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Jazz Guitar 4 Beginners: Notes on Improvisation TCC ~ GG Preparata

Jazz Guitar 4 Beginners: Notes on Improvisation TCC ~ GG Preparata. Recap: Fooling around with chords. In the tonality of F/ Dm Progressions ~ ad libitum Bb Maj7 ( interm ./1 st fret) – Bm7 / b5- C#7/b9 – Dm7 ( interm . 2 nd form- see figure) – G7/11 (see figure) – A7/11 – Dm7

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Jazz Guitar 4 Beginners: Notes on Improvisation TCC ~ GG Preparata

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  1. Jazz Guitar 4 Beginners:Notes on ImprovisationTCC~ GG Preparata

  2. Recap: Fooling around with chords In the tonality of F/Dm Progressions ~ ad libitum • Bb Maj7 (interm./1st fret) – Bm7/ b5- C#7/b9 – Dm7 (interm. 2nd form- see figure) – G7/11 (see figure) – A7/11 – Dm7 • One Note Samba (Jobim): • [A]:Dm7-C#7-C7 sus 4- Bm7b5 (int. 2) – [B]:Fm11 (int.2)- Bb7+5 (or13) –Eb Maj 7-Ab6 • Repat [A] and and end with Bb6 (or 13) Dm Fm 11 Bm7 b5 G7/11 9th fret

  3. The Ubiquity of the Minor Mode Find your degrees • Rule for the Major Diatonic Scale Count: “tone-tone-semitone (3)-tone-tone-tone-semitone (7)” • T-T-St-T-T-T-sT • 1-2-three-4-5-6-seven • Back to our chords: • BbMaj7-Bm7b5-Dm (7)- G9 (high shape): • So you can play minor arpeggios on the fifth of a dominant chord • ALSO: play Gm11 and Cm11: you may play a minor scale/arpeggio of the 5th degree of Cm7: i.e., Gm7 (aside from the root) Arpeggios over MAJOR chords • Rule: 3 minors that preserve the sound of the major chord: • Minor built on the third degree: Cmaj-Em7; play arpeggios: same • Minor bulit on the sixth degree: Cmaj-Am • Minor built on the 7th degree, which yields a C Lydian: Cmaj7-Bm7

  4. The Ubiquity of the Minor Mode In fact, the DMS has 4 minor relative modes: • Dorian (2nd) • Phrygian (3rd) • Aeolian (6th) • Locrian (7th) • E.g., Gmaj7: • G (R) ~ B (3) ~ E(6) ~ F# (7) • Pat Martino on Improvisation & the the Minor Mode at: https://www.youtube.com/watch?v=rGb3sexMlCE

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