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Arch 2315 Exam 1 Review

Arch 2315 Exam 1 Review. Exam 1 will consist of: 25 building / site / plan identification @ 2 points each 5 motif / building type identification @ 1 point each 3 essay questions @ 15 points each List the I.D. information vertically on the exam, just as they are on the review:

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Arch 2315 Exam 1 Review

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  1. Arch 2315Exam 1 Review Exam 1 will consist of: 25 building / site / plan identification @ 2 points each 5 motif / building type identification @ 1 point each 3 essay questions @ 15 points each List the I.D. information vertically on the exam, just as they are on the review: Name of ID Location Date (plus or minus 5 years, e.g., an ID that dates to 1637 could be correctly listed as any year between 1632 and 1642. I suggest that you choose, in such as case as this, either 1635 or 1640, since it seems easier to remember five-year intervals) Architect(s), if known

  2. 1. Banqueting House London 1619 Inigo Jones 2. Basilica Vicenza, Italy 1549 Andrea Palladio

  3. 3. Belvedere Rome 1505 Bramante 4. Louvre, west front Paris 1664 Bernini

  4. 5. Campidoglio Rome 1537 Michelangelo 6. S. Susanna Rome 1568 della Porta

  5. 7. Laurentian Library, stairs Florence, Italy 1524 Michelangelo 8. Venetian (Palladian) window, Mount Vernon Alexandria, Virginia 1785 George Washington & John Rawlins

  6. 9. Plan of Rome (perspective depiction) Rome 1588 Pope Sixtus V 10. S. Andrea, Mantua Mantua, Italy 1472 Alberti

  7. 11. Louvre, west front Paris 1667 Perrault 12. Palazzo Caprini (House of Raphael) Rome 1512 Bramante

  8. 13. Il Gesu Rome 1568 della Porta 14. S. Caro alle Quattro Fontane Rome 1634 Borromini

  9. 15. Pazzi Chapel Florence 1430 Brunelleschi 16. St. Martin-in-the-Fields London 1721 James Gibbs

  10. 17. Plan St. Peter’s Rome 1505 Bramante 18. Plan, St. Peter’s Rome 1546 Michelangelo

  11. 19. Vierzehnheilligen, west front Bamberg, Germany 1743 Balthasar Neumann 20. Vierzehnheilligen, plan Bamberg, Germany 1743 Balthasar Neumann

  12. 21. Queen’s House London 1616 Inigo Jones 22. (above) Villa Trissino Veneto region, Italy 1567 Palladio 22 ½ . (left) Villa Barbaro Maser, the Veneto region, Italy 1558 Palladio

  13. 23. Palazzo Medici Florence 1445 Michelozzo 24 Palazzo Rucellai Florence 1446 Alberti

  14. 25. St. Paul’s, Covent Garden London 1631 Inigo Jones 26. St. Paul’s Cathedral London 1675 Inigo Jones

  15. 27. Plan, Washington, DC 1790 Pierre L’Enfant 28. Plan, Versailles 1665 Andre Le Notre for Louis XIV

  16. 29. St. Peter’s Piazza Rome 1656 Bernini 30. Plan, St. Peter’s Rome 1606 Maderno

  17. 31. Tempietto Rome 1502 Bramante 32. Plan, Tempietto Rome 1502 Bramante

  18. 33. Villa Rotunda Vicenza, Italy 1566 Palladio 34. Plan & Section, Villa Rotunda Vicenza, Italy 1566 Palladio

  19. 35. & 36. St. Stephen’s Walbrook London 1672 Sir Christopher Wren

  20. 37. Plan, Palazzo Medici Florence 1445 Michelozzo 38. San Gimignano 13th Century Tuscany region, Italy

  21. 39. S. Andrea, Mantua Mantua, Italy 1472 Alberti 40. Palazzo dei Conservatori Rome 1537 Michelangelo

  22. Motifs and Building Types Search the preceding images for examples of these motifs and building types: Triumphal Arch motif Palladian (Venetian) motif Belvedere motif Temple Front motif Basilica Domus Porticus Tholos Theatre

  23. Three (3) of these five (5) essays will be on the exam. • Explain and interpret the Renaissance appropriation of ancient Roman building types and motifs. (see images 10, 31, 32, 39) • Using these images as examples, explain the rise and development of the palazzo as a distinct typology of the Italian Renaissance. (see images 12, 23, 24, 37, 38) • Using these images as examples, explain the rise and development of the Palladian villa as a distinct typology of the Italian Renaissance. (see images 22, 22 ½ , 33, 34,

  24. Essay questions continued: • Using these images and correct vocabulary, identify and describe Renaissance principles of city planning and explain their use by the three systems of power represented in the images. (see images 9, 27, 28) • Using these images, explain the development of the Baroque aesthetic as a direct result of the Protestant Reformation. (see images 4, 13, 14, 19, 20)

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