Shakespeare’s Style
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Shakespeare’s Style. Literary Devices. Oxymoron. A figure of speech in which two or more contrasting ideas are placed beside each other, often in parallel grammatical form The purpose is to emphasize the idea being contrasted
Shakespeare’s Style
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Shakespeare’s Style Literary Devices
Oxymoron • A figure of speech in which two or more contrasting ideas are placed beside each other, often in parallel grammatical form • The purpose is to emphasize the idea being contrasted • Example: Viola says to Olivia, “Farewell, fair cruelty” (1.5.278)
Pun • A figure of speech designed to create humour by playing on words with several meanings • Example: (1.1.16-24) • Curio: Will you go hunt, my lord? • Duke: What, Curio? • Curio: The hart. • Duke: Why, so I do, the noblest that I have. [Olivia’s heart]…
Allusion • A reference to a historical, literary, religious, mythologyical figure, event or object • The reader immediately makes the connection • Example: The Captain says to Viola, “Like Arion on the dolphin’s back,/ I saw him hold acquaintance with the waves/ So long as I could see” (1.2.15-16) • Example: Feste says to Maria, “Thou wert as witty a piece of Eve’s flesh as any in Illyria” (1.5.36-37)
Figurative Comparison • Metaphor: A short comparison between two unlike things • Example: Viola says she would “call upon my soul within the house” • “my soul” is a metaphor for Olivia • Simile: a comparison made between two things, using “like” or “as” • Malvolio says to Olivia [about Cesario], “he’ll stand at your door like a sheriff’s post” (1.5.142-3) • Personification: inanimate objects are given human qualities • Duke says “And my desires, like fell and cruel hounds, E’er since pursue me” (1.1.22-23)
Irony Verbal Irony: saying one thing but meaning another Dramatic Irony: the audience is aware of the meaning of a character’s lines or actions, but other characters onstage are “blind” to such knowledge (the audience is in on a secret that characters onstage are not) Example: Duke Orsino says to Viola, “Diana’s lip/ Is not more smooth and rubious; thy small pipe/ Is as the maiden’s organ, shrill and sound;/ All is semblative a woman’s part” (1.4.31-34)