Greek Drama Antigone
The Greek Theater • 5th Century BC • Golden Age of Drama • Dramatic festivals were popular • People watched tragic and comic plays • This period referred to as the Age of Pericles • This Golden Age ended with the start of the Peloponnesian War
Drama – roots in poetry • Earliest literary genre in Athens = poetry, which appeared as early as the twelfth century BC • Poetic tradition continued via tragedies • Greek tragedy developed from the dithyramb, a combination of dance and song performed by a chorus in honor of Dionysus (god of wine, fertility, theater) • Worship of Dionysus began as a choral song performed by a chorus of 50 men dressed in goatskins • “Tragedy” comes from the Greek for goat
Roots in Worship of Dionysus • God of wine and Revelry
Thespis • Invention of tragedy attributed to Thespis • Created the first actor (hypokrites) who performed between the dances of the chorus • In 534 BC tragedy was introduced into the festivals of Dionysus, which occurred three times a year in Athens • The largest of these festivals called the Great Dionysia • The best of the plays called Attic plays
The Legend of Thespis • The "inventor of tragedy" was born in Attica • The first prize winner at the Great Dionysia in 534 BC. • He was an important innovator for the theatre, introduced: the independent actor, masks, make up, costumes
More About Thespis • Thespis walked around Athens pulling a handcart, setting up a kind of one man play, where he showed the bad behavior of man. • The word for actor " thespian" comes from his name. • His contemporary Solon resented him, with the claim that what Thespis showed on stage would soon be acted out in reality as well.
Sources for Plays • Subject matter – similar to that of epic poetry – history and mythology • Audience was very familiar with the subject and knew the ultimate fate of the characters • Main interest was in how the playwright adapted and interpreted the material
The Three Types of Greek Drama Comedy:Like tragedy, developed through worship of Dionysus The first comedies were mainly satirical and mocked men in power for their vanity and foolishness. The first master of comedy was the playwright Aristophanes wrote . Only ten plays Much later Menander wrote comedies about ordinary people and made his plays more like sit-coms.
The Three Types of Greek Drama Tragedy: Tragedy dealt with the big themes of love, loss, pride, the abuse of power and the fraught relationships between men and gods. Typically the main protagonist of a tragedy commits some terrible crime without realizing how foolish and arrogant he has been. Then, as he slowly realizes his error, the world crumbles around him. The three great playwrights of tragedy were Aeschylus, Sophocles, and Euripides. Aristotle argued that tragedy cleansed the heart through pity and terror, purging us of our petty concerns and worries by making us aware that there can be nobility in suffering. He called this experience 'catharsis'.
The Three Types of Greek Drama Satyr Plays: These short plays were performed between the acts of tragedies and made fun of the plight of the tragedy's characters. The satyrs were mythical half human, half-goat figures and actors in these plays wore large phalluses for comic effect. Few examples of these pays survive. They are classified by some authors as tragicomic, or comedy dramas. A Satyr & a Nymph A Satyr & Dionysus
Hubris Hubris or hybris (Greek ὕβρις), according to its modern usage, is exaggerated self pride or self-confidence (overbearing pride), often resulting in fatal retribution. In Ancient Greece, "hubris" referred to actions taken in order to shame the victim, thereby making oneself seem superior. Hubris was a crime in classical Athens. The category of acts constituting hubris for the ancient Greeks apparently broadened from the original specific reference to molestation of a corpse, or a humiliation of a defeated foe, to molestation, or "outrageous treatment", in general. The meaning was further generalized in its modern English usage to apply to any outrageous act or exhibition of pride or disregard for basic moral law. Such an act may be referred to as an "act of hubris", or the person committing the act may be said to be hubristic.
Hubris • Another example is that of Oedipus. • In Oedipus the King, while on the road to Thebes, Oedipus meets King Laius of Thebes who is unknown to him as his biological father. Oedipus kills Laius out of hubris over which has the right of way, thereby fulfilling the prophecy of the oracle Loxias that Oedipus is destined to murder his own father. • Creon commits hubris in refusing to bury Polynices in Sophocles' Antigone.
Fate FATE: the will or principle or determining cause by which things in general are believed to come to be as they are or events to happen as they do : destiny The Greeks believed that everything happened for a reason and that the path they led in life, was prescribed for them by the Gods and that there was no escaping their fate or destiny.
Irony & Dramatic Irony IRONY: a pretense of ignorance and of willingness to learn from another assumed in order to make the other's false conceptions conspicuous by adroit questioning DRAMATIC IRONY: incongruity between a situation developed in a drama and the accompanying words or actions that is understood by the audience but not by the characters in the play —called also dramatic irony or tragic irony
Ritual and Theatre The Evolution of Actor-Audience Relationship Agrarian and Fertility Rites- Early cultures tried to find ways to appease the seemingly supernatural or godlike forces that controlled the food supply. Stories began to grow out of the "performance" of the ritual to explain why the ritual was important. As humanistic thought and knowledge developed, rituals became less important for ensuring food and fertility for the society. Like modern Theatre, these rituals contained enactment, imitation and seasonal performances Entertainment is a bonus for the ritual audience; the goal is to gain prosperity from the gods. Modern Theatre must entertain. photo by Melissa Byrd
The Evolution of the Early Theatrical Space From Religious Ceremony to Performance
The First Theatre? • The famous Dionysan theatre was built into the mountain that housed the famed Acropolis.
