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Explore practical lessons on Eurostat data handling & detailed cluster mapping of creative industries in Europe, informing economic policies. References by Boix & Lazzeretti provide valuable insights on the geography of creative industries and the significance of creative services firms in European regions. Delve into the definitions and practical applications of creative industries for a comprehensive understanding of this dynamic sector.
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Sesión 5 Rafael Boix
Sumario • Delimitación práctica de la noción de industrias creativas en las estadísticas internacionales • Sobreviviendo a la falta de estadísticas. Lecciones prácticas: • Lección práctica 1: dentro del laberinto (Eurostat MonAmour): búsqueda, localización, descarga, matching y tratamiento de valores vacíos para regiones europeas. Y para el colmo, mis resultados desautorizan la política económica de la mayoría de países europeos. • Lección práctica 2: los 5 samuráis o como elaborar una base de datos para estudiar la localización de las industrias creativas a nivel de sistema productivo local en 4 países europeos. • Lección práctica 3: Abrir solo si hemos salido vivos de las dos anteriores!! Como elaborar el mapa de clusters de industrias creativas más detallado de Europa (y además sin presupuesto).
Bibliografía • Boix R. and Lazzeretti R. (2012): "Las industrias creativas en España: una panorámica", Investigaciones Regionales, 22, p. 181-206. • Boix R., Lazzeretti L., Capone F., De Propris L. and Sánchez D. (2012): “Thegeography of creative industries in Europe. Comparing France, Great Britain, Italy and Spain”, in Lazzeretti L. (ed) Creative industries and innovation in Europe: Concepts, Measures and Comparative Case Studies, p.23-44. Routledge. • Boix R., De Miguel B. and Hervás J.L. (2013): "The importance of creative services firms to explain the wealth of European regions", in Cuadrado-Roura JR Service Industries and Regions, Springer-Verlag – Advances in Spatial Science • Boix R., Hervás J.L. and De Miguel B. (2012): "Micro-geographies of clusters of creative industries in Europe", Papers in EvolutionaryEconomicGeography #12-09, Urban and Regional Research Centre Utrecht, University of Utrecht
Delimitación • UNCTAD (2010, p.8) defines CI as “cycles of creation, production and distribution of goods and services that use creativity and intellectual capital as primary inputs; constitute a set of knowledge-based activities, focused on but not limited to arts, potentially generating revenues from trade and intellectual property rights; comprise tangible products and intangible intellectual or artistic services with creative content, economic value and market objectives; are at the cross-road among the artisan, services and industrial sectors; and constitute a new dynamic sector in world trade”.
Delimitación • En latín “apixat”: lasindustriacreativas son un conjunto de actividadesintensivas en conocimiento (simbólico) centradas en la generación de significado, contenido y atributosestéticos.
Delimitación Fuente: Boix y Lazzeretti (2012)
Delimitación práctica Fuente: Boix y Lazzeretti (2012)
Delimitación práctica Fuente: Boix et al. (2013)
The Geography of Creative Industries 58% Traditional 42% Non-Traditional Employees in creative industries by Local Labour Market 66% Traditional 34% Non-Traditional 67% Traditional 37% Non-Traditional 68% Traditional 32% Non-Traditional Source: Elaborated from ISTAT (2001), INE (2001), INSEE (1999) and ONS Census (2007).
The Geography of Creative Clusters Diversified 70.5% of national creative employment Non-Traditional / Traditional Location Quotient of employees in creative industries by Local Labour Market > 1. Base: national. Minimum threslhold 250 employees by LLM 63% of national creative employment 71% of national creative employment 65% of national creative employment Source: Elaborated from ISTAT (2001), INE (2001), INSEE (1999) and ONS Census (2007).
City profiles Source: Elaborated from ISTAT (2001), INE (2001), INSEE (1999) and ONS Census (2007).