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Elements of Poetry

Elements of Poetry. Key Concepts and Examples. What is poetry?. No single definition Most concentrated and condensed form of literature Intense focus on each word and line and how they operate together to communicate experiences Focus on communicating experiences No lesson or moral required

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Elements of Poetry

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  1. Elements of Poetry Key Concepts and Examples

  2. What is poetry? • No single definition • Most concentrated and condensed form of literature • Intense focus on each word and line and how they operate together to communicate experiences • Focus on communicating experiences • No lesson or moral required • Not always beautiful

  3. Where do we begin? • Denotation vs. Connotation • Literal meaning vs. Figurative meaning • Figures of speech and figurative language • Sound devices and musicality • Rhythm and meter • Tone and Theme

  4. What do words mean? • Denotation • Dictionary definition of a word; literal meaning • Connotation • Implied or suggested meaning of a word • Depends upon implication or shared emotional association • Example: • “Greasy” has a negative connotation, independent of dictionary definition

  5. Literal meaning vs.figurative meaning • Literal Meaning • The simplest, most obvious meaning • Tied to denotation of words • “The sky is gray” tells the color of the sky. • Figurative Meaning • Associational or connotative meaning • Tied to representations, symbolic meaning • “The sky is gray” suggests an ominous, foreboding atmosphere.

  6. Why areconnotation and figurative meaning important? • Poems do not have only a literal meaning, but they have deeper meanings tied to their connotative or figurative meaning • Poets use connotations to develop or complicate a poem’s meaning • William Carlos Williams, “The Red Wheelbarrow” • Ezra Pound, “In a Station of the Metro”

  7. What is figurative language? • Language that cannot be taken literally or only literally • Language that employs figures of speech • Figures of speech – ways of saying something other than the ordinary way, where you say one thing and mean another • Examples: “It’s raining cats and dogs” or “I could eat a horse”

  8. Types of figurative language • Simile • A comparison of two essentially unlike things using “like” or “as” • Wordsworth, “I Wandered Lonely as a Cloud” • Metaphor • A comparison of two essentially unlike things without using words; application of a name or description to something to which it is not literally applicable • Literal and figurative terms may be named or implied • Ezra Pound, “In a Station of the Metro”

  9. Types of Figurative Language • Personification • Giving the attributes of a person to an animal, object, or concept • Tennyson, “The Eagle” • Apostrophe • Addressing someone absent or dead or something nonhuman as if that person or thing were present and alive • Angelou, “Woman Work”

  10. Types of Figurative Language • Hyperbole • Overstatement, exaggeration in the service of truth • Tennyson, “The Eagle”; Wordsworth, “I Wandered Lonely as a Cloud” • Understatement • Saying less than one means • Hayden, “Those Winter Sundays”; Hardy, “The Man He Killed”

  11. Types of Figurative Language • Symbol • Something that means, suggests more than what it is • Functions both literally (what the symbol is) and figuratively (what the symbol represents) • Yeats, “The Lake Isle of Innisfree” • Hayden, “Those Winter Sundays” • Wordsworth, “I Wandered Lonely as a Cloud”

  12. What is the relationship between symbols and similes/metaphors? • Similes and metaphors compare two seemingly unlike things • “Some dirty dog stole my wallet” • Symbols associate two things using literal and figurative meaning • “You can’t teach an old dog new tricks”

  13. Types of Figurative Language • Paradox • A seeming contradiction that is somehow true • Valuable for shock effect, attracts attention • Example: “Poetry is a language that tells us, through a more or less emotional reaction, something that cannot be said.” Edwin Robinson • Example: “Cowards die many times before their deaths; / The valiant never taste of death but once.” Shakespeare

  14. Types of Figurative Language • Irony • When you say or get the opposite of what you mean or expect • Verbal irony – discrepancy between what the speaker says and what the speaker means • Dramatic irony – discrepancy between what the speaker says and what the poem means • Owen, “Dulce et Decorum Est” • Brooks, “We Real Cool”

  15. Types of Figurative Language • Pun • A play on words; a humorous use of a single word or sound with two or more implied meanings • Oxymoron • A compact paradox in which two successive words seemingly contradict one another • Examples: bittersweet, wild civility, cold heat

  16. Types of Figurative Language • Metonymy • The use of something closely related for the thing actually meant • Example: “The pen is mightier than the sword” • Synecdoche • A part substituted for the whole • Yeats “The Lake Isle of Innisfree”

  17. What poetic elements exist? • Imagery • Words or sequence of words that represent a sensory experience (sight, smell, hearing, taste, touch) • Collins, “Introduction to Poetry” and nearly all poems

  18. What poetic elements exist? • Allusion • A reference to something in history or previous literature • Hopkins, “Spring” • Yeats, “No Second Coming”

  19. What sound devices exist? • Alliteration – repetition of initial consonant sounds • Assonance – repetition of vowel sounds • Consonance – repetition of final consonant sounds • Onomatopoeia – use of words to imitate the sounds they describe

  20. What sound devices exist • Rhyme – repetition of accented vowel sounds and any succeeding consonant sounds • Internal rhyme – one or more rhyming words within single line • End rhyme – rhyming words at end of line • Approximate rhyme – slant rhyme, words with any kind of sound similarity (alliteration, assonance, and consonance at end of lines)

  21. What sound devices exist? • Elision – omission of unstressed vowel or syllable to preserve meter • Anaphora – repetition of opening word of phrase in a series of lines (Angelou, “Woman Work”) • Refrain – repetition of whole words, phrases, lines, or groups of lines according to fixed pattern (Shakespeare, “Winter”)

  22. What is meter? • Meter – measured pattern of rhythmic accents in a line of verse • Foot – basic unit of meter, consisting of one accented syllable plus one or two unaccented syllables • Iambic (iamb) – metrical foot containing two syllables, first unstressed, second stressed • Iambic pentameter – five iambic feet

  23. What is rhythm? • Rhythm – natural rise and fall of language • Corresponds to alternation between accented (stressed) and unaccented (unstressed) syllables • End-stopped line – end of the line corresponds with natural speech pause • Run-on line – no natural pause at end of the line; enjambment • Caesura – a pause for a beat in the rhythm of the verse (within a line)

  24. What poetic forms exist? • Open vs. Closed • Open – free from regularity and consistency • Closed – follows fixed structure and pattern (rhyme, length, meter) • Blank verse vs. Free verse • Blank verse – unrhymed iambic pentameter (Shakespeare’s plays) • Free verse – no prescribed pattern or structure

  25. What poetic forms exist? • Stanza – unit of poetic lines, verse paragraph • Couplet – a pair of lines, usually rhymed • Heroic couplet – pair of rhymed lines in iambic pentameter • Sonnet • 14 lines, iambic pentameter, prescribed rhyme • English (Shakespearean) sonnet: ababcdcdefefgg • Italian (Petrarchan) sonnet: abbaabbacdecde OR cdcdcd

  26. Tone and Subject • Tone • The writer’s or speaker’s attitude toward the subject, the reader, or herself of himself • Subject • What is the poem about?

  27. Meaning vs. Theme • Poem’s meaning – the experience it expresses • What experience does the poem communicate, and how well does it do so? • Poem’s theme • The central idea or unifying generalizations implied or stated by a literary work • Ascertain from the poem itself • Not simply the subject of the poem, but what does the poem suggest about a subject

  28. How do we approach poems? • Six Steps • Read aloud twice – define unknown words – initial impressions, responses, observations – TP-CASTT analysis – return to initial impressions, responses, observations – evaluate the poem • TP-CASTT • Title – Paraphrase – Connotations – Attitude – Shifts– Title – Theme

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