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An Overview of Pitch Detection Algorithms

An Overview of Pitch Detection Algorithms. Alexandre Savard MUMT611: Music Information Acquisition, Preservation, and Retrieval February 2006. Content. Introduction Classification Applications Problems and Constraints Time Domain Algorithms Frequency Domain Algorithms

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An Overview of Pitch Detection Algorithms

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  1. An Overview of Pitch Detection Algorithms Alexandre Savard MUMT611: Music Information Acquisition, Preservation, and Retrieval February 2006

  2. Content Introduction Classification Applications Problems and Constraints Time Domain Algorithms Frequency Domain Algorithms Alternative Techniques Conclusion

  3. Introduction Prior Definitions Pitch : Defined as the perceptual appreciation of the highness or the lowness of a sound. It is related to the periodicity of a sound. Frequency : Physical attribute of a sound or any type other of signal. Describes the amount of times that a repeated event occur per unit of time. Fundamental Frequency :In a complex sound or signal, it is the lowest partial.

  4. Introduction Application of Pitch Tracking Music Automatic Transcription from audio signals to common music notation or to MIDI number Score Following Musical Queries by singing or humming Acoustic feature for Human-Computer Interaction Sound-Editing Program like pitch-shifting and time- scaling operation

  5. Introduction Non-Exclusive Classification Voice ( Speech, Singing ) Instrumental Monophonic Polyphonic Time-Based Algorithm Spectral-Based Algorithm Alternative

  6. Introduction Generally Encountered Problems Noise Reverberation Other Sounds from the environment Shortness of the sustained part for certain sounds Sounds need to be analyzed right after the attack transient where they are not totally stable Detuning during the sustain part of a sound Minimal output delay for realtime.

  7. Introduction Music-Specific Difficulties Large frequency range for musical instrument Many instrumental sound have inharmonic partials Expressiveness factors ( glissando, vibrato, thrill ) Fast algorithm for real-time processing Multiphonic

  8. Time Domain Zero-Crossing Detection Autocorrelation Function Average Magnitude Difference Function

  9. Time Domain Zero-Crossing Detection Based on a direct application of the definition of periodicity Counting the number of time that the signal crosses a reference level Mostly Inexpensive in computation Weakness against noise Presents weakness when used to analyze signals with energy in high frequencies

  10. Time Domain Zero-Crossing Detection http://www-ccrma.stanford.edu/~pdelac/154/m154paper.htm#_ftn5

  11. Time Domain Autocorrelation Technique Cross-Correlation is a non-linear operation that measure the similarity between two signal. The coresponding samples of a signals and a time- shifted version of an other one are multiplied and added toghether. The Cross-Correlation functionwill then have a peak to the offset value which coresponds to the maximum of similarity.

  12. Time Domain Autocorrelation Technique Autocorrelation is a cross-correlation of a signal with itself. The maximum of similarity occurs for time shifting of zero. An other maximum should occur in theory when the time-shifting of the signal corresponds to the fundamental period.

  13. Time Domain Autocorrelation Technique http://www.phon.ucl.ac.uk/courses/spsci/matlab/lect10.html

  14. Time Domain Autocorrelation Technique Not very efficient for high fundamental frequency. Convolution is a very expensive process. Computation efficiency can be improved using the FFT algorithm instead of convolution. It reduces calculation from N squared to NlogN. Most of the variation of this technique related to the mathematical definition of the autocorrelation used, the way the maximums are localized, and how errors in the maximum identification are attenuated.

  15. Time Domain Average Magnitude Difference Function It is an alternate to Autocorrelation function. It compute the difference between the signal and a time-shifted version of itself. While auttocorelation have peaks at maximum similarity, there will be valleys in the average magnitude difference function.

  16. Time Domain Other Temporal Algorithm Waveform Maximum Detection Sum Magnitude Difference Squared Function Average Squared Difference Function Cumulative Mean Normalized Difference Function Circular Average Magnitude Difference Function Adaptive Filter

  17. Time Domain Other Temporal Algorithm Adaptive Filter Super Resolution Pitch Determination

  18. Frequency Domain Harmonic Product Spectrum Cepstrum

  19. Frequency Domain Harmonic Product Spectrum FFT is used to convert temporal representation of sound into its spectral representation Assume that all signals are made of harmonic partials The spectrum is compressed by a factor corresponding to harmonic numbers Multiplying the compressed spectrum with the original one leads to a amplification of the fundamental frequency

