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Philosophy of Music

Philosophy of Music. Lecture 1. Philosophy. Organised sound framed by silence ( Judkins ). Organised sound framed by silence ( Judkins ). Rhythm, melody and harmony ( Scruton ).

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Philosophy of Music

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  1. Philosophy of Music Lecture 1

  2. Philosophy

  3. Organised sound framed by silence (Judkins)

  4. Organised sound framed by silence (Judkins)

  5. Rhythm, melody and harmony (Scruton) the temporal organisation we hear in music, with which we move when we move with the music, which is like a force and creates a sense of community amelismaticindividual that we hear in the sequence of sounds, and in which no note can be altered without destroying the whole what we hear in two simultaneous pitches when we hear them as a single chord which fillsthe interval

  6. An event intentionally produced or organised to be heard either to have some basic musical feature or to be listened to for such features (Kania)

  7. Musicians Performance Power Orpheus, Liszt, Mick Jagger Practice Harmony Imitation Pythagoras, Rameau, Schoenberg Theory Making Form Josquin, Beethoven, Sondheim Creativity

  8. Music Performance Experience Improvisation Thought Realisation Directives Composition

  9. Questions How would it differ from musicology? • Can there be a successful descriptive philosophy of musical theory, practice and creativity? • Can there be a successful value-theoretic philosophy of musical theory, practice and creativity? • Are the accounts proposed by Judkins, Kania or Scruton successful in either of these ways? How would it differ from criticism?

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