1 / 19

Jane Eyre

Jane Eyre. XX-XXVII: Jane between Love/Madness and Law/Principles. Outline. Review: Chap XI-IXX Overview: Chap XXI-XXVII Female Subjects in the novel Jane’s Choices: multiple narrative positions Her Paintings Her Dreams Rochester’s narrative of love Her Rationalization.

jeremy-mcclain
Télécharger la présentation

Jane Eyre

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Jane Eyre XX-XXVII: Jane between Love/Madness and Law/Principles

  2. Outline • Review: Chap XI-IXX • Overview: Chap XXI-XXVII • Female Subjects in the novel • Jane’s Choices: multiple narrative positions • Her Paintings • Her Dreams • Rochester’s narrative of love • Her Rationalization

  3. Review: Chap XI-IXX –The Quest vs. The Realistic and the Gothic Jane’s Role as a Governess vs. Her Desire

  4. Chap XX-XXVII

  5. Chap XX-XXVII

  6. Two Filmic Episodes • 7 (1-3) • 8 (2-3)

  7. Discussion Questions • Group 2 Mrs. Fairfax vs. Bertha group 7 Eliza vs. Geogiana– Types of Female characters the novel present (Possible subject positions for Jane) • Group 3 part 1, group 8 part 2-- Relations between Jane and Rochester • group 4 -- Through the two main episodes here (Mrs. Reeds’ death and the wedding), how does Jane express and develop her sense of identity? • group 5- What do you think about Rochester as a lover? And his solution to his attempt at polygamy? • Groups 6 & 1 -- What would you have done were you Jane?

  8. Female Subjects in the novel

  9. Eliza vs. Georgina (XXI) p. 200 the two compared; Jane beyond feeling mortified. Eliza Georgina 205 –on herself, her loves and woes • 206 – no companion • No conversation • Accusation of Georgiana 207 Jane’s views of the two (208)

  10. Mrs. Fairfax vs. Bertha Mrs. Fairfax Bertha a ‘low, slow ha, ha’ after Jane’s reverie on being discontented. Mirror image The scene // red room scene • XXIII: the “widow” seeing Rochester kiss Jane; • XXIV: “Equality of position and fortune is often advisable” -- “twenty years of difference in your ages”; “pet of his” “governess” (232-33).

  11. Jane’s Development (1) Outgrowing Her Hatred • Meeting Aunt (XXI) • pp. 202; • 209-211

  12. Jane’s Self-Expression via Paintings –or Self-Denial? three instances of painting • XIII (110-111): 3 paintings (of clouds, peak of a hill and of a polar winter sky) Rochester’s exploration of the recesses of her mind  “artist’s dreamland” • XVI (141-): Jane vs. Ingram-- a conscious effort to fix the subject in a position of rationality and clarity • Jane’s spontaneous portrait of Rochester—artist’s self-expression or self-lessness?

  13. Jane’s Development (2) Jane as a Server  Independence • Chap XX: • “I’d give my life to serve you” • “I like to serve you, sir, and to obey you in all that is right.‘ • Chap XXII –R needs Jane’s confirmation (A loving eye is all the charm needed) • Chap XXIII • “I am no bird; and no net ensnares me: I am a free human being with an independent will; which I now exert to leave you.” (223) • I summon you as my wife. (223)

  14. Rochester XXIV (227-28) delicate and aerial” Jane “Puny and insignificant…You are dreaming, sir—or you are sneering…” “I’m not an angel…I will be myself” (XXIV 228) hates being dressed like a doll 236; writes to John Eyre Jane: poverty = degradation (III 20);being given too much jewelry = degradation (XXIV 236) For wages (30 pounds a year) show him divers rugged points…”my whole world”; “my hope of heaven” 241 Jane’s “Independence” from Rochester’s Narrative of Love • Rochester -- like a stray lamb 245 looking for her shepherd

  15. Rochester as a Romantic Hero or Villain • Omen--a bolt of lightning splits the chestnut tree of the proposal scene (XXV 243) • Domineering: XX – forbids the two to talk • Self-Centeredness; coldness to Mason • Deceitfulness: his proposal • Clues to the past: • Error, not a crime 191  Jane refuses to offer comfort in reformation (XX 192) • proposal –”God pardon me…”(XXIII: 224)

  16. Jane’s Dreams and Bertha (XXV-XXVI) • her dream 247—the charge of a little child; • another dream 248-49 • Facing the mad woman 249-50 • XXVI– Jane’s future destroyed • XXVII -- Rochester’s account 269

  17. Rochester’s Solution & Confession • Separating Bertha from her: “You shall go to a place I have in the south of France: a white-washed villa on the shores of the Mediterranean.” • Reasoning through confession • Emotional appeal

  18. Jane’s Self-Respect and Principles • (XXVII 279) • 'I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. • I will keep the law given by God; sanctioned by man.

  19. Next Week • Is Jane successful in her quest? • Roles: • Jane –--3 • Rochester – 5 • Bertha --4 • St. John Rivers -- 8 • Mrs. Fairfax -- 6 • Georgiana --7 • Helen Burns --1 • You --2

More Related