1 / 3

BEATBOXING

BEATBOXING. Troy Scheuermann. History.

joie
Télécharger la présentation

BEATBOXING

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. BEATBOXING Troy Scheuermann

  2. History • It is usually documented that beatboxing, as we know it, has its roots in the beginning of modern hip-hop, on street corners in placed like Chicago, the Bronx, and LA, and this is quite right. However, vocal percussion - the art form from which beatboxing spawns - has been part of the music and urban scene for a lot longer than people think. As part of the new school of beatboxing and hip-hop - that is, from around 1998 to today - it is extremely important this new school knows its history, and the way in which this glorious sub culture came about. Through hard research, I will attempt to show you, the reader, the true (but brief) history of beatboxing. • Travelling right back, we uncover the troubadours (poet-musicians) of Southern France the 1200 and 1300s. These were travelling French minstrels who would roam the streets singing either unaccompanied or with only the accompaniment of a lute, the precursor to the modern acoustic guitar. Their music seemed to try and be different and featured courtly lyrics or religious themes. By the late 1400 and 1500s, groups would sing together, much like barbershop, harmonising to one single voice. To give their music depth, they would interchange short sharp notes, call and responsive in the melodies, making it sound like a whole band was playing with them. These French gypsies, were in fact the earliest recorded signs of vocal percussion in history. • African ritualistic music had traditionally used body sounds to maintain rhythm, such as clapping and stamping. Loud in-and-out breathing called 'over breathing' was also used as both a two-beat rhythm and to induce a trance like state in the performers. Vocal percussion patterns were also used such as, "hup, hup, hup, hup" and "Ch Ka Ch Ch". Today, West African music still uses techniques such as giving the voice an intentionally raspy or buzzy quality as well as featuring glissandos, bends, and swoops. • In the 17th Century, African slaves were taken to plantations in Jamaica and the Americas where the African music was blended with European folk and brass band music to spawn new forms of music - namely jazz and blues. • Today, beatboxing and vocal percussion is as alive as ever. One only needs to lend an ear to the Australian charts to hear Joel Turner using beatboxing as the drums to an entire album. Joel has since claimed national glory, and multimillion dollar record deal and mainstream exposure. The formation of such groups as the Beatbox Alliance, who have major corporate backing, makes us realise beatboxing is now a card carrying member of the hip-hop community. In 2000, Rahzel made beatboxing famous in the mainstream by covering the now deceased Aaliyah’s song 'If Your Girl Only Knew'. Rahzel has since been credited as the first person to conquer the art of simultaneously singing and beatboxing at the same time, a feat that has become a staple of the beatbox community.

  3. Hip Hop Origins • Beatboxing in hip hop originated in 1980s.

More Related