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Juxtaposition of Cultural Expressions in Artifacts from Different Societies

Explore the contrasting artistic representations and cultural significance found in a variety of artworks from different societies. Develop thesis statements to highlight the key issues represented by each pair of slides and understand the cultural context behind them.

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Juxtaposition of Cultural Expressions in Artifacts from Different Societies

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  1. ARH 203 Study Guide FOR 10/25/05 MIDTERM PART 2 SLIDE REVIEW/THESIS STATEMENT Please review the following slides and complete or revise your notes. Please practice developing a thesis sentence for each juxtaposition THESIS SENTENCE: One complete,accurate, unified, precise sentence stating issues represented by each pair of slides together.

  2. LEFT: Wo-Haw, Wo-Haw between Two Worlds, 1875-7, ledger-book drawing, graphite/colored pencil on paper • RIGHT: Mrs. Minnie Sky Arrow, Beaded Dress, c. 1890, glass beads over buckskin

  3. ONI OF IFE, & QUEEN, NIGERIA c. 1100 - 1400 A.D. GIOVANNI ARNOLFINI & HIS BRIDE, c. 1434 AD By Jan Van Eyck, Northern Renaissance

  4. CONSTANTIN BRANCUSI Sleeping Muse Bronze. 1949. HUNTING NET, ZANDE, ZAIRE, HERBERT LANG COLLECTION, 1910

  5. Fulani (Wodaabe) Niger

  6. LEFT: LEAH NAMPEYO, c. 1900. HOPI,1ST MESA RIGHT:Raharuhi Rukupo Self Portrait in the HouseTe Hau-ki-Turanga Maori, New Zealand

  7. STUDENT PRACTICE THESIS SENTENCE: The Haida totems represent cultural hierarchy & power whereas the Asmat territorial markers are focused on the cyclical nature of the environment and core locus of their cultures [sic] epistemology. LEFT: HAIDA, NWC, Skidegate, Queen Charlotte Islands, B.C., 1888 RIGHT: ASMAT, IRIAN JAYA MBIS (Ancestral POLES) on Beach, 1961; Mangrove Wood, Sago Palm.

  8. STUDENT PRACTICE THESIS SENTENCE: While the Haida crest poles and the Asmat Mbis have a common purpose of honoring ancestors, they do have several innate differences. LEFT: HAIDA, NWC, Skidegate, Queen Charlotte Islands, B.C., 1888 RIGHT: ASMAT, IRIAN JAYA MBIS (Ancestral POLES) on Beach, 1961; Mangrove Wood, Sago Palm.

  9. STUDENT PRACTICE THESIS SENTENCE: Both the Haida settlement with totem poles and the Asmat Mbis ancestral poles have ritual significance and would have been considered points of power in their communities. LEFT: HAIDA, NWC, Skidegate, Queen Charlotte Islands, B.C., 1888 RIGHT: ASMAT, IRIAN JAYA MBIS (Ancestral POLES) on Beach, 1961; Mangrove Wood, Sago Palm.

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