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Chapter 12 delves into the transformative period of the Early Renaissance, examining key concepts like perspective in art, the philosophical underpinnings of Neoplatonism, and ideals of Platonic love. Central to this era are the Medici family, whose patronage significantly influenced the arts in Florence. Featured works include Donatello's David, Michelangelo's David, Botticelli's La Primavera, and Leonardo da Vinci's The Last Supper. This chapter also highlights Machiavelli's political insights in The Prince, set against the backdrop of evolving artistic techniques, such as moveable type and the Aldine Press.
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