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AVI 4M0

AVI 4M0. Mr. Griscti. Modernism. MODERNISM Modernism allowed artists to assert their freedom to create in a new style and provide them with a mission to define the meaning of their times.. Early 20 th Century Art was influenced by… the beginning of the atomic age

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AVI 4M0

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  1. AVI 4M0 Mr. Griscti

  2. Modernism • MODERNISM • Modernism allowed artists to assert their freedom to create in a new style and provide them with a mission to define the meaning of their times.. • Early 20th Century Art was influenced by… • the beginning of the atomic age • existentialism (Nietzsche)- “God is Dead” • the invention of psychoanalysis • Freud-inner drives control human behavior • Jung-collective unconscious • The Russian Revolution • The Great War (humanity’s inhumanity) • The Great Global Depression • the rise of the “Avant Garde”

  3. The basic premise of the twentieth-century painting: art does not represent, but reconstructs reality.

  4. Modernism Mr. Griscti sums up the early 1900s with these three types: THE EXPRESSIVE (colour) THE ABSTRACT (shape) THE WEIRD (form & fantasy)

  5. Expressionism • Expressionism • The use of uncharacteristic colours chosen by the artist… • to release of the artist’s inner vision • to evoke feelings from the viewer Fauvism German Expressionism Der Blaue Reiter

  6. Fauvism • Fauvism • very short-lived (1904-1908) • influenced from the work of Post-Impressionists likeGauguin & Cezanne • full of violent, ARBITRARY colour and bold distortion, brutal brushstrokes • Shocking to the critics and the public • “Fauves”- French for ‘Wild Beasts’ - Artists wore the label with pride • colour’s structural, expressive, and aesthetic capabilities MATISSE, DERAIN, VLAMINCK

  7. Henri Matisse,The Joy of Life, 1905-06. FAUVISM

  8. Henri Matisse,The Joy of Life, 1905-06. FAUVISM Flat planes of colour, bold outlines come from Gauguin - also humanity in a state of nature - pagan scene like a bacchanal - A drunken or riotous celebration “genius of omission”- radical simplification The act of painting was joyous for him and his paintings show this

  9. Henri Matisse The Red Studio, 1911. Believed that colour was the formal element most responsible for pictorial coherence… colour was not meant to imitate nature, but to express inner emotions

  10. Henri Matisse,The Dance, 1909. FAUVISM

  11. The painting shows five dancing figures, painted in a strong red, set against a very simplified green landscape and deep blue sky. It reflects Matisse's incipient fascination with primitive art, and uses a classic Fauvist colour palette: the intense warm colours against the cool blue-green background and the rhythmical succession of dancing nudes convey the feelings of emotional liberation and hedonism.

  12. Henri Matisse, Green Stripe, 1905. FAUVISM

  13. Matisse painted this unusual portrait of his wife in 1905. The green stripe down the centre of Amélie Matisse's face acts as an artificial shadow line and divides the face in the conventional portraiture style, with a light and a dark side, Matisse divides the face chromatically, with a cool and warm side.

  14. The left side of the face seems to echo the green in the picture's right, the corresponding is true for the right side of the face, where the pink responds to the orange on the left. The natural light is translated directly into colours and the highly visible brush strokes add to the sense of artistic drama.

  15. Henri Matisse, La Musique, 1939. FAUVISM

  16. Andre Derain,Charing Cross Bridge, 1906. FAUVISM

  17. Andre Derain,Bathers, 1907. FAUVISM

  18. Maurice de Vlaminck,The River Seine at Chatou, 1906. FAUVISM

  19. Georges Rouault Fauvism with political connotations Reminiscent of stained glass because Rouault was an apprentice of the trade A figure of merciless authority clutching flowers Georges RouaultThe Old King, 1916-37. FAUVISM

