SlideServe
Menu
Préférences
© SlideServe · v2026

Contrast between Private and public art: Medici Edition

jadyn avatar
14 diapositives · 247 Views · Jul 26, 2014

Discover the intriguing contrast between private and public art at the Medici Villas, with notable works by Botticelli, Pontormo, and more, reflecting power and patronage in Renaissance Italy.

Contrast between Private and public art: Medici Edition - slide 1
01 / 14Contrast between Private and public art: Medici Edition
1 / 17

Télécharger la présentation

Contrast between Private and public art: Medici Edition
Une image / un lien ci-dessous est fourni (tel quel) pour télécharger la présentation

Politique de téléchargement : le contenu du site vous est fourni TEL QUEL pour votre information et votre usage personnel ; il ne peut être vendu, concédé sous licence ni partagé sur d’autres sites sans l’accord de son auteur.Le contenu vous est fourni TEL QUEL, pour votre information et votre usage personnel uniquement. Téléchargez la présentation en cliquant sur ce lien. Lors du téléchargement, si vous ne parvenez pas à télécharger une présentation, l’éditeur a peut-être supprimé le fichier de son serveur.Pendant le téléchargement, si vous ne parvenez pas à obtenir une présentation, le fichier a peut-être été supprimé par l’éditeur.

F I N

Plus de contenu associé

Transcription de la présentation
  1. Art History 259 Quinn Hosler Prof. Sara Galletti Contrast between Private and public art: Medici Edition

  2. Medici Villas Giusto Utens, Villa Mediceadi Castello, c. 1599 Giusto Utens, Villa Medicea di a Poggio a Caiano, c. 1599

  3. Paintings of Power in Villa of Poggio a Caiano Andrea del Sarto and Alessandro Allori, Tribute to Ceasar. Villa Medicea, Poggio a Caiano (Florence). c. 1520 Franciabigio, The Triumph of Cicero. Villa Medicea, Poggio a Caiano (Florence). c. 1520

  4. Vertumnus and Pomona Pontormo, Vertamnus and Pomona. Villa Medicea, Poggio a Caiano (Florence). c. 1519-21

  5. Fountains of Villa di Castello Fountain of Hercules and Antaeus, designed by NiccolòTribolo from c. 1543; bronze figures by BartolomeoAmmannati, 1559-60, Villa Medici, Castello.

  6. Fountains of Villa di Castello Fountain of the Labyrinth, designed by NiccolòTribolo,c. 1545; bronze figure of Florence by Giambologna, 1572, Villa Petraia (formerly Castello)

  7. Fountains of Villa di Castello Castello: Medici Villa Int: Villa CastelloThe Grotto, animal fountain, c. 1540

  8. Botticelli and the Medici Botticelli, Primavera; Allegory of Spring, c. 1478

  9. Botticelli and the Medici Botticelli, Birth of Venus, c. 1482

  10. Botticelli and the Medici Botticelli, Venus and Mars, c. 1483

  11. Works Cited Natali, Antonio. Andrea Del Sarto. New York: Abbeville Press Publishers, 1999. Botticelli, Sandro. "Birth of Venus." Villa di Castello, 1482.
 Poletti, Federico. Botticelli. Masters of Art. Edited by Sandro or Botticelli Munich ; London: Prestel, 2011. Clark, David L. "Botticelli's Venus and Mars and Other Apotropaic Art for Tuscan Bedrooms." Aurora: The Journal of the History of Art 7 (2006): 1-18. "Castello: Medici Villa Int: Villa Castello the Grotto, Animal Fountain." 1540. Fulton, Christopher B. An Earthly Paradise : The Medici, Their Collection and theFoundations of Modern Art. Arte E Archeologia ; 28. [Florence, Italy]: L.S. Olschki, 2006. Gobbi, Grazia. The Florentine Villa : Architecture, History, Society. The Classical Tradition in Architecture. Abingdon, Oxon ; New York: Routledge, 2007. Tribolo, Niccolo, 1500-1550. "Fountain of Hercules (Hercules & Antaeus - Top by Ammanati)." Villa di Castello, near Florence, 1552. Tibolo, Nicolo, 1500-1550. "Fountian of Hercules." Villa di Castello, near Florence, 1552.

  12. Works Cited Lazzaro, Claudia. The Italian Renaissance Garden : From the Conventions ofPlanting, Design, and Ornament to the Grand Gardens of Sixteenth-CenturyCentral Italy. New Haven: Yale University Press, 1990.
 Gibbons, Leslie Aaron Key. "Lorenzo De'medici: An Investigation into the Development and Continuance of Family and Cultural Honor." M.A., University of Missouri - Kansas City, 2008.
 The Medici, Michelangelo, & the Art of Late Renaissance Florence. Medici, Michelangelo, and the Art of Late Renaissance Florence. Edited by Cristina AcidiniLuchinat, Chicago Art Institute of, Arts Detroit Institute of and StrozziFondazione Palazzo New Haven [Conn.]; Detroit: Yale University Press; in association with the Detroit Institute of Arts, 2002. Kempers, Bram. Painting, Power and Patronage : The Rise of the Professional Artist in the Italian Renaissance. Kunst, Macht En Mecenaat. English. London: Allen Lane the Penguin Press, 1992. Hollingsworth, Mary. Patronage in Renaissance Italy : From 1400 to the Early Sixteenth Century. London: John Murray, 1994. Hollingsworth, Mary. Patronage in Sixteenth-Century Italy. London: John Murray, 1996.

  13. Works Cited Botticelli, Sandro. "Primavera." Galleria degli Uffizi, 1478.
 Fraciabigio, with additions by Alessandro Allori. "Return of Cicero to Rome." Villa medicea (Poggio a Caiano, Italy), 1520 (with additions by Allori in 1578-82). Botticelli, Sandro. "Venus and Mars." Villa di Castello, 1483.
 Pontormo, Jacopo. "Vertumnus and Pomona." Villa Medici, Poggio a Caiano, 1519-21. Pontormo, Jacopo. "Vertumnus and Ponoma (Detail)." Villa Medici, Poggio a Caiano, 1519-21. Utens, Giusto. "Villa Di Castello.” 1599.
 Pontormo, Jacopo. "Villa Di Poggio." 1599. Andrea del Sarto, with additions by Alessandro Allori. "Villa Medicea (Poggio a Caiano, Italy)." 1520 (with additions by Allori in 1578-82).