The Academy Awards • The Dionysia was a spring celebration of the fertility god Dionysus – known as the Festival of Dionysus • The last 3 days of the festival was dedicated to 3 writers and their tragedies. • The winner received a lily wreath. • Famous competitors: Aeschylus, Sophocles and Euripedes.
Order of Festival Days • Day 1 – proagon – plays announced • Day 2 – processions, parades, sacrifices • Day 3 – performance of the first five comedies • Day 4-6 – performance of tragedies • Day 7 – judging and awards
The Three Tragedians • Aeschylus – used two men as actors; one talking to the other • Sophocles – used three actors; each played several parts • Euripedes – used even more actors; angered the Greeks because he showed the Greeks and gods in a sometimes negative light as they really were; portrayed strong female character; killed by wild dogs
Actors • Men only -- one actor played several parts • wore high-heeled boots to add stature • masks often fitted with megaphones
Parts of the Greek Stage • theatron – the theatre • skene – changing room • altar – middle of stage • chitons – brightly colored robes • onkoi – wigs • kothurnoi – shoes on small stilts • masks – had built in megaphones for amplification; masks for comedies were always def
Two major performance areas- The Orchestra or “Dancing Circle” served as the primary acting area
The Skene (scene building)- consisted of a building behind the orchestra probably used as a dressing room, later to be integrated into the stage action by an innovative playwright.
Greek Scenic Devices Periaktoi- a revolving triangular devices with one scene painted on each side.
Deus ex Machina- “God From the Machine” The Machina- a crane that was used to represent characters who were flying or lifted off of the earth. Tunnel from behind the Skene to the center of the stage. Scenic wagons revealed through doors on the Skene. Pinakes painted panels that could be attached to the skene.
Where and how were the dramas performed? …In an amphitheatre …With a chorus who described most of the action. …With masks …With all the fighting and movement going on off stage.….With tragedy first, then comedy later.
The Greek Chorus The chorus was dominant because there was usually one actor and that actor had to leave the stage several times during a show to change characters. The chorus was to be a representation of society, they often served as the “ideal spectator” by providing advice, opinions, questions to the audience and actors. The main actor(s) stood apart in the performance space because they typically played heroic figure that would realistically be separated from normal mortal beings. Their costumes and masks added spectacle and their movement and dance heightened the dramatic effect. Great actors were characterized by their voice quality and the ability to adopt their manner of speaking to the character.
Greek and Roman Theatre share the following elements: A facade stage- actors performed in front of a neutral background Relationship with religion- plays were presented as part of a larger celebration Special Occasion- theatre was held on special occasions and not often enough to be taken for granted. Noncommercial environment- the wealthy citizens or the state picked up the costs as part of the obligation of citizenship. Male-only performers- women sat in the audience only.
Dodoni Ancient Greek Theatre • Theatres were built into sides of hills so that they could harness the natural acoustics.
Theater of Epidaurus • Restored during the 1950’s. Can accommodate an audience of 14,000 • Used for modern performances of ancient drama.
Masks • Masked actors performed outdoors in daylight before audiences of 10,000 or more at festivals. Masks made actors more visible.
Masks • Masks were used to show facial expression. This helped to identify the character to the audience.
Masks • The use of masks enabled 1 actor to play several parts in one play.
Masks • Victorian excavations of Pompeii revealed what might be considered ancient wallpaper illustrating dramatic masks.
Masks • Mouthpieces in the masks helped the acoustics of the performance.
Masks • Roman Actors with their masks
Some general categories of masks 1. OLD MEN Smooth-Faced, White, Grizzled, Black-Haired, Flaxen and More Flaxen 2. YOUNG MEN Common, Curled, More Curled, Graceful, Horrid, Pale and Less Pale 3. SLAVES Leathern, Peaked-Beard, Flat Nose 4. WOMEN Freed Old Woman, Old Domestic, Middle Aged, Leathern, Pale-Disheveled, Pale Middle Aged, Whorish-Disheveled,Virgin, Girl 5. SPECIALIST MASKS Some made for specific characters, others for: Mourning, Blindness, Deceit, Drunkenness...etc. (The comic masks, those especially of old comedy, were as like as possible to true persons they represented, or made to appear more ridiculous)
Greek Modesty • No censorship of events. • However, Greeks were very polite on stage. • all spectacular action (death, murder, adultery) happens off stage -- only described.
Functions of the Chorus • set the tone • recall events from the past • represents the feelings or morals of the characters or audience • gives important background information • interprets and summarizes events • comments on action • gives advice to the characters • ask questions • give opinions, if asked • stay objective—did not disagree with leading actor • act like a jury of elders and reach a moralistic conclusion
Prologue: a preface or an introduction Parados: marks the entrance of the Chorus when they first enter Stasimon: songs the Chorus sings in Greek tragedy between episodes Episode: the main action of the play; in Greek drama it refers to that part of a tragedy presented between two stasimons Exodus: conclusion of the play Exeunt: another word for “Exit” Structure of Greek Tragedy
Greek Drama Unities • Time – real time • Place – all in one place • Action – continuous action in one place