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Laura Wright

Laura Wright. Trailer Editor. Becoming a trailer editor. To become a trailer editor, you start at an entry -level position (basic level) in an agency, and work your way up from inside the company. Becoming a trailer editor.

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Laura Wright

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  1. Laura Wright

  2. TrailerEditor

  3. Becoming a trailer editor To become a trailer editor, you start at an entry-level position (basic level) in an agency, and work your way up from inside the company.

  4. Becoming a trailer editor Once you have a reel of work, you can move to another agency or try it out on your own.

  5. Typical day Job involvement; Create trailers using scripts made by copywriters/marketing executives

  6. Typical day Time scale; A 30-second tv spot may take up to two days to cut from scratch, show a producer, get notes and improve until complete then forward to a client

  7. Typical day Job role; Often work alone to cut a trailer which is project-specific until needing further notes and feedback from producers or clients.

  8. Experience needed School > post-production (primarily editing/sound design) Up to speed with technical elements > Working the machine room, tape desks etc Two – four year college > focusing on film making industry (as well as directing etc)

  9. Experience needed Apprenticeship > career information on film editing Assistant in the film industry > production or assistant editor Skills and luck > film editor

  10. Reasons why… • Own trailers, own time • Interesting • High success- roughly $1789 a week (£970 a week) • Creative

  11. Inspiration • Homework for different subjects in school • The Holiday • Encouragement from actress’s success

  12. Own work/experience • Homework pieces e.g. geography, media etc • Different events e.g. birthday presents • Spare time CONSIDERING… • Own site for different occasions

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