1 / 21

Markup Languages for Music: MusicXML

Markup Languages for Music: MusicXML. Music 253/CS 275A Stanford University. XML in Music: A s hort history. 1998 to present: Corpus Mensurabilis Musicarum Electronicum 2000-2007: OS-specific MusicXML 2007-2011: Java-based MusicXML 2010---: MuseScore et al. rely on MusicXML

ike
Télécharger la présentation

Markup Languages for Music: MusicXML

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Markup Languages for Music: MusicXML Music 253/CS 275A Stanford University

  2. XML in Music: A short history • 1998 to present: Corpus MensurabilisMusicarumElectronicum • 2000-2007: OS-specific MusicXML • 2007-2011: Java-based MusicXML • 2010---: MuseScore et al. rely on MusicXML • 2011---: MusicXML owned privately by MakeMusic • 2013: MakeMusic acquired by Launch Equity See http://www.musicxml.com/ 2014 Eleanor Selfridge-Field

  3. XML-based codes: CMME for virtual editions (early music) • Corpus MensurabilisMusicarum(est. 1998) Est. and built by Theodor Dumitrescu, Oxford-Utrecht-Berkeley) Goal: One encoding, multiple systems of notation for mensural notation cmme.org From The Virtual Score. Used by permission.

  4. CMME (2013) • Computerized Mensural Musical Editing • Based in Utrecht • Marnix van Berchum (director from 2012--) • Home of “The Other Josquin” [attribution study] • Source code publicly available (GNU license) at https://github.com/tdumitrescu/cmme-editor 2014 Eleanor Selfridge-Field

  5. CMME today Content lists, some scores for 15th-16th cent music http://www.cmme.org 2014 Eleanor Selfridge-Field

  6. In the beginning… Efforts to facilitate interchange (via XML) CMME (1998) MusicXML (2000) MuseScore Add-ons to other software • Beyond MIDI (1997) • IMS study group • 39 contributions • 3 interchange codes • 5-10 defunct • Lacks Guido (2001); cf. CM 13 (2001) http://beyondmidi.ccarh.org/beyondmidi-600dpi.pdf 2014 Eleanor Selfridge-Field

  7. From data to apps: MuseData Model MuseData 2014 Eleanor Selfridge-Field

  8. MusicXML vis-à-vis MuseData MuseData MusicXML 2014 Eleanor Selfridge-Field

  9. MusicXML: History • Developed from 2000 by Michael Good • DistribRecordare(2002-2011) • V. 1: platform-specific (2004) • V. 2: Java (2007) • V. 3: Java (2011) • Sold as add-on to Finale, Sibelius et al. • Sold to MakeMusic (Finale) in 2011 • Native in Finale; more limited capabilities in Sibelius http://www. makemusic.com/musicxml/ Sibelius team moved to Steinberg as Keeping Score NAMM 2011 2014 Eleanor Selfridge-Field

  10. MusicXML: Main Aims • Nexus of all notation interchange schemes • Commercially based • Highest structural compatibility with MuseData and Humdrum • Most useful tool for converting from older versions of Finale! • In use over past decade by many small sw companies and a few music publishers (inc. Hal Leonard) 2014 Eleanor Selfridge-Field

  11. image from: http://recordare.com/xml.html Purpose • Primary function of MusicXML is data interchange between programs: Guido Finale MuseScore MuseData Humdrum Sibelius Lilypond SCORE • Designed for encoding common-practice western music notation. 2014 Craig Stuart Sapp; rev. esf 2010

  12. Part/score orientation inMuseData 1. Encode voice by voice for full movement 2. Add lyrics, other refinements 3. Repeatuntil all movements are encode 4. Assemble score 2014 Eleanor Selfridge-Fieldt

  13. Part/score orientation inMusicXML Encode voice by voice or bar by bar Transform array as needed 2014 Eleanor Selfridge-Fieldt

  14. MuseScore • Uses MusicXML instead of individual rep system • Java-based • Doc in several languages • Open-source level • Closed-source level • YouTube tutorials • For now: shareware musescore.org Music by Marc Sabatella 2014 Eleanor Selfridge-Field

  15. Lilypond • Shareware (GNU) engraving, own code (c. 2005) • Dev (Han Wen Nienhuys) in Netherlands (now lives in Brazil) • All platforms (mainly unix/linux) • TeX-like syntax, markup • Extensive online documentation • Musicxml2lp script (Lilypond 2.12.3) • Hosts “unofficial MusicXML test suite” • (no official test suite) • Good categorical organization http://www.lilypond.org/doc/v2.16/Documentation/snippets.pdf http://lilypond.org/doc/v2.12/input/regression/musicxml/collated-files.html#Test-cases 2014 Eleanor Selfridge-Field

  16. MusicXML: Current status (v. 3.0, 2013) • http://www.makemusic.com/musicxml/specification/dtd • Partwise/timewise conversion (v. 1.0) • “Common” DTD (v. 3.0) • Sound: timbral recognition (sounds.xml, v. 3.0) • MIDI: in absolute or delta times (v. 3.0) • Layout module (v.1.1): formatting data as elements • Other: some support for recent music, no semantic support for early music 2014 Eleanor Selfridge-Field

  17. MusicXML: basic file structure • Row/column rotation handled through XSLT style-sheets (no style sheets in beginning) • Score/part/measure elements at top of file • Lots of metadata fields possible in score header • DTD: http://www.musicxml.com/for-developers/musicxml-dtd/ 2014 Eleanor Selfridge-Field

  18. MusicXML: MIDI interface Accidental=“alter” 2014 Eleanor Selfridge-Field

  19. MusicXML Apps Scorio (2014) -import from MusicXML -export to LilyPond -print (PDF) -play MIDI 2014 Eleanor Selfridge-Field

  20. MusicXML Apps Scorio, 2 2014 Eleanor Selfridge-Field

  21. MusicXML: Towards the Future • Claims 170 apps used MusicXML • Scorch, Frescobaldi, JillyNote, Mobile Music Trainer, • Thrust moving towards greater privatization • E.g. Steinberg’s SMuFL (http://www.smufl.org/): • “a specification that provides a standard way of mapping the thousands of musical symbols • required by conventional music notation into the Private Use Area in • Unicode’s Basic Multilingual Plane for a single OpenType font.” • Claims interest in MusicXML and MEI 2014 Eleanor Selfridge-Field

More Related