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Realism

R. Realism. 19. saj. II pool Euroopas. Prantsusmaa- barbizoonlased Venemaa- peredviždnikud. Eemaldumine romantismist. Pärast 1830. aasta revolutsiooni Prantsusmaal leidis romantism üha enam ametlikku tunnustust

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Realism

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  1. R Realism 19. saj. II pool Euroopas Prantsusmaa- barbizoonlased Venemaa- peredviždnikud

  2. Eemaldumine romantismist • Pärast 1830. aasta revolutsiooni Prantsusmaal leidis romantism üha enam ametlikku tunnustust • Sõltumatud kunstnikud loobusid väljamõeldud, fantastilistest ja põnevatest motiividest • Hakati maalima ainult seda, mida nähti enda ümber • Tähtsaimaks peeti tegelikkuse asjalikku ja ilustamata esitamist • Teaduste areng oli tormiline – kunstnike tõearmastus väljendas nende solidaarsust teadusega • Uuendusmeelsed haritlased lootsid, et tõde aitab ühiskonda paremaks muuta ja seepärast peavad nii teadused kuikunstid üheskoos tõde teenima

  3. Eemaldumine romantismist ei olud järsk vaid sujuv ning algas kõigepealt maastikumaalistJean- Baptiste Camille Corot(1796-1875),Mantes`katedraal

  4. Jean- Baptiste Camille Corot(1796-1875),Maastik

  5. Jean-Baptiste-Camille Corot. Talunaine karjatamas lehma.c. 1865-70. 47.5 x 35. Ermitaaž, St. Peterburg

  6. John Constable. Salisbury vaade.

  7. John ConstablePaadi-ehitus

  8. Theodore Rousseau

  9. Theodore Rousseau

  10. Theodore Rousseau

  11. Jean- Francois Millet(1814-1975), Viljakoristajad, 1815 a.

  12. Jean- Francois Millet(1814-1975), Palve

  13. Honore Daumier. The Legislative Belly. Perspective View of the Ministers' Seats of 1834. (Le Ventre legislatif. aspect des blancs ministeriels de la chambre improstituee de 1834). Lithography. Association of the Lovers of Honoré Daumier.

  14. The Widow at a Consultation.From the Series Les Gens de justice. c. 1846. Lithography. Bibliotheque Nationale de France, Paris, France.

  15. Honore Daumier. Transnonain Street. 1834. Lithography. Association of the Lovers of Honoré Daumier.

  16. Honore Daumier. André-Marie-Jean-Jacques Dupin, Also Called Dupin the Elder (1783-1865), Deputy, Lawyer, Academician. 1832. Colored clay. Musée d'Orsay, Paris, France.

  17. Honore Daumier. Count Auguste-Hilarion de Kératry (1769-1859), Deputy, Peer of France. 1832? Colored clay. Musée d'Orsay, Paris, France

  18. Honore Daumier. Clément-François-Victor-Gabriel Prunelle (1774-1853), Doctor, Major of Lyon and Deputy. c.1832. Colored clay. Musée d'Orsay, Paris, France

  19. Honore Daumier. Jean-Ponce-Guillaume Viennet (1777-1868), Deputy, Peer of France and Academician. 1832-33. Colored clay. Musée d'Orsay, Paris, France

  20. Honore Daumier. Baron Jacques-Antoine-Adrien Delort (1773-1846), General and Deputy. 1833. Colored clay. Musée d'Orsay, Paris, France.

  21. Honore Daumier. Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician. 1833 ? Colored clay. Musée d'Orsay, Paris, France.

  22. Honore Daumier. Don Quixote and Sancho Pansa. c. 1849-1850. Oil on wood. Bridgestone Museum, Tokyo, Japan

  23. Honore Daumier. Two Lawyers. c. 1855-57. Oil on panel. Foundation E.G. Bührle Collection, Zurich, Switzerland

  24. Honore Daumier. The Laundress. c. 1860-61. Oil on panel. Musée d'Orsay, Paris, France

  25. Honore Daumier. In the Theater. c. 1860-64. Oil on canvas. Neue Pinakothek, Munich, Germany

  26. Honore Daumier. The Defender. c. 1862-65. Gouache and watercolor on paper. Musée d'Orsay, Paris, France

  27. Honore Daumier. A Wagon of the Third Class. c. 1862-64. Oil on canvas. Museum of Fine Arts, Ottawa, Canada.

  28. Honore Daumier. Crispin and Scapin. Oil on canvas. Musée d'Orsay, Paris, France

  29. Gustave Courbet(1819-1877), Kohtumine ehk “Tervist härra Courbet”,1854 a.

  30. Gustave Courbet(1819-1877), Matus Ornans`is 1849-50 a., 3,14 x 6,63 m

  31. Venemaal, Ilja Repin(1844-1930), Kirikurongkäik Kurski kubermangus, detail,

  32. Ilja Repin(1844-1930), Burlakid Volgal, 1870 a.

  33. Ilya Repin.The Reply of the Zaporozhian Cossacks to Sultan Mahmoud IV. 1880-1891. Oil on canvas. The Russian Museum, St. Petersburg, Russia

  34. Vasily Surikov. The Boyarynia Morozova. 1887. Oil on canvas. The Tretyakov Gallery, Moscow, Russia.

  35. Vasily Surikov. The Taking of a Snow Fortress. 1891. Oil on canvas. The Russian Museum, St. Petersburg, Russia

  36. Vasily Surikov. Stepan Razin. 1906. Oil on canvas. The Russian Museum, St. Petersburg, Russia.

  37. Vassili Perov(1833- 1882), Troika

  38. Vasily Perov. Viimne teekond. 1865. 45.3x57 cm. The Tretjakovi Galerii,

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