1 / 28

Colour changes in a natural scene due to the interaction between the light and the atmosphere

Colour changes in a natural scene due to the interaction between the light and the atmosphere. Raúl Luzón González raul@ugr.es Colour Imaging Laboratory Department of Optics, University of Granada. Members. Juan L. Nieves Associate Professor. Javier Hernández-Andrés Associate Professor.

berny
Télécharger la présentation

Colour changes in a natural scene due to the interaction between the light and the atmosphere

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Colour changes in a natural scene due to the interaction between the light and the atmosphere Raúl Luzón González raul@ugr.es Colour Imaging Laboratory Department of Optics, University of Granada

  2. Members Juan L. Nieves Associate Professor Javier Hernández-Andrés Associate Professor Eva M. Valero Associate Professor Javier Romero Professor Clara Plata Post-graduate student Raúl Luzón Post-graduate student Juan Ojeda Post-graduate student

  3. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  4. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  5. Light interactionwithparticles and molecules of different sizes present in the atmosphere leads to the following process: Absorption Emission Scattering Introduction

  6. Introduction Scattering There are two fundamentals process associated with scattering: • Attenuation: flux is removed from a light beam. • Airlight: the atmosphere acts as a light source.

  7. Introduction Scattering The mixing of attenuation and airlight produces loss in saturation and a possible hue change, depending on the atmospheric particles sizes.

  8. There are several works in the field of atmospheric image restoration, some of them based on statistical information of the scene (Pitas and Kiniklis1) and others on physical model (Tan and Oakley2). Introduction Models

  9. Introduction Models The physics based models usually need information about meteorological conditions (Yitzhaky et al.3), distances from the objects (Narasimhan and Nayar4) or some images taken under different weather conditions (Narasimhan and Nayar6).The better physics based models are those constructed over the dichromatic model (Narasimhan and Nayar7).

  10. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  11. Physical Model We use the dichromatic model in with the radiance of the object at the observation plane has two terms: • direct light coming from the object but attenuated by the atmosphere and • airlight (1) Direct light Airlight Where: L is the object radiance viewed from the observer plane L0 is the object radiance β is the attenuation coefficient in the atmosphere L∞ is the radiance of the horizon d is the distance between the object and the detector

  12. Physical Model (2) If we suppose a lambertian object receiving an irradiance Ed, for clear skies the irradiance on the detector is: Where: Ω is the solid angle subtended from the object into the detector Ed is the irradiance over the object ρ is the spectral reflectance of the object β is the attenuation coefficient d is the distance between the object and the detector L∞ is the horizon radiance

  13. Physical Model And if we suppose that the horizon radiance is the same at any point on the sky and the object is lambertian, for overcast skies we use the following expression: (3) Where: Ω is the solid angle subtended from the object into the detector ρ is the spectral reflectance of the object β is the attenuation coefficient d is the distance between the object and the detector L∞ is the horizon radiance

  14. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  15. At first, we have calculated the CIE 1931 (x,y,Y) and the CIELAB (L*,a*,b*) values corresponding to 23 objects of the Macbeth Color-Checker, whose spectral reflectances are known, for three clear days and for three overcast days. Method

  16. The scattering and the absorption coefficients must be known in order to apply the last equations. We know the scattering coefficient at 450, 550 and 700 nm (thanks to ours partners from Centro Andaluz del MedioAmbiente) and we can extrapolate to the rest of visible spectrum assuming that: Method (4) We suppose that the absorption coefficient keep constant in the visible range.

  17. Method In the following table we show the scattering coefficient at 550 nm, the absorption coefficient at 670 nm and the u value for several days.

  18. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  19. Colour changes in the object with observation distance

  20. Direct light coming from the object decrease increasing distance between the object and the observer. Colour changes in the object with observation distance For a specific distance, the airlight factor is more noticeable than the attenuation factor.

  21. Colour changes in the object with observation distance

  22. Colour changes in the object with observation distance

  23. Colour changes in the object with observation distance We included the chromaticity threshold discrimination circle for the horizon, considering 3 CIELAB units. The visibility calculated with colorimetric criterion gives a lower value than one calculated with the classical form.

  24. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  25. Conclusions and future work In this work we pretend to study the influence of the atmosphere in the objects color with the distance. Making a computational work based on a physical model we see how the objects loose their chromaticity. For future work we pretend make more measures, including more meteorological conditions and improve the theoretical model.

  26. Contents • Introduction • Physical model • Method • Colour changes in the object with observation distance • Conclusions and future work • References

  27. 1. I. Pitas and P. Kiniklis, “Multichannel Techniques in Color Image Enhancement and Modeling”, Image Processing, IEEE Transactions, Vol5,No. 1, pp. 168-171, 1996. 2. K. Tan and J.P. Oakley, “Physics-Based Approach to Color Image Enhancement in Poor Visibility Conditions”, Journal of the Optical Society of America, Vol. 18, No. 10, pp. 2460-2467, 2001. 3. Y. Yitzhaky, I. Dror and N. S. Kopeika, “Restoration of atmospherically Blurred Images According to Weather-predicted Atmospheric Modulation Transfer Functions”, Optical Engineering, Vol 36, pp. 3064-3072, 1997. 4. S. G. Narasimhan and S. K. Nayar, “Chromatic Framework for Vision in Bad Weather”, Conference onComputer Vision and Pattern Recognition, IEEE Proceedings.Vol. 1, pp. 598-605, 2000. 5. S. G. Narasimhan and S. K. Nayar, “Contrast Restoration of Weather Degraded Images”, Pattern Analysis And Machine Intelligence, IEEE Transactions, Vol. 25, No. 6, pp. 713-724, 2003. 6. S. G. Narasimhan and S. K. Nayar, “Vision in Bad Weather”, Seventh IEEE International Conference in Computer Vision, IEEE Proceedings, Vol 1, pp. 820-827, 2000. 7. W. E. K. Middleton, “Vision through the atmosphere”, 2ndEdition, University of Toronto Press, 1952. 7. W. E. K. Middleton, “Vision through the atmosphere”, 2ndEdition, University of Toronto Press, 1952. References

  28. Thank you for your attention!

More Related