1 / 15

Re-Envisioning the Humanities

Re-Envisioning the Humanities. Information Visualization and Collaborative Academic Research. Casey Alt Information Science + Information Studies Duke University. Acknowledgments.

callia
Télécharger la présentation

Re-Envisioning the Humanities

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Re-Envisioning the Humanities Information Visualization and Collaborative Academic Research • Casey Alt • Information Science + Information Studies • Duke University

  2. Acknowledgments • This presentation is representative of work done in the hpsCollaboratory under the faculty direction of Tim Lenoir (Program in History and Philosophy of Science at Stanford University) • My collaborator for both the collaborative timeline and genealogy has been Vince Dorie (masters student in Biomedical Informatics at Stanford) • The majority of this work has been funded by a grant from the Sloan Foundation and Dibner Institute

  3. Digital Humanities (Version 1.0) • the pervasive push to digitize non-digital media documents and archives and make them available online • a focus on acquiring born-digital media documents during or shortly after their creation • an attempt to preserve older digital media documents and ensure their migratability to future platforms

  4. Benefits of version 1.0 • Increased geographic access to archives • Ease of distribution and replication of documents • Extremely granular, corpus-wide searchability of archives

  5. Digital Humanities (Version 2.0) • can we leverage the digital nature of the new archives so as to provide greater data analysis and access, such as clustering by language content? • can we provide differing visual representations of the data so as to draw out higher level relationships among documents? • can we develop intuitive interfaces to archives that allow the historical actors themselves to contribute to and richly document their own archives?

  6. hpsCollaboratory • Collaborative Timeline • Collaborative Genealogy

  7. Collaborative Timeline

  8. Collaborative Timeline

  9. Collaborative Genealogy

  10. Systems Architecture

  11. Benefits of version 2.0 • Improved ability to analyze and understand relationships among diverse documents and collections • Greater ability to integrate and display different digital media formats into a single research framework • Enhanced capacity and enthusiasm for large-scale, global collaborative projects • Immense excitement from the humanities, arts, medical, and social science communities regarding further investigation into digitally-mediated research

  12. Building version 3.0 (semantic web & expert systems) • an interface with multiple views into the data (geographic, time-based, 3D affinity models, etc) • a system that allows for mapping any type of relationship connection between data objects, including genealogical, causal, associative, constituitive, adjancency, similarity, identity, etc) • a semantic web data structure that allows for machine readability and computation of relationships • simple inference-based artificial intelligence models for data mining and novel relationship discovery

  13. RHISOME • adapted from Deleuze + Guattari’s notion of the rhizome in Milles Plateaus • RDF-BASED HAPTIC INTERFACE FOR SEMANTIC OBJECT MAPPING & EDITING • a visual interface for mapping objects in a collaboratively constructed semantic web • allows for complex relationship mapping, browsing, and AI-based analysis

  14. Graphical knowledge environments as a new vision for the humanities • as publishing costs rise and academic presses decrease production, dynamic, collaborative, archive-based knowledge environments become an attractive option for presenting academic research • as university research becomes increasingly proprietary and protected, one could imagine a pay-for-use model for browsing knowledge environments • as AI and web-searching technology advance and the semantic web becomes more widespread, one could imagine visual, self-maintaining knowledge environments that update themselves with new content and analyses

  15. Contact info • Casey Alt • caseyalt@duke.edu • caseyalt.com • hpslab.stanford.edu

More Related