1 / 22

Jane Eyre

Jane Eyre. XI-XIX: Jane as a Governess in Thornfield -- – Service vs. Pursuit of Freedom and Love. First encounter: 3-3 (0:27 -) 2006 23:58 2011 – 31:25. Outline. Review: Chap I-X— Jane between rebellion & submissiveness Jane as a governess Her desire

amayes
Télécharger la présentation

Jane Eyre

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Jane Eyre XI-XIX: Jane as a Governess in Thornfield -- – Service vs. Pursuit of Freedom and Love • First encounter: • 3-3 (0:27 -) • 2006 23:58 • 2011 – 31:25

  2. Outline • Review: Chap I-X—Jane between rebellion & submissiveness • Jane as a governess • Her desire • Attraction between Jane and Rochester • The Polite Society & Their Games • The Gothic Elements • “The Aliens”: “Grace Poole” and Mr. Mason

  3. Review: Chaps I-IV

  4. Review: Chaps V-X

  5. Chaps XI-XV

  6. Chaps XVI-XIX

  7. Text Reading & Discussion

  8. Discussion Questions • (G3 G4 )Governess: How is Jane positioned as a governess in Thornfield? Is she treated like a servant? • (G1, G7) Jane and Rochester: How is Rochester related to Jane? How does she change her views of Rochester? (G10, G2 ) Desire: What does Jane desire? What are the function of the laughers she hears? Jane’s paintings (XXIII pp. 110; XVI 141) (G6 G5 )The Polite Society: How does Jane see the aristocratic friends Rochester brings home? (G8, G9 )What are the functions of the charade and the gypsy woman (XVIII 161-XIX) on the one hand, and on the other? 3. Commentator 6. Recorder 7. Illustrator/ Performer

  9. Jane as Governess in in Thornfield 0. Jane, taught to play the piano, to draw and read; but she is not beautiful (80) • Inexperienced— • Expected to be received coldly • thought Mrs. Fairfax to be the owner 2. Hierarchy: closer to housekeeper (84) 3. Knowledgeable (French) 4. Books in the library (90) –limited to light readings The guests’ views of governesses – (XVII: 115-16) “half of them detestable and the rest ridiculous, and all incubi”

  10. Jane’s Desire • “aspirations and regrets” about her appearance (XI : 86) • Curious: “s Mr. Rochester an exacting, fastidious sort of man?” (91) •  Mrs. Fairfax’s view of Rochester (XI: 92) • Restlessness vs. tranquility (95-) • See Rochester as her intellectual equal  fire (XV) wish to see him and fear it (XVI) self-restraint  stronger desire and pain in front of the guest • The laugh (XI 93, 94, XII 96; XV 130)

  11. Mr. Rochester • XIII (109): giving orders -- Go into the library—I mean, if you please. (Excuse my tone of command; I am used to say "Do this," and it is done…) • (111): between orders and curiosity: I had scarce tied the strings of the portfolio, when, …he said abruptly,”—it is nine o'clock: what are you about, Miss Eyre, to let Adèle sit up so long? Take her to bed.” • (112)-- Rochester’s family history explained

  12. Mr. Rochester and Jane- Intellectual Equals’ Sympathy to Love • XIV: Exchanges of Their Equally Intelligent Minds, Sympathy Aroused– • Jane’s independent thinking: • “do you think me handsome?” (115) -- No; Rochester’s appearance denied, • Rochester’s authority defined (117-18) and • R’s degenerate past discussed (119-21); impossible to be conventional with Jane • XV: Celine Varens // Bertha (the laugh)  the fire drawing them closer. (calling her “witch, sorceress 131) • XVI: Jane both fears and desires meeting him; draws pictures of herself and Ingram to understand her own position. Jane feels for R when observing him with the guests

  13. Mr. Rochester and Jane- Growing Sympathy to Love XVII – governess discussed Jane Rochester XV: (122) impossible to be conventional with you. End of XVII: “…you are: so much depressed that a few more words would bring tears to your eyes—Good-night, my --'.” XVIII-XIX – the gypsy woman’s fortune-telling 173 – cold, sick, silly; contradictions on her face • XVII – her attention on him (153); “…but he never turned his eyes” (155) • XVIII – cannot unlove him (163) • Jane reflects a while whether she forgives R; serves him by offering him her shoulders 179

  14. Jane’s Psychological Struggles and Understanding of Rochester • 1) XV: No longer ugly: “No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. “ (129) Still aware of his mean attitude to others. • 1) XVI:I knew the pleasure of vexing and soothing him by turns. (138) • 2) XVI: self-restraint: (140-42; XVII- 153) two portraits;

  15. Jane’s Psychological Struggles and Understanding of Rochester (2) • XVIII (163) • the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity—this guardedness of his—this perfect, clear consciousness of his fair one’s defects— this obvious absence of passion in his sentiments towards her, that my ever-torturing pain arose.

  16. Rochester vs. Jane • Still domineering? • Jane, refuses to be dominated, sympathetic with him and serving him • Jane: self-expression through paintings (110) and the two portraits. --- more to come…

  17. The Polite Society and Beyond • XVII: 145 Rich, well--adorned • Rochester in the center, dull without him. • Lady Ingram: pompous, dogmatic • Marriage (for money and class) with Ingram: good French, showy, shallow, her mind was poor, (XVIII: 163) Jane’s feelings: from pain [not jealousy?], despair, to becoming lenient to her master (163-65) Adele’s mother (XI): opera dancer -- teach her to dance and sing, -- surrounded by a lot of gentlemen and ladies -- a song about a forsaken lady

  18. Social Games: Revealing its hypocrisy & Orientalism • Charade: Wedding & • An Oriental couple: • He –an Eastern emir, an agent or a victim of the bowstring. • She—an Israelitish princess • Gypsy fortune-telling: telling the truth under disguise

  19. The Gothic Elements • The house – more like a church (“chill and vaultlike” 85) • (XI: 92) The third floor – a shrine of memory; like a Bluebeard’s castle (93)

  20. The Odd: Grace Poole & Mr. Mason • Grace Poole • always alone (except for one hour) • a mystery in Thornfield (145) • Mason • “too relaxed” • …eyes revealing “a tame, vacant life” (167) • From West Indies (168) • A big blow to Rochester

  21. Turning Points & Major Motifs • The laugh – breaking social bounds • meeting Rochester outside Thornfield • the fire • Disguise – a way to violate social norms? • A. Charade: a. bride and groom, b. Rebekah and Isaac, c. Bridewell (which is actually a prison) • B. the gypsy woman • “Reader, I could not unlove him.” –direct address to Victorian readers

  22. References • http://mrsrochester.hubpages.com/hub/translation-of-french-in-jane-eyre

More Related