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Behind the Curtain: My Lighting Journey in Chekhov and Urinetown

Explore the realms of lighting design in theater through my experiences with Chekhov and Urinetown productions. In Chekhov, I gained basic knowledge and improved grid work, facing challenges in managing the front of house and learning monetization aspects. For Urinetown, I delved into more complex instruments like Gobo Rotators, Mirror Units, and Color Scrollers. Front of house duties expanded to encompass house managing and communication, establishing a professional public face for the theater. These connections provided me with the opportunity to showcase classic theatre to the community, work with diverse styles, explore ecological themes, grant designers creative freedom, and adapt styles for actors. Discover the intricacies of lighting design and front of house management, from basic techniques to professional attire, in this insightful journey.

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Behind the Curtain: My Lighting Journey in Chekhov and Urinetown

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Presentation Transcript

  1. Charles Bruce Davis III Drama 106 Presentation Spring 09

  2. My Role In Chekhov and Urinetown

  3. Lighting Chekhov • Lots of basic knowledge • Grid work • Frustration

  4. Front of House Chekhov • Management Skills • Monetary aspects of theatre • Speed • Professional dress

  5. Lighting Urinetown • More complicated instruments • Gobo Rotators • Mirror Units • Color Scrollers • Mini Board

  6. Front of House Urinetown • House Managing • Communication • Public face of the theater • Seating late comers

  7. Connections

  8. Connections for Chekhov Provides opportunity to see classic theatre to the community Lets designers work with styles they may not be used to Costuming

  9. Connections for Urinetown Ecological themes Great freedom for designers Different style for the actors

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