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Explore the captivating world of medieval music, where sacred and secular styles intersect. This chapter delves into plainchant, the monophonic sacred music of the Christian church, characterized by pure melody and its liturgical functions like Mass. Discover the unique structures of syllabic, neumatic, and melismatic settings in chants. Additionally, learn about secular monophony via troubadours and minnesingers in France and Germany, reflecting emotions of courtly love. Witness the richness of early music through illuminating examples, including works by Hildegard von Bingen.
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Two Sides of Music • Page 23 (Picture/Quote)
Chapter 1 Plainchant/secular Monophony • Plainchant – monophonic sacred music of the Christian church • http://www.youtube.com/watch?v=taanHO13WXE • http://www.youtube.com/watch?v=sYO2NPOHf0w
Gregorian Chant • Pope Gregory I • http://www.youtube.com/watch?v=2HEKhr002Ts • http://www.youtube.com/watch?v=HxjYWvF5ttc
Early Chant Notification • Page 29/30 chart
Elements • Pure Melody NO harmony, accompaniment or added voices • Liturgical function • Relationship of words and music • Mode • Melodic structure • Rhythm
1. Liturgical Function (Mass) • Celebrated daily (See chart page 33) • Ordinary (never changes) • Kyrie GloriaCredoSanctusAgnus Dei
Liturgical year • Advent • Christmas • Epiphany • Lent • Easter • Pentecost
Words to music • Syllabic – each syllable of text has it’s own note • Neumatic – each syllable is sung between two and six notes • Melismatic – a single syllable is sung to many notes • Examples: CD 1 Track 2, 5, 6, 7, 9
Hildegard von Bingen • Page 50 • CD 1 Track 10
Secular Monophony • France • Troubadours/trouveres – found new music, 2100 songs
Germany • Minnesinger – courtly love Bar form Created the AAB structure