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International Level Television and Film Training in East Africa

International Level Television and Film Training in East Africa. Today’s Students Tomorrow’s Content Providers. The Idea. Imagine a Television Show created by African TV and Film students at an internationally acceptable level of production. The Idea.

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International Level Television and Film Training in East Africa

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  1. International Level Television and Film Training in East Africa Today’s Students Tomorrow’s Content Providers

  2. The Idea Imagine a Television Show created by African TV and Film students at an internationally acceptable level of production

  3. The Idea Imagine this show being good enough for TV Stations to give it a Prime-Time Television Slot

  4. TheHATUATV Talk Show

  5. TheHATUATV Talk Show 3rd Season Saturday Night 8pm on Citizen & Re-released on GTV Continent Wide at 8:30pm Wed. Nights

  6. TheHATUATV Talk Show Where Did It Begin ? Wamuyu Kaigwa and Wanjeri Wachira Original Producers

  7. TheHATUATV Talk Show Where Did It Begin ? Toni Kamau Producer Season 3

  8. TheHATUATV Talk Show 3rd Season Guest Musical Artists With The HATUA Band Add Entertainment Value

  9. TheHATUATV Talk Show Produced By The Students of The Mohamed Amin Foundation and Made Possible By a grant from Open Society Initiative for East Africa Email: mofo@iconnect.co.ke

  10. MoFORCE Training For TV & Film How do we do this ? We give a thorough understanding of the medium We start with the Sine Wave

  11. MoFORCE Training For TV & Film How do we do this ? We integrate theory with daily practical skill development It’s a Hands-On Coursework

  12. MoFORCE Training For TV & Film How do we do this ? We integrate theory with daily practical skill development It’s a Hands-On Coursework

  13. MoFORCE Training For TV & Film How do we do this ? We nurture teamwork and professional attitudes

  14. MoFORCE Training For TV & Film How do we do this ? We teach the care and handling of equipment

  15. MoFORCE Training For TV & Film How do we do this ? Training staff transfers sophisticated professional technical skills

  16. MoFORCE Training For TV & Film How do we do this ? and give engineering support for the studio shooting

  17. MoFORCE Training For TV & Film How do we do this ? Recent Set up for Zain Relaunch

  18. 11 Years of Training The Results Individuals with solid skills and abilities, who have the confidence and capacity to become professionals in the television and film industry

  19. 11 Years of Training The Results Nearly 100% Employment Record in The Industry

  20. 11 Years of Training The Results Creating Leaders That Can Spread The Knowledge And Make Content!

  21. 11 Years of Training Local production companies Starting their own production companies International Agencies covering Africa Local TV stations Many of the most talented remain Freelance Where Do TheMoFORCEGo When The Graduate?

  22. MoFORCE Training For TV & Film What is Required to Achieve our Results 9 to 5 Daily • Holistic Curriculum

  23. MoFORCE Training For TV & Film What is Required to Achieve our Results Dedicated & Talented Trainers Dedicated Trainees

  24. MoFORCE Training For TV & Film What is Required to Achieve our Results Developing Team Attitude Professional Behavior •Timeliness

  25. MoFORCE Training For TV & Film What is Required to Achieve our Results Minimum of 1 year to develop this For Optimum Results 2 to 3 Years

  26. The GAP between local TV stations and the local producer Local productions lacked even a minimum level of acceptability for broadcast

  27. The GAP between local TV stations and the local producer The Stations have in the past a model that did not included local production

  28. The GAP between local TV stations and the local producer Now That Local Production has Proven to Be Effective in the Market… Will The Model Include -

  29. The GAP between local TV stations and the local producer Money for Writers, Producers, Directors, Actors & Technicians?

  30. The GAP between local TV stations and the local producer And If It Does Pay

  31. The GAP between local TV stations and the local producer Are The Writers, Producers, Actors and Technicians Trained To Deliver Quality for Their Pay?

  32. The GAP between local TV stations and the local producer Broadcasters and Advertisers must not think in terms of Short Term Gains This is A Time for Investment The Pie Gets Bigger Future Revenues and Larger Profits Are The Result

  33. What Kind of Training Can Bridge The GAP

  34. What Kind of Training Can Bridge The GAP Workshop Training ?

  35. What Kind of Training Can Bridge The GAP Workshop Training ? This is how African Film and Television has been trained for the past 30 years So why is there such a quality problem?

  36. What Kind of Training Can Bridge The GAP This is how African Film and Television has been trained for the past 30 years So why is there such a quality problem? Workshop Training

  37. What Kind of Training Can Bridge The GAP The Answer Then ?

  38. What Kind of Training Can Bridge The GAP Invest in Our Capacity

  39. What Kind of Training Can Bridge The GAP There Is The Need For Parallel Paths

  40. What Kind of Training Can Bridge The GAP We Can Deliver With Your Help

  41. Today’s Students - Tomorrows Content Providers

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