1 / 43

Moder n

Moder n. Color. Christian Herrera Nicole Galvin. Theory. Albert M unsell & Color Properties. http:// munsell.com / wp -content/uploads/2013/05/ Munsell_Blog_AlbertMunsell.jpg.

oral
Télécharger la présentation

Moder n

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Modern Color Christian Herrera Nicole Galvin Theory

  2. Albert Munsell & Color Properties http://munsell.com/wp-content/uploads/2013/05/Munsell_Blog_AlbertMunsell.jpg

  3. http://www.google.com/url?sa=i&source=images&cd=&docid=d1tW1h0m9W_IxM&tbnid=F8WSkD0T8ZNI1M:&ved=0CAgQjRw&url=http%3A%2F%2Fwww.huevaluechroma.com%2F&ei=adoHU6cPybzIAbf_gbAN&psig=AFQjCNHfh96HlATPt4VQqp2MP9jktzNMnQ&ust=1393109993132034http://www.google.com/url?sa=i&source=images&cd=&docid=d1tW1h0m9W_IxM&tbnid=F8WSkD0T8ZNI1M:&ved=0CAgQjRw&url=http%3A%2F%2Fwww.huevaluechroma.com%2F&ei=adoHU6cPybzIAbf_gbAN&psig=AFQjCNHfh96HlATPt4VQqp2MP9jktzNMnQ&ust=1393109993132034

  4. “Desire to fit a chosen contour, such as the pyramid, cone, cylinder or cube, coupled with a lack of proper test, has led to many distorted statements of color relations, & it becomes evident, when physical measurement of pigment values & chromas is studied, that no regular contour will serve.” – Albert H. Munsell, A Pigment Color System & Notation

  5. Hue – measured around horizontal circlesChroma – measured radially outward from the vertical axisValue – measured vertically http://www.google.com/url?sa=i&source=images&cd=&docid=EFhcq47XKqfpgM&tbnid=r9HEy-2N4K1nOM:&ved=0CAgQjRw&url=http%3A%2F%2Fvickiwelsh.typepad.com%2Ffield_trips_in_fiber%2F2012%2F03%2Fcolor-theory-4-the-color-theorists.html&ei=ZtoHU_zbK8fyyAHOhYGICA&psig=AFQjCNFCD4uz8-IEb7zubW9DdZtQN-kmPw&ust=1393109990775297 http://en.wikipedia.org/wiki/File:Munsell_1929_color_solid_transparent.png

  6. HUE http://www.google.com/url?sa=i&source=images&cd=&docid=P7rPwswQk7Wu3M&tbnid=v3q1Bo6j1HZRqM:&ved=0CAgQjRw&url=http%3A%2F%2Fwww.handprint.com%2FHP%2FWCL%2Fcolor18a.html&ei=Z9oHU_yXOubbyQHv3oDoAw&psig=AFQjCNEX6tMpvqCoEPdar8HEEg9G0ck5cw&ust=1393109992049764 http://en.wikipedia.org/wiki/File:Munsell_1929_color_solid_transparent.png

  7. http://en.wikipedia.org/wiki/Munsell_color_system

  8. Example of Munsell’s System A Light Yellow Hue with a Dark Color Mixed In = 5Y 8/12 Pure yellow (5Y) of light hue (8) with a hint of the complimentary color purple (identified by its value in the mix as 12)

  9. Johannes Itten Color Contrasts http://achtnullvier.com/sites/default/files/glossar/johannes_Itten.jpg?1320933188

  10. Contrasts of Hue The interaction of two or more different colors http://myweb.wssu.edu/betzs/primary25a.jpg

  11. Light-Dark Contrast Contrast between light values & dark values

  12. Cold Warm

  13. Complementary Contrast

  14. Simultaneous Contrast

  15. of Contrast Saturation

  16. Contrast of Extension (Proportion)

  17. Josef Albers Color Interaction http://abstractartist.org/wp-content/uploads/2011/04/josef-albers-portrait.jpg

  18. http://25.media.tumblr.com/tumblr_m14ujsPK8W1ro4yjro1_500.jpghttp://25.media.tumblr.com/tumblr_m14ujsPK8W1ro4yjro1_500.jpg http://3.bp.blogspot.com/-OnKhbZhcslc/Ug_QVMCGkZI/AAAAAAAACbk/uhchk39nJE8/s1600/albers.png

  19. AFTER IMAGE

  20. Equiluminance http://visualizeit.files.wordpress.com/2008/10/siggraph.png

  21. Partitive Color Mixing https://fbcdn-sphotos-c-a.akamaihd.net/hphotos-ak-ash3/t1/1506813_10151907761701487_2089181029_n.jpg

  22. Simultaneous Contrast One Color Appears as Two http://1.bp.blogspot.com/-j3Lf4wu0B7I/UDAdOtQ-_TI/AAAAAAAARFw/1rtadC1fb8g/s1600/mental8-6b.png

  23. SimultaneousContrast Two Colors Appear as One http://www.uxmatters.com/mt/archives/2006/01/images/color-theory-images/SuccessiveContrast2-1.gif

