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This analysis delves into the rich themes and vocabulary presented in Langston Hughes' short story "Thank You, M'am." Set in 1950s Harlem, it examines the character dynamics and conflicts, including Roger's struggle between right and wrong after attempting to steal Mrs. Jones' purse. Key terms such as 'presentable,' 'barren,' 'mistrust,' 'frail,' and 'conflict' are explored to illuminate the story's depth. The setting and its social context are also considered, providing a broader understanding of the narrative's impact on its characters.
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Thank You, M’am By Langston Hughes
Presentable • adj. • respectable, fit to be seen, acceptable • “You might run that comb through your hair so you will look presentable.”
Barren • Adj • Unproductive, sterile, desolate, bleak, infertile, unfruitful, empty • “…he couldn’t even say that as he turned at the foot of the barren stoop and looked up at the large woman in the door.”
Mistrust • Verb • distrust, doubt, suspect, be wary of, be afraid of • “And he did not want to be mistrusted now.” http://www.crimelibrary.com/graphics/photos/gangsters_outlaws/gang/harlem_gangs/1-1-Lenox-Avenue-in-Harlem-.jpg
Suede • Noun • leather with a soft, fuzzy surface
Frail, adjective • Adj • Weak; fragile “He looked as if he were fourteen or fifteen, frail and willow-wild, in tennis shoes and blue jeans.”
Conflict • External • Man vs. Man • Roger steals Mrs. Jones’ purse • Internal • Man vs. Self • Roger wants to run away but doesn’t want to disappoint Mrs. Jones
Harlem, New York • New York City, 1990s • Harlem • Neighborhood in New York City, 1920s
Setting • Place • Harlem, New York • Dark walkway • Mrs. Jones’ small flat • One room: bedroom, kitchen, living room, bathroom • Time • Late at night • 1950’s • Clues: Blue Suede shoes