and on cultural knowledge” (Kern, 2000, p. 16).

4. Literacy & Available Designs • Available Designs include all resources - linguistic, social, cultural - a reader brings to a text to create meaning • Available Designs involve a reader’s existing linguistic structures and knowledge resources that are drawn on, consciously or unconsciously, in interpreting texts • A reader uses Available Designs to engage in Designing, the process of accessing, applying, and recycling known concepts in fresh ways

5. Literacy & Available Designs LINGUISTIC SCHEMATIC writing system formal schemata vocabulary genre / style syntax content schemata cohesion / coherence stories

6. Literacy & Genre • Genre: “an oral or written rhetorical practice that structures culturally embedded communicative situations in a highly predictable pattern, thereby creating horizons of expectations for its community of users” (Swaffar & Arens, 2005, p. 99)

9. New London Group (1996), Kern (2000)

10. Literacy- & Genre-Oriented Curricula: Research Gaps • Greater focus on advanced-level courses, contribution of literacy/genre-based approaches to the development of “advancedness” (Byrnes, Maxim & Norris, 2010) • Little empirical research into models and outcomes of literacy/genre-based approaches; most existing research is specific to advanced levels (Maxim, 2002, 2006; Ortega & Byrnes, 2008) • Literature is under-represented in lower levels within each proposed genre continuum

11. Challenges in the Introductory FL Curriculum • Classroom pedagogy • Continued dominance of CLT techniques & goals • Propensity to artificially separate language/literary-cultural content • Teacher preparation & professional development • Commercial pedagogical materials still dominated by CLT • The “one shot” model: Limited opportunities for graduate students’ professional development as teachers • Lack of depth in models for teaching reading & writing • Content & the Curriculum “by default”: The textbook Allen & Negueruela-Azarola (2010), Allen & Paesani (2010), Askildson (2008)

12. Challenges in the Introductory FL Curriculum: The textbook “In our world, it is the norm for professors using our textbooks to tell us that they ‘never cover the culture; there’s just no time for it.’ And in our world, it is our consistent experience that the single most important determining factor in adoption decisions at the college level is the grammar sequence around which a given textbook is structured” (Dorwick & Glass, 2003, p. 593)

13. An example: Textual coverage in two Introductory French textbooks * besides poems, these appear as short excerpts

14. Selecting Content • Connecting GENRE and AVAILABLE DESIGNS • What are the linguistic and schematic resources that characterize the private/public genres appropriate for use in introductory courses? • Connecting LINGUISTIC and SCHEMATIC resources • How do the schematic available designs characteristic of a genre manifest themselves linguistically? • How do the linguistic available designs characteristic of a genre manifest themselves schematically?

15. Selecting Content: Linking linguistic & schematic resources • Content Schemata: background knowledge as an essential component in textual understanding for beginning learners • LINK TO: vocabulary (frequency, complexity, formulae) • Formal Schemata: predictable rhetorical organization make texts accessible to beginning learners • LINK TO: writing systems (headers, graphic conventions) • Genre / Style: expectations about content and form as an entry point to various genres • LINK TO: syntax (pronoun use, sentence length, formulae)

16. Sequencing content: Mapping textual genres onto the introductory FL curriculum • Consider focusing on one recurring textual genre across an introductory course (Maxim, 2006; Mills, 2009) • Supplement the recurrent genre with varied additional texts representing primary & secondary discourses (Allen & Paesani, 2010) • Design instruction & assessment that requires learners to construct textual meaning that demonstrates knowledge of linguistic & schematic resources related to specific textual genres

18. Conclusion • Unexplored questions: • How many instantiations of each genre across courses? • What is the role of extensive reading / longer texts? • Future directions: • Template for mapping content across introductory courses • Empirical research investigating feasibility of this approach & students’ linguistic outcomes at introductory levels