  20. Georges Rouault, The Three Clowns, 1928. FAUVISM

  21. German Expressionism “Die Brucke” (The Bridge) colour is important, but equal to that of distortion of images and violent brushstrokes Movement centered in Dresden, Germany and led by Ernst Kirschner Thought of themselves as bridging the old age of art with the new Influenced by medieval craft guilds- lived and worked together equally Focused on the detrimental effects of industrialization Ernst Kirschner,Self Portrait as a Soldier, 1915.GERMAN EXPRESSIONISM

  22. Ernst Kirschner,Two Women in the Street,1914. GERMAN EXPRESSIONISM

  23. Ernst Kirschner,Street, Berlin,1913. GERMAN EXPRESSIONISM

  24. Ernst Kirschner, Brandenburg Gate, 1915. GERMAN EXPRESSIONISM

  25. The Brandenburg Gate is a former city gate and one of the main symbols of Berlin, Germany. It is the only remaining gate of a series through which one formerly entered Berlin.

  26. Kathe Kollwitz Worked almost exclusively in printmaking and drawing Themes of inhumanity and injustice The plight of workers and war victims Son died during first week of WWI Kathe Kollwitz,The Survivors, 1923.GERMAN EXPRESSIONISM

  27. Kathe Kollwitz,Woman With Dead Child, 1903 etching. GERMAN EXPRESSIONISM

  28. Kathe Kollwitz,Memorial for Karl Liebnecht, 1919.GERMAN EXPRESSIONISM

  29. Kathe Kollwitz,The Grieving Parents, 1932. GERMAN EXPRESSIONISM

  30. Der Blaue Reiter(The Blue Rider) Another German Expressionist movement that produced feeling as visual FORM – not just colour Wassily Kandinsky,Composition VII, 1913. Complete abstraction- non-objective work - elimination of representation Knew about music, literature, science (the atomic theory) - material objects have no structure or purpose Orchestration of colour, form, line, and space- blueprints for an enlightened and liberated society, emphasizing spirituality

  31. Russian painter, who was the first to abandon any reference to recognizable imagery. He experimented with two types of paintings, “Compositions” which he consciously arranged geometric shapes, and “Improvisations”, where he had no conscious control over the paint he applied spontaneously. With rainbow-bright colours and loose brushwork, he created completely non-objective paintings like, “Composition No. 2”.

  32. Wassily Kandinsky,Composition VII, 1913. DER BLAUE REITER

  33. Wassily Kandinsky,Composition VI, 1913. DER BLAUE REITER

  34. Wassily Kandinsky,Contrasting Sounds, 1924. DER BLAUE REITER

  35. Franz Marc,Dog Lying In the Snow, 1910-11. DER BLAUE REITER

  36. Franz Marc,Yellow Cow, 1911. DER BLAUE REITER

  37. Franz Marc,Foxes, 1913. DER BLAUE REITER

  38. Franz Marc,The Lamb, 1913-14. DER BLAUE REITER

  39. Franz Marc,Fighting Forms, 1914. DER BLAUE REITER

  40. 1913 Armory Show 1913Armory ShowNew York City First American show to exhibit works by Impressionist, Post-Impressionist, Cubist, Fauvist and Early 20th Century Europeans Over 1250 works by 300 artists Started in New York, then traveled to Chicago and Boston The NY Times called it “pathological”…

  41. 1913 Armory Show

  42. 1913 Armory Show It was good show, but don’t do it again… - critic

  43. Marsden Hartley was an American living in Munich and was directly influenced by these European movements Marsden Hartley,Portrait of a German Officer 1914.

  44. Gustav Klimt Gustav KlimtThe Kiss1907-08. VIENNA SUCCESSION(Austrian Art Nouveau)

  45. Gustav Klimt Gustav KlimtAdele Bloch-Bauer I1907. VIENNA SUCCESSION(Austrian Art Nouveau)

  46. Gustav Klimt Gustav KlimtJudith with Head of Holofernes,1901. VIENNA SUCCESSION(Austrian Art Nouveau)

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