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The Triplets of Belleville

The Triplets of Belleville. By Sylvain Chomet French, 2003 81 min. Triplets of Belleville. “There’s eloquence…in the move’s gnarly imagery and Chomet’s understanding of the human impulse not just to survive but also to save others.” Time magazine. Triplets of Belleville.

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The Triplets of Belleville

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  1. The Triplets of Belleville By Sylvain Chomet French, 2003 81 min.

  2. Triplets of Belleville • “There’s eloquence…in the move’s gnarly imagery and Chomet’s understanding of the human impulse not just to survive but also to save others.” Time magazine

  3. Triplets of Belleville • Original, impressive and very bizarre • The best neo-surrealistic animation I’ve seen • Astonishing, outlandish, full of laughs • Relish the film’s deadpan grotesquery, flair for invention, be it in the fanciful narrative segues or various object lessons

  4. Triplets of Belleville • Tons of awards • On lots of “Best of” animation lists • Five years to develop • Complicated process • Teams in Belgium, Canada, France • Drawings turned into sets

  5. Triplets of Bellville • Influenced by “famous” characters • Josephine Baker • Fred Astaire • Glen Gould • Butt-head from Beavis and Butt-head (German cyclist) • Makes references to • Einstein Field Equations • General Relativity

  6. Triplets of Bellville • Retro, combo 3D & 2D • Used historical, archival references • Feels like a dream • Collectible music

  7. Sylvain chomet • Born 1963, Maisons-Lafitte, France • Started in comic strips and continued to create while making films • Very influenced by Nick Park’s Creature Comforts • Moved from France to Canada • Was director on Paris, Je T’Aime

  8. Sylvain Chomet • “We started out by animating a very simple cyclist's silhouette on a 3D bicycle, or sometimes only the bike. • “We printed each of these images as a line drawing and gave them to the animators so that they could draw a cyclist on the bicycle.

  9. Sylvan chomeT • Then the animators drawings were scanned and colorized, the bicycle details filled in, with matts over every bit that came into contact with human bodies: feet, hands and so on. • Sometimes we were forced to draw in the matts frame by frame, which is an extremely long and exacting process. • A lot of curses flew around.”

  10. The Cartoon according to Syvain Chomet • How the characters come to be (5 Min.) • http://vimeo.com/28071820

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