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Spectacular Specular - LEAN and CLEAN specular highlights

Spectacular Specular - LEAN and CLEAN specular highlights. Dan Baker Firaxis Games. Motivation Observations from Movie folks. “The most important aspect of rendering for a movie is anti-aliasing” “Games today still don’t look as good as animated movies 12 years ago.”

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Spectacular Specular - LEAN and CLEAN specular highlights

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  1. Spectacular Specular-LEAN and CLEAN specular highlights Dan Baker Firaxis Games

  2. MotivationObservations from Movie folks • “The most important aspect of rendering for a movie is anti-aliasing” • “Games today still don’t look as good as animated movies 12 years ago.” • “Why in video games does everything look so shiny?”

  3. Reality Check • Have a habit of comparing ourselves against other games • Therefore miss the obvious: Some of our materials don’t look anything like they should • And they alias • And they sparkle

  4. Shiny things • Water, Metal, commonly seen in games • Used for water in Civilization V, but metals suffer from similar problems • Will tour two common lighting models, Phong and Blinn Phong • Both have huge problems

  5. Phong • Simple to implement • Since L is constant for environments, can turn specular part into a preconvolved environment

  6. Sometimes accurate Good for perfect reflectors,like still water. But, perfect reflectors = high power

  7. Problems with Phong • Aliases • Can’t get elongated reflections • Pretty inaccurate – very plastic look to it • No good way to add normals maps together • Anisotropic (grooved) materials will lose there anisotropy at zoom • Can’t use high powers or else!

  8. Problems with Phong Classic Scene, sunset. Can’t get this with Phong lighting

  9. Blinn Phong • Much more accurate if we have real lights in our scene • Can get elongated shapes • Cheap to evaluate

  10. Blinn Phong problems • Aliases • Shading becomes very wrong with roughness • Highlights change based on pixel coverage, and become • Anisotropic (groved) materials will lose there anisotropy at zoom • Can’t do environments easily • Can’t use high powers or else!

  11. Spectacular Specular fail Down sampled of the final render What Blinn-Phong gives us A very rough wave filters to a perfectly flat standing water, An example

  12. Bump Filtering Exactly the same substance, but one side is wrinkled. This completely changes the reflections. (Thanks to Chipotle for the foil)

  13. Overviews problems • “The shimmies”, “The speckles” Lots and lots of talks about this problem • The more substantial the normal map, the higher the power, the more noise we get. Lots of artist tweaking, limits to our data • Reflections are just plan wrong at distant scale, makes objects way over-shiny • Can’t add normal maps together easily to get detail maps

  14. Why this happens • The integral of a function over a range of inputs isn’t the same as function with inputs integrated over a range Where R is a region of a texture, F is our shader (in this case, a Phong or Blinn Phong shader) . The second version is a discrete version, where W is the sample weights from our hardware filtering.

  15. How do Movies solve this? • Typically use REYES, or more advanced techniques • Roughly equivalent of shading every relevant texel and averaging the results • Very expensive, potentially thousands of shader evals per pixel

  16. Dreaming the dream • Ideal lighting model: • Can use any power we want • Will deal with zooming in and out correctly • Won’t alias • Easy to use: compatible with our current pipeline • Relatively inexpensive • Can add normals together • Can use all of our MIP hardware

  17. Formal definition • What we really want is to build a replacement for Blinn Phong that has this property (where F is basically our shader):

  18. LEAN Mapping • Linear Efficient Antialiased Normal Mapping • Considered Fast Antialiased Reflectance Texture Mapping • Fast and flexible solution for bump filtering • Shiny bumps won’t alias • Distant bumps will change surface shading • Directional bumps will become anisotropic highlight • Allows blending layers of bumps • Works with existing Blinn-Phong pipeline

  19. Scale problem solved Normal Map LEAN Map

  20. Prior Work • Posed by Kajiya 1985 • Monte-Carlo • Cabral et al. 1987, Westin et al. 1992, Becker & Max 1993 • Multi-lobed distributions • Fournier 1992, Han et al. 2007 • Single Gaussian/Beckmann distribution • Olano & North 1997, Schilling 1997, Toksvig 2005 • Diffuse [Kilgard 2000]

  21. Beckman Shading Model The math is simpler then it looks. We are raising the power based on the distance of the half angle from the normal. This second formulation rolls the power into a covariance matrix, thereby giving us anisotropic power (e.g. two powers, one for X and one for Y).

  22. Probability Distributions in Shading • Distribution of microfacet normals • Perfectly reflective facets • Only facets oriented with reflect to • Look up probability of in distribution • Beckmann distribution • Gaussian of facet tangents = projection

  23. Filtering • Filter is linear combination over kernel • Linear representation →any linear filter • Summed Area, EWA, … • MIP map, Hardware Anisotropic • We need a BRDF that is linear

  24. Filtering: Gaussians • Gaussian described by mean and variance • Mean combines linearly • Variance does not, but second momentdoes

  25. Blinn-Phong ↔ Beckmann • Blinn-Phong approximates Gaussian [Lyon 1993] • Better fit as increases • Variance , normalize with

  26. Blinn-Phong ↔ Beckmann Blinn-Phong Beckmann

  27. LEAN mapping • Blinn-Phong ↔ Beckmann • Filtering Bumps • Sub-facet shading • Layers of bumps

  28. Distributions & Bumps • If the normal is changing our surface orientation, is there any way to add them together? • Does that even • meaning?

