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Paul Cézanne (1839-1906)

Paul Cézanne (1839-1906). Spatial structure. The painter most responsible for freeing the medium from its representational role, allowing future artists to create works with their own intrinsic laws. “I want to make of Impressionism something solid, like the art in the museums”.

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Paul Cézanne (1839-1906)

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  1. Paul Cézanne (1839-1906) Spatial structure The painter most responsible for freeing the medium from its representational role, allowing future artists to create works with their own intrinsic laws “I want to make of Impressionism something solid, like the art in the museums”

  2. Cezanne, The Murder, 1868

  3. Cezanne, The Eternal Feminine, 1877

  4. Cezanne, The Temptation of St. Anthony, 1875

  5. Cezanne, The Pastoral, 1870

  6. Cezanne, Modern Olympia, 1869

  7. Cezanne, The House of the Hanged Man, 1873

  8. Paul Cézanne Mont Sainte-Victoire, 1900, o/c, 30 x 39 Geometry volume form

  9. Paul Cézanne, Mt. St. Victoire, 1902, oil on canvas

  10. Paul Cézanne, Mt. St. Victoire, 1906, oil on canvas

  11. Paul Cézanne, Mt. St. Victoire, 1885-87, oil on canvas, 25 x 32

  12. Paul Cézanne, Mt. St. Victoire, 1902, oil on canvas

  13. Paul Cézanne, Mt. St. Victoire, 1906, oil on canvas

  14. 1985-87 1906

  15. Cezanne, The Bather, c. 1885

  16. Renoir, The Large Bathers, 1887 Cezanne, The Large Bathers, 1906

  17. Cezanne, Three Bathers, 1879-82 Bouguereau, Bathers, 1884

  18. Cezanne, The Large Bather, 1906

  19. Cezanne, Group of Bathers, 1890 Bazille, Summer Scene, 1869

  20. Cezanne, Portrait of Ambroise Vollard, 1899 Portrait of Ambroise Vollard, 1910

  21. Tension and anxiety, spatial disorientation Paul Cézanne, Still Life with Plate of Cherries, 1885-87, oil on canvas, 22 x 27ª

  22. Paul Cézanne Still Life with Basket of Apples, 1890-94, oil on canvas, 24 x 31”

  23. Paul Cézanne, Still Life with Apples and Oranges, 1895-1900, Oil on canvas, 36 x 42”

  24. Cezanne’s geometric form and disjointed perspective made him an inspiration to Pablo Picasso, Cubism, and the abstract art of the 20th century

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