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Shakespeare’s Hamlet

Shakespeare’s Hamlet

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Shakespeare’s Hamlet

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Presentation Transcript

  1. Shakespeare’s Hamlet An Introduction http://www.youtube.com/watch?v=SCVc5TaPpe8&feature=related

  2. A Brief Introduction to Hamlet • Hamlet is a play that has fascinated audiences and readers since it was first written in around 1601-1604 • The play centers around Hamlet’s decision whether or not to avenge the murder of his father, the King of Denmark. This weight of this decision drives all the other action and relationships in the play. • Hamlet is part of an old tradition of revenge plays, and is based on an old oral legend about Amleth, a prince whose father was killed by his uncle, who then married his mother. • Amleth pretends to be mad, while plotting how to avenge his father’s death, and eventually is able to kill his uncle.

  3. Who and What is Hamlet? • Critics have read this character as • A tragic figure whose flaw is an unwillingness to act • A representative of the human psyche (most famously Freud and Jung) • A modern individual fighting against the “old ways” of seeing and being in the world • Shakespeare took the basic plotline and created 5 stories in one! • Family Drama – An uncle has married the wife of his brother. • Love Story – Young love is forced apart by circumstance • Madness – A young prince may or may not have gone mad. • Revenge Play – death, murder, suicide, ghosts! • Political Thriller– Who should have the throne?

  4. Hamletas Political Survivor Elsinore = Island Plotting Political Alliances Scheming Backstabbing Real vs. Acting Illicit Hookups Getting voted off Permanently

  5. Hamlet: The First “Modern Man?” • Hamlet is also a play concerned with the question “Who Am I?” • First line of the play➔ “Who’s there?” • Is our role in life defined by fate? Family? Our own choices? Are we completely alone in the world, or are we irrevocably tied to others? • Hamlet’s struggle with these “existential” questions has led critics such as Harold Bloom and Freud to suggest that Hamlet is a representation of a fully modern man • Able to look at the stupidity, falsity, difficulty and sham of everyday life, without relying on easy answers

  6. Key Thematic Questions in Hamlet • Revenge vs. Justice • What is the difference between revenge and justice? Is one more moral than the other? • Does the act of revenge irrevocably change an individual? • Action vs. Inaction • Is action always virtuous? • Is is possible to take action in a world where nothing is ever certain (i.e. morally black and white) • Fate vs. Autonomy • Do we have control over the shape of our own lives? • Are our roles in life always preordained? • Appearance vs. Reality • Is deceit a fundamental part of the way society functions? • Is life a series of “parts” that we “act” in order to get by? • Is there a “truth” under all the appearances in our lives?

  7. Key Thematic Questions in Hamlet • Madness • Is insanity just a sane way of reacting to the madness of the world around us? • Loyalty and Betrayal • What constitutes loyalty? • To whom do we owe loyalty? Family? Lovers? State? Ourselves? • What happens when loyalties conflict? • Old Worlds vs. New Worlds • How does one function when caught between two world views? • What are the emotional/psychological/physical costs of this struggle?

  8. Hamlet as Pop Culture

  9. Structural Devices in Hamlet

  10. Dramatic Devices in Hamlet • Crisis: The moment or event in the plot where the conflict is the most directly addressed; the main character wins or loses; the secret is revealed; the ending of the story becomes inevitable • Usually found in Act III • Climax (Catastrophe): High point of tension and conflict; marks a major turning point for one or more of the characters • Usually found in Act V • Literary Devices • Review the devices on the handout and become familiar with them – it will be expected that you know and can refer to them while discussing the play.

  11. While We Read Act I. i. . . . What kind of atmosphere is Shakespeare trying to create here? Why do you think the ghost does not speak? Why do you think Shakespeare introduced Fortinbras so early in the play?