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THE NATURE OF LIGHT AND COLOR

THE NATURE OF LIGHT AND COLOR. The Essential Reference Guide for Filmmakers. THE VISIBLE SPECTRUM. THE VISIBLE SPECTRUM. THE VISIBLE SPECTRUM. TRANSMISSION AND ABSORPTION. REFLECTION AND REFRACTION. COLOR VISION. COLOR VISION. FILM VS. HUMAN VISION. THE REPRODUCTION OF COLOR.

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THE NATURE OF LIGHT AND COLOR

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  1. THE NATURE OF LIGHT AND COLOR The Essential Reference Guide for Filmmakers

  2. THE VISIBLE SPECTRUM

  3. THE VISIBLE SPECTRUM

  4. THE VISIBLE SPECTRUM

  5. TRANSMISSION AND ABSORPTION

  6. REFLECTION AND REFRACTION

  7. COLOR VISION

  8. COLOR VISION

  9. FILM VS. HUMAN VISION

  10. THE REPRODUCTION OF COLOR Subtractive color Additive color

  11. ADDITIVE COLORS

  12. SUBTRACTIVE COLOR

  13. THE COLOR WHEEL

  14. LIGHT SOURCES AND COLOR

  15. LIGHT SOURCES AND COLOR

  16. COLOR TEMPERATURE Daylight film exposed in Daylight Daylight film exposed in Tungsten

  17. COLOR TEMPERATURE To match a daylight balanced film with a tungsten source, use an 80A filter. To match a tungsten balanced film with a daylight source, use an 85 filter.

  18. LIMITATIONS IN COLOR TEMPERATURE Color Temperature = Visual Appearance Color Temperature ≠ Photographic Effect

  19. LIMITATIONS IN COLOR TEMPERATURE

  20. Conclusion • QUESTIONS?

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