'Jean auguste dominique ingres' diaporamas de présentation

Exoticism, Orientalism and Primitivism in French Painting

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ESSAY EXERCISE 1.

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From Baroque/Rococo to Neoclassicism Mid 18 th -Mid 19 th Century

From Baroque/Rococo to Neoclassicism Mid 18 th -Mid 19 th Century. Louis XIV Hyacinthe Rigaud 1702. Venus and Cupid Francois Boucher 1750. The Stolen Kiss Jean-Honore Fragonard 1786. Neoclassicism. Increasing influence of classical antiquity

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Neoclassicism

Neoclassicism. 1780-1820. Neoclassicism. A clear reaction against the ornate Rococo Style Inspired by the Enlightenment Reason not emotion should dictate art Use line to appeal to intellect, not color which appeals to the senses. Depicted tales of ancient history or mythology

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Romanticism

Romanticism. Orientalism Moral outrage-attempt to stir emotions within the viewer Exploration of the self Death/Suicide Return to a bygone era Emphasis on Nature. Jean Auguste Dominique Ingres, Grande Odalisque , France, 1814. Orientalism. Harem. Caroline Bonaparte Murat.

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Romantic Art

Romantic Art.

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Portrait Painting

Portrait Painting. Acrylic Paint!. Purpose. To depict the likeness of a person (generally)

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elements of art

elements of art. Line Shape Space Texture Value Color Form. line. Is the basis for most art. Created by a point moving in space. Can be thick or thin, curved or straight, spiraled or jagged. Can be used to create shading with hatching/ crosshatching. Can imply movement.

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Portrait Painting

Portrait Painting. Oil Paint!. Purpose. To depict the likeness of a person (generally)

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elements of art

elements of art. Line Shape Space Texture Value Color Form. line. Is the basis for most art. Created by a point moving in space. Can be thick or thin, curved or straight, spiraled or jagged. Can be used to create shading with hatching/ crosshatching. Can imply movement.

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Zeus

Zeus. Bronze statue, Artemisium. Artemisian Zeus Bronze 11/2 times life size. Horatio Greenough 1832-41. 550-530 BCE Chalcidian Hydria Inscription Painter. Polygnotos 440 BCE Gigantomachy. Altar of Zeus at Pergamon 2 nd Century BCE. Berlin Painter, 490-480 BCE. Gustave Moreau 1868.

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Chapter 21 The Modern World: 1800-1945

Chapter 21 The Modern World: 1800-1945. Movements: Neoclassicism Romanticism Realism Impressionism Post-Impressionism Fauvism and Expressionism Cubism Fantasy and Futurism Dada and Surrealism Harlem Renaissance, De Stijl and Bauhaus. Neoclassicism and Romanticism.

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The Aeneid Book II How They Took the City

The Aeneid Book II How They Took the City. By Virgil 70-19 B.C. Virgil. Jean-Auguste-Dominique Ingres. Virgil Reading Aeneid to Augustus, Octavia, and Livia. Painting by Federico Barocci. The Journey of Aeneas. National Epic. Defines a nation and its people

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BY: Harmon Boyd

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Free Speech and Social Responsibility

Free Speech and Social Responsibility. Introduction. Free speech in the United States Technology and the public network of information A fine line between aggression and expression Strengthening the first amendment Finding a balance . Evolution.

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Free Speech and Social Responsibility By: Neha Nandakumar Paul Ko Carol Kim Jesse Payton June Jhe

Free Speech and Social Responsibility By: Neha Nandakumar Paul Ko Carol Kim Jesse Payton June Jhe. Introduction. Free speech in the United States: Expression vs. Hostility Seeking a Balance: Enhancin g the First Amendment Challenges . Development of Free Speech.

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Free Speech and Social Responsibility

Free Speech and Social Responsibility. Introduction. Free speech in the United States Technology and the public network of information A fine line between aggression and expression Strengthening the first amendment Finding a balance . Evolution.

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FOUNDATIONS OF MODERNISM : REVIEW

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Case study 2: The Body

Case study 2: The Body. We have already seen artists representing the world in different ways over time. Case Study 2 f ocuses on the body in art. We will observe how various movements in art described the body through the 20 th century, and into contemporary practice.

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