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Hannah Wilke , February 19, 1992 #6 Intra-Venus Series Wilke, "Marxism and Art: Beware of Fascist Feminism,"

Carolee Schneeman , (left) Eye Body: 36 Transformative Actions 1963, Paint, glue, fur, feathers, garden snakes, glass, plastic with the studio installation "Big Boards." (right) Hand / Heart for Ana Mendieta 1986, paint with blood, ashes, syrup on snow.

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Hannah Wilke , February 19, 1992 #6 Intra-Venus Series Wilke, "Marxism and Art: Beware of Fascist Feminism,"

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  1. Carolee Schneeman, (left) Eye Body: 36 Transformative Actions 1963, Paint, glue, fur, feathers, garden snakes, glass, plastic with the studio installation "Big Boards." (right) Hand / Heart for Ana Mendieta 1986, paint with blood, ashes, syrup on snow

  2. Carolee Schneeman, Meat Joy 1964 Judson Church, NYC. Group performance: raw fish, chickens, sausages, wet paint, plastic, rope, shredded scrap paper: (right) Interior Scroll, 1975

  3. Hannah Wilke, Starification Object Series, 1975, chewing gum objects on artist’s body(right) Starification Object Series, chewing gum collage, 33 x 26 in

  4. Hannah Wilke, February 19, 1992 #6Intra-Venus SeriesWilke, "Marxism and Art: Beware of Fascist Feminism," 1974-77

  5. Mary Kelly (US b.1941), Postpartum Document, 1973-79A 1999 installationdrawings, graphs and charts, objects and sound recordings

  6. Marina Abramovic (b.1946, Belgrade, Yugoslavia), “grandmother of performance art.” Rhythm O, performance 1977compare Yoko Ono, Cut Piece, performance, 1964(below) Abramovic, Art Must Be Beautiful, 1975, 3 video stills

  7. Abramovic and Ulay (Uwe Laysiepen), (left) Rest Energy, video with audio of heart beats, 1980 (right) Imponderabilia, performance at museum entrance, 1978

  8. Abramovic, Balkan Baroque, 1997, Venice Biennale, Golden Lion Award"I'm only interested in an art which can change the ideology of society...Art which is only committed to aesthetic values in incomplete...I don't defend anyone, neither the Serbs nor the Bosnians nor the Croats...I'm trying to deal with my own emotions, for example with this tremendous feeling of shame which I have about this war. As an artist, you can only deal with what there is inside you. I'm making this play because it is the only way to react emotionally to the war."

  9. Abramovic, The House with the Ocean View, 2002

  10. Ana Mendieta (b Havana, 1948; d New York,1985), Untitled (Facial Hair Transplants), 1972compare Frida Kahlo, Self-Portrait with Cropped Hair, 1946

  11. Mendieta, Untitled (Death of a Chicken), 1972 compare Hermann Nitsch, Viennese Actionism, First Action, 1962

  12. Carl Andre, Equivalent VIII, 1966 Mendieta, Untitled (People Looking at Blood), 1973

  13. Ana Mendieta, Untitled (Body Tracks), 1975

  14. "I am overwhelmed by the feeling of having been cast from the womb (nature). My art is the way I re-establish the bonds that unite me to the universe." Mendieta, Untitled (Blood & Feathers), 1974

  15. Mendieta, (left) Maroya (Moon), 1982: (right) Untitled (Silueta Series, Iowa), 1979

  16. Mendieta, Silueta, 1979

  17. Mendieta, Totem Grove Series, 1984-85 (installation Whitney MA, NYC, 2001)

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