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ARCHIVE

ARCHIVE. Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs. Archiving Color Image to Single Strip 35mm Black & White Film. GOAL: Stable image storage that is recoverable and reliable.

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ARCHIVE

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  1. ARCHIVE Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs

  2. Archiving Color Image to Single Strip 35mm Black & White Film GOAL: Stable image storage that is recoverable and reliable.

  3. Current Archival Preservation MethodYCM Separations (3) Separate Primary Colors – Yellow, Cyan, Magenta Recorded to: (3) Separate Black & White Film Reels

  4. Visionary™ Archival Process (3) Separate Primary Colors Recorded to: (1) Black & White Film Reel

  5. Two Methods Visionary ™ Archive RGB+: HD or 2K Full RGB to 3 Quadrants Audio and/or Metada in the fourth RGB Intra-Mosaic: 4K Full RGB Intra-mosaic to 4 Quadrants Each method provides optimum film master from provided source.

  6. Visionary™ Archive – RGB+

  7. Pixel Accurate Alignment Patterns

  8. Consistent Color Representation Calibration and alignment patterns to ensure consistent luminance, blacks, midtones, and whites.

  9. Alignment Pattern Detail

  10. Original film frame Visionary Process Frame Visionary™ Archive Image RGB Intra-Mosaic

  11. Source Image

  12. Close-up of RGB Intra-mosaic on Visionary™ Image

  13. Full Resolution Red, Green, Blue Intra-Mosaic Encoded

  14. The Visionary Encoding Process

  15. Source Image to Visionary™ Conversion Source Image Visionary Image

  16. Creative Intent Preserved • Alignment patterns allow reconstruction pixel to pixel • Color creative intent preserved with this alignment pattern– not simply images

  17. Tests • Recorders: ARRILASER 2, Aaton K, Celco, etc. • Film Stock: Kodak 2234, 2238, 5269, Fuji RDS 4791

  18. Rosetta Stone • Description of film picture • Definition of RGB Intra-mosaic pattern • Defined color map • Alignment and image level • Source Dimensions and frame rate

  19. Data and Video tape become obsolete Film expected to last 300 years Data Migration/Archival

  20. Visionary™ Archive Workflow

  21. Visionary™ Archival Process • 2/3 less film grain than traditional YCM recombine • Re-registration not required • Warped film no longer an issue • Alignment patterns ensure solid stabilization • Creative intent preserved on film • Stable image storage that is recoverable and reliable • Free source code provided for open standard unarchiving

  22. Visionary™ Audio Recorded series of values • Digital Values can range from • 16-24 bit and 48-96kHz • Digital information encoded in • analog wrapper • Protected digital values impervious • to film scratches, warping, • creases, and dust • Each value is sampled two times • to protect sound integrity

  23. What’s Next? • 3D Stereoscopic Archive Element • Developing Metadata Integration

  24. ARCHIVE Presented by: Sean McKee Director Restoration & New Technology Point.360 Digital Film Labs

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