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No Depression The Journal of Roots Music
A Little Heaven to Earth On October 1, 2015, the International Bluegrass Association (IBMA) perceived the Chuck Wagon Gang's long vocation and persevering commitments to nation gospel music when it granted "Best Loner Notes for a Recorded Project" and "Best Graphic Design for a Recorded Project" to "The Chuck Wagon Gang Complete Recordings: 1936-1955."
The Things We Are Made I've held up before submitting my musings to print since I needed to make sure of the subject. I would not like to oversell something that at last doesn't justify the acclaim showered upon it. I wasn't going to make any guarantee I don't have faith in, that can't be supported. Initial introductions can be deluding. We can at times need something to be great and in this way make a plunge with cases of "Come back to frame" or "The best since… " which end up being nothing of the sort.
The 10 Best Roots Music of 2018 A month ago we surveyed our staff members and ordinary collection commentators on their most loved records of the year up until now. It's never a simple inquiry, and dependably an abstract one. Among our voters, just 10 records got different votes with the No. 1 craftsman taking her crown by a wide edge (subsequently why the sections are ordered after hers). Yet, almost 40 different collections got votes, displaying the broadness of 10 best roots music discharged up until this point, and the scope of inclinations from our scholars and perusers.
Curse Of Lono Look down, and the elective Curse of Lono is a true to life southern gothic shake five-piece from London whose blend of consoles, guitars, harmonium, drums and bass opens up the sound behind frontman Felix Bechtolsheimer's vocals. Singing dim, exceptional and on the other hand elevating tunes that face devils, misfortune, and the road puppies of fixation, Bechtolsheimer faces his substances in full view. There is no dressing window ornament or agreeable separation, what's his, is our own. What we do with it is our choice.
American Roots Music If this was a book review, and I’m sorry it’s not, I’d tell you that each is a riveting read if you have any interest in learning about how various styles of regional music were discovered and popularized throughout American roots music in the 1920s and ’30s. With songs released on double-sided 78 rpm discs, you might be surprised to learn that obscure blues, jazz, and hillbilly music routinely sold in the hundreds of thousands each, and occasionally in the millions.
Driftwood music magazine Like a great many people in the music business, I wound up stunned and astonished by the sudden demise of Dirty Linen. A loved production for society/roots/world music, Dirty Linen was the place I learned of numerous incredible new groups or melodic developments. And after that one day, it was no more. I looked around and figured out how to discover a blog considered Dirty Nelson that recounted to a portion of the story, and after that, just as of late I heard that a fresh out of the plastic new online distribution, Driftwood Music Magazine, was being shaped from the fiery remains of Dirty Linen! I hopped hanging in the balance and sent off a few inquiries to discover the scoop.
Contact us For general inquires or assistance with your journal order, please email help@nodepression.com For pitches for ND’s print journal, please email ND Managing Editor Hilary Saunders at hilary@nodepression.com. For new releases info or review inquiries, please email ND Assistant Editor Stacy Chandler at stacy@nodepression.com. For advertising info, please email ND Advertising Manager Sonja Nelson at sonja@nodepression.com.
