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Quiz Show

?. ?. ?. ?. ?. ?. Quiz Show. ?. ?. ?. ?. Created by Micki Harrington: www.mickiharrington.com. CAST/ CREW. LIGHT. SHOTS. GENRES. EQUIPMENT. NARRATIVE. 100. 100. 100. 100. 100. 100. 200. 200. 200. 200. 200. 200. 300. 300. 300. 300. 300. 300. 400. 400. 400.

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Quiz Show

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  1. ? ? ? ? ? ? Quiz Show ? ? ? ? Created by Micki Harrington: www.mickiharrington.com

  2. CAST/CREW LIGHT SHOTS GENRES EQUIPMENT NARRATIVE 100 100 100 100 100 100 200 200 200 200 200 200 300 300 300 300 300 300 400 400 400 400 400 400 500 500 500 500 500 500

  3. Genres:100 An action film cycle of the late 1960s and early 1970s that featured bold, rebellious African American characters Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  4. Genres:200 A fiction film that uses documentary conventions on fictional matter Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  5. Genres:300 A short documentary on current events, shown in movie theaters beginning in the 1930s Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  6. Genres:400 A type of documentary film whose purpose is to present the way of life of a culture or subculture Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  7. Genres:500 A film composed entirely of footage from other films Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  8. Light:100 A measure of a film stock’s sensitivity to light Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  9. Light:200 Light striking the emulsion layer of the film, activating light-sensitive grains Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  10. Light:300 These filters bend the light coming into the lens, softening and blurring the image Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  11. Light:400 Glass filters whose surface is etched with spots that refract light, so they create the appearance of water droplets in the air Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  12. Light:500 The artful use of light and dark areas in the composition in black and white filmmaking Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  13. Shots:100 A shot that contains two characters within the frame Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  14. Shots:200 A camera shot taken at a large distance, capturing the entire human form Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  15. Shots:300 A shot taken from a level camera located 5 ft. to 6 ft. from the ground, simulating the perspective of a person Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  16. Shots:400 A technique of moving the camera on a dolly, often to trace lateral character movement Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  17. Shots:500 A shot combining two kinds of movement: the camera tracks in toward the subject while the lens zooms out Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  18. Cast/Crew100 Reports to the DP; in charge of tasks involving lighting and electrical needs Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  19. Cast/Crew200 An actor whose career rests on playing minor quirky characters, rather than leading roles Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  20. Cast/Crew300 A crew member whose job is to maintain consistency in visual details from one shot to the next Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  21. Cast/Crew400 DAILY DOUBLE A crew member who works in post-production in a specially equipped studio to create the sounds of the story world Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  22. Cast/Crew500 A crew member who measures the distance between the subject and the camera lens, marking the ring on the lens, and turning the ring precisely Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  23. Equipment:100 A camera device that opens and closes to regulate the length of time the film is exposed to light Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  24. Equipment:200 A device used to manipulate the amount and/or color of light entering the lens Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  25. Equipment:300 A small opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  26. Equipment:400 A platform with rotating wheels so it can change direction Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  27. Equipment:500 A device that projects photographs or footage onto glass so that images can be traced by hand to create animated images Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  28. Narrative:100 A story narrated by one of the characters within the story, using the “I” voice Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  29. Narrative:200 A non-standard narrative organization that assumes a “day in the life” quality and features loose or indirect cause-effect relationships Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  30. Narrative:300 The falling or unraveling action after the climax of a narrative that leads to resolution Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  31. Narrative:400 The technique of telling the story from an all-knowing viewpoint rather than from one individual character Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  32. Narrative:500 A chronological and complete account of all the events in a narrative Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

  33. Final Jeopardy: Panning Make Your Wager A pan executed so quickly that it produces a blurred image, indicating rapid activity or, sometimes, the passage of time. Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

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