  24. ColorMixingModels http://www.practicalecommerce.com/files/images/0004/1533/rgb_cmyk.png Subtractive RYB color

  25. Color Receptors RED GREEN BLUE RGB http://thehumaneyeandthecamera.blogspot.com/p/difference-between-rods-and-cones.html

  26. Additive Primary Colors

  27. SecondaryLightColors •Green+ Blue = Cyan • Blue+ Red = Magenta • Red+Green= Yellow • (CMY) • Red + Green + Blue = White http://dba.med.sc.edu/price/irf/Adobe_tg/models/images/rgb_model.gif

  28. RGB Color Experience http://api.ning.com/files/yltp4bQ88zstEUnSSyz1SuRrCsGJHfI55QCww*6io1Xj5Bdu45-xun2cxhQ3cosTO0ryEQRGdw17tfp7nWRrgQ__/TV.jpg

  29. SUBTRACTIVE MIXING Reflected Colors

  30. CMYSubtractive Mixing PrintersPrimary Colors http://dba.med.sc.edu/price/irf/Adobe_tg/models/images/cmy_model.gif

  31. http://www.math.harvard.edu/computing/latex/color_files/rgbcmyk.gifhttp://www.math.harvard.edu/computing/latex/color_files/rgbcmyk.gif

  32. RYB Subtractive Mixing http://rip94550.files.wordpress.com/2009/03/picture-32f.png?w=780

  33. The Mix Primary Color system in art classes. Red + Yellow = Orange Yellow + Blue = Green Blue + Red = Violet http://upload.wikimedia.org/wikipedia/commons/5/55/Color_star-en.svg

  34. RYB = Duller Color In RYB subtractive mixing, R + Y + B = Black. The secondary colors in RYB subtractive mixing are duller than both the CMY Subtractive triad and Additive’s RGB triad secondary colors. CMY (Subtractive) RYB (Subtractive) RGB (Additive) https://lh3.googleusercontent.com/-rhucl_2K1jY/TWqXTwYRdjI/AAAAAAAAHZ4/tmz6L6uGmT0/s1600/farbsub.jpg

  35. Color Harmony http://hallgroat.com/wp-content/uploads/2013/06/MONOCHROMATIC-COLOR-HARMONY.jpg

  36. Complementary Colors at opposite ends of the color wheel. Creates a visual vibration. Ex. Green and Red. http://www.tigercolor.com/Images/Swatch_rect.gif

  37. Split Complimentary Color scheme that uses two adjacent colors and their compliment. There is a visual contrast as the Complimentary scheme but its easier on the eyes. Ex. Green, purple, and orange, http://www.tigercolor.com/Images/Swatch_rect.gif

  38. Double Complimentary Double complimentary uses four colors, these are two pairs of complimentary colors. Complimentary colors intensify each other; this would make some colors combinations easier to look at than others. Ex. Red, Orange. Green, and Blue. http://www.tigercolor.com/Images/Swatch_rect.gif

  39. Analogous An analogous color scheme uses colors which are next to each other on the color wheel. This color scheme is usually the most pleasing to the human eyes, since the colors carry similar wavelengths. Ex. Cool colors, Light-Blue, green, and light-green http://www.tigercolor.com/Images/Swatch_rect.gif

  40. Triadic A combination of three colors on the color wheel which are evenly spaced on the color wheel. This scheme tends to be pretty vibrant regardless of combination of colors. Ex. Purple, Orange, and green. http://www.tigercolor.com/Images/Swatch_rect.gif

  41. Square This scheme consists of four color evenly spaced of the color wheel. Ex. Red, blue, green, and yellow. http://www.tigercolor.com/Images/Swatch_rect.gif

  42. Monochromatic This is color scheme where you use a single hue to make tints or shades of a color to explore saturation and lightness. Ex. Red to pink. http://upload.wikimedia.org/wikipedia/commons/thumb/1/1a/CPT-Websites-monochrome.svg/201px-CPT-Websites-monochrome.svg.png.

  43. Bibliography Albers, Josef, and Nicholas Fox Weber. Josef Albers: A Retrospective. New York: Solomon R. Guggenheim Foundation, 1988. Print. "Color." Roeger. N.p., n.d. Web. 22 Feb. 2014. <http://www.roeger.tv/color/>. Fraser, Tom, and Adam Banks. Designers Color Manual. San Francisco: Chronicle, 2004. Digital file. "Itten, Johannes (1888-1967)." The Thames & Hudson Dictionary of Design Since 1900. London: Thames & Hudson, 2004. Nielson, Karla J., and David A. Taylor. Interiors an Introduction. 3rd ed. New York: McGraw-Hill, 2002. Print. Rosenthal, T. G., and Josef Albers. Josef Albers: Formulation : Articulation. New ed. New York: Thames & Hudson, 2006. Print. Siebenbrodt, Michael, and Elisabeth Reissinger. Bauhaus Weimar: Designs for the Future. Ostfildern-Ruit: HatjeCantz, 2000. Print. Stone, Terry Lee, Sean Adams, and Noreen Morioka. Color Design Workbook: A Real-world Guide to Using Color in Graphic Design. Gloucester: Rockport, 2006. Print. *Images cited on slides*

More Related