  20. Frequency Domain Harmonic Product Spectrum The highest peak most likely correspond to the fundamental frequency http://www-ccrma.stanford.edu/~pdelac/154/m154paper.htm#_ftn5

  21. Frequency Domain Harmonic Product Spectrum Presents a high degree of robustness in a noisy environment Less efficient for sounds that are not made from harmonic components Computationnally inexpensive Octave Errors can occur

  22. Frequency Domain Cepstrum Cepstrum is defined as the inverse Fourrier transform of the logarithm of the power spectrum of a signal Cepstrum extracts periodicity from the spectrum It can be unformally mathematically written as: It results a peak which correspond to the fundamental period

  23. Frequency Domain Calculation of Cepstrum for Voice In the source filter-model, voiced speech s(t) can be considered as the convolution of a pulse train p(t) with the impulse respond of the vocal tract h(t). In the spectrum we get: Taking the logarithm on both side we then obtain:

  24. Frequency Domain Cepstrum The logarithim operation flatten the spectra so that so that it gives more robustness for formants However this same operation rises the noise level

  25. Frequency Domain Other Frequency Domain Algorithm Maximum Likelihood Linear Prediction Coding Spectral Autocorrelation

  26. Alternative Technique Teager Energy Function Referring again to the source-filter model for voice, it can be represented by a pulse train filtered by the vocal tract. The pulse train is produced by the successive opening and closure of the glottis. The production of speech is closely related to the release of energy through the glottis. The opening/closure of the glottis result in a peak of energy into the signal

  27. Alternative Technique Teager Energy Function The Teager energy function is a non-linear operator that defines the instantaneous energy as: It is derived from the total energy of an oscillatory spring-mass system. Estimating the periodicity of energy peaks for the signal leads to an approximation of the fundamental frequency.

  28. Alternative Technique Miscellaneous Technique Wavelet Transform Bayesian Statistical Model Hidden Markov Model Graphical probablilistic Models Perceptual Pitch Detector

  29. Conclusion

  30. Bibliography Liu B.,Wu Y., L Yi. "Linear Hidden Markov Model for Music Information Retrieval Based on Humming." Paper presented at the International Conference on Acoustics, Speech, and Signal Processing 2003. Li B., Li Y., Wang C., Tang C., Zhang E. "A New Efficient Pitch-Tracking Algorithm." Paper presented at the International Conference on Robotics, Intelligent Systems and Signal Processing 2003. Chilton E., Evans B. "The Spectral Autocorrelation Applied to the Linear Prediction Residual of Speech for Robust Pitch Detection." Paper presented at the International Conference on Acoustics, Speech, and Signal Processing 1988. Monti G., Sandler M. "Monophonic Transcription with Autocorrelation " Paper presented at the Conference on Digital Audio Effects 2000. Liu J., Zheng T., Deng J. and Wu W. "Real-Time Pitch Tracking Based on Combined Smdsf." Paper presented at the Conference on Speech Communcation and Technology 2005.

  31. Bibliography Luo H., Denbigh P. "A Speech Separation System That Is Robust to Reverberation." Paper presented at the International Symposium on Speech, Image Processing and Neural Networks 1994. Wu M., Wang D., Brown G. "A Multi-Pitch Tracking Algorithm for Noisy Speech." Paper presented at the International Conference on Acoustic, Speech, and Signal Processing 2002. Nazih Abu-Shikhah Mohamed Deriche. "A Novel Pitch Estimation Technique Using the Teager Energy Function." Paper presented at the International Symposium on Signal Processing and its Applications 1999. Picone J., Doddington G., Secrest B. "Robust Pitch Detection in a Noisy Telephone Environment." Paper presented at the International Conference on Acoustics, Speech, and Signal Processing 1987. Quast H., Schreiner O., Schroeder R. "Robust Pitch Tracking in the Car Environment." Paper presented at the International Conference on Acoustics, Speech, and Signal Processing 2002.

  32. Bibliography Marchand S. "An Efficient Pitch-Tracking Algorithm Using a Combination of Fourier Transforms." Paper presented at the Conference on Digital Audio Effects 2001. Walmsley P., Godsill S., Rayner P. "Polyphonic Pitch Tracking Using Joint Bayesian Estimation of Multiple Frame Parameters." Paper presented at the Workshop on Applications of Signal Processing to Audio and Acoustics 1999. Zhu W., Kankanhalli M. "Robust and Efficient Pitch Tracking for Query-by-Humming." Paper presented at the Conference on Information, Communications and Signal Processing 2003. Roads C., “The Computer Music Tutorial”, p.497-533, Boston, The MIT Press, 1996.

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