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CHANGES TO SCRIPT #3: ADDITION OF SCENES

SANDRA AGGREY. CHANGES TO SCRIPT #3: ADDITION OF SCENES . HERE I WANTED TO CREATE A CONTRASTING MISE-EN-SCENE AS PREVIOUSLY MY DRAMA HAD BEEN BASED IN A POLICE CELL (apart from the flashback). THEY WERE NOW IN A MORE RELAXED, LESS CONSTRAINED ENVIROMENT.

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CHANGES TO SCRIPT #3: ADDITION OF SCENES

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  1. SANDRA AGGREY CHANGES TO SCRIPT #3:ADDITION OF SCENES

  2. HERE I WANTED TO CREATE A CONTRASTING MISE-EN-SCENE AS PREVIOUSLY MY DRAMA HAD BEEN BASED IN A POLICE CELL (apart from the flashback). THEY WERE NOW IN A MORE RELAXED, LESS CONSTRAINED ENVIROMENT. • I WANTED TO ENCODE THE SIGN THAT THESE TWO SISTERS HAD IN FACT GROWN CLOSER AS A RESULT OF THEIR HEART TO HEART IN A POLICE CELL WHICH LET A FEW SKELETONS OUT OF THE CLOSET. THEY WERE IN A SENSE GOING BACK TO THEIR YOUNGER DAYS WHERE THEY LIVED TOGETHER. THIS REPRESENT MY THEME OF THE PAST AND ESSENTIALLY RELIVING IT TO MOVE ON WITH THE FUTURE VERY WELL.

  3. IT IS ALSO NOT A CONVENTIONAL STYLE • AND CAN BE DECODED IN MANY WAYS. • SOME MAY NOT UNDERSTAND THE • MEANING OF THE BLURRING BETWEEN THE • BOUNDRIES OF THE REAL AND THE FANTASY. • I TRIED TO COMMUNICATE THIS EFFECTIVELY TO MY AUDIENCE BY PLACING LYNETTE’S UTTERANCES AT THE END TO ACT AS A SIGN THAT SHE IS AWARE THAT LOUIE IS DAY-DREAMING AND THAT THE AUDIENCE SHOULD BE ASWELL. • THE LAST LINE ALSO ENCODES A MEANING OF WISHING AND HOPING FOR SOMETHING SO MUCH THAT YOU START TO DRIVE YOURSELF TO INSANITY (e.g. Louie is essentially hallucinating.) ADDING A FLASHFORWARD/ DREAM SCENE AT THE END OF MY RADIO DRAMA ADDS AN ASPECT OF POST-MORDERNISM AS THE NARRATIVE BECOMES FRAGMENTED AND BROKEN.

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