  29. LEAN Mapping • Beckman distribution can be broken into pieces that filter, but doesn’t deal with the normals. • Key insight: We think of the normal instead as a shift of the distribution of microfacets

  30. Distributions Beckman distribution works on a 2d plane. The blue discs represent the distribution of normals. Rather then change the orientation of the surface, we simply shift the center location of the distribution of normals by the x,y component of the normals. Thus, we interpret the normal as a shift in distribution, rather then a change in surface orientation

  31. Filtering Bumps • Rather than bump-local frame • Use surface tangent frame • Bump normal = mean of off-center distribution

  32. Bumps vs. Surface Frame Surface-frame Beckmann Bump-frame Beckmann

  33. LEAN Data • Normal (for diffuse) • Bump center in tangent frame • Second moments

  34. LEAN Use • Pre-process • Seed textures with , and • Build MIP chain • Render-time • Look up with HW filtering • Reconstruct 2D covariance • Compute diffuse & specular per light

  35. Sub-facet Shading • What about base specularity? • Given base Blinn-Phong exponent, • Base Beckmann distribution • One of these at each facet = convolution • Gaussians convolve by adding ’s • Fold into , or add when reconstructing

  36. LEAN Map features • Seamless replacement for Blinn-Phong • Specular bump antialiasing • Turns directional bumps into anisotropic microfacets

  37. Bump Layers • Uses • Bump motion (ocean waves) • Detail texture • Decals • Our approach • Conceptually a linear combination of heights • Equivalent to linear combination of • Even from normal maps

  38. Bump Layers: The Tricky Part • What about ? • Expands out to , , and terms • terms are in , terms are in • terms are new: • Total of four new cross terms

  39. Layering Options • Generate single combined LEAN map • Mix actual heights, or use mixing equations • Time varying: need to generate per-frame • Decal or detail: need high-res LEAN map • Generate mixing texture • One per pair of layers • Decal or detail: need high-res LEAN mixture maps • Approximate cross terms • Use rather than a filtered mixing texture

  40. Layer Options MIP Biased Source 1 Source 1 Source 2 Source 2 Mixed Single LEAN Map Mixture Texture Approximation

  41. Performance 1600 x 1200, single full screen object

  42. Converting Blinn-Phong Data • So fast could be done at load time float3 tn = tex2D(normalMap, coord); float3 N = float3(2*tn.xy-1, tn.z); float2 B = N.xy/(ScaleFactor&N.z); float3 M = float3(B.x*B.x + 1/s, B.y*B.y + 1/s, B.x*B.y) Output.lean1 = float4(tn, .5*M.z + .5) Output.lean2 = float4(.5*B + .5, M.xy)

  43. Texture Compression and Precision • Normal maps get big, painful to compress • Lean MAPs require 5 fields • x,y, x^2, xy, y^2 • Caveat: The precision matters. Unlike other techniques, we are using the normal filtering hardware

  44. Obligatory Shader Code float4 f4BaseMeshColor = tex2D(BaseMeshColor, f2BaseTexCoord); float4 f4BaseColor = tex2D(LeanTextureMap1, f2BaseTexCoord); float Var = tex2D(LeanTextureMap2,f2BaseTexCoord).x; float GradientScale = g_fLeanMapScale; float VarianceScale = GradientScale*GradientScale; float2 Gradient = float2(f4BaseColor.x*2-1,f4BaseColor.y*2-1) *GradientScale; float3 Covar = float3(f4BaseColor.zw , Var*2 - 1) * VarianceScale; // turn moments into elements of covariance matrix, matrix is mat4(Covar.x,Covar.z,Covar,z,Covar.y) Covar -= float3(Gradient.xy*Gradient.xy, Gradient.x*Gradient.y); float3 Half = normalize(ViewDir + LightDir); //Transform half angle back into tangent space Half = mul(mTS, Half); float2 HalfCenter = Half.xy/Half.z - Gradient.xy; //Now calculate the spec float Cxx = Covar.x + 1/g_fExp, Cyy = Covar.y + 1/g_fExp, Cxy = Covar.z; float Cdet = Cxx*Cyy - Cxy*Cxy; float e = (Cyy*HalfCenter.x*HalfCenter.x + (Cyy*HalfCenter.y - 2*Cxy*HalfCenter.x)*HalfCenter.y)*.5/Cdet; fExp = (Cdet<=0 || e>=10 | Half.z < 0) ? 0 : exp(-e)/sqrt(Cdet);

  45. Typical strategy • Remember that our is stored power is 1/s • Simple normalized texture, pow 32 = 4 bits precision, pow 128 = 2 bits! • Can renormalize range, to capture some bits • If we want to use very high powers, e.g. 10,000+, really need 16 bits precision

  46. Water For Civilization V • Lots of background, but why did we do this? • Needed to make water that worked at a distance, not a smooth reflection • And, wanted a realistic wave combing effect • Does not use a reflection map, high powers let us use an analytic model istead

  47. Civ 5’s water • Linear combination of 4 moving bump maps • Allows us to accurate wave directions

  48. Can we make a cheaper version? • CLEAN Mapping • An extension to LEAN mapping developed after paper published • Common art problem: Went to 5 values, hard to drop into most pipelines, and need more precision • Can we make it use less values • CLEAN mapping Cheap Linear Efficient Antialiased Normal Mapping.

  49. Dropping Anisotropy • Cool feature of LEAN maps, but efficiency might be more important • Let’s examine the Beckmann distribution again • Be really nice if we could make only 1 value instead of 3

  50. Dropping Terms • Can just approximate the covariance matrix with a diagonal matrix • Then store just X^2 + Y^2 in addition to X,Y

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