1 / 9

Hans Zimmer

Hans Zimmer. by Jacelyn Epperson. Early Life. Born September 12, 1957 Grew Up in Frankfurt, Germany Father died very young, so he turned to Music Moved to London as a teenage to study at the Hurtwood House Studied Film Music in College in London as well. Starting his Career .

rangle
Télécharger la présentation

Hans Zimmer

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Hans Zimmer by Jacelyn Epperson

  2. Early Life • Born September 12, 1957 • Grew Up in Frankfurt, Germany • Father died very young, so he turned to Music • Moved to London as a teenage to study at the Hurtwood House • Studied Film Music in College in London as well

  3. Starting his Career • Worked along side famous composer, Stanley Myers • Scored music for Rain Man, later received him an Oscar for Best Picture of the Year • Worked as Head of the film music division at DreamWorks studios • Later worked on The Lion King in 1994

  4. Acclaimed Awards • Academy Awards • Nominatd for Inception, Sherlock Holmes, Gladiator, The Prince of Egypt, The Think Red Line, As Good as It Gets, The Preacher’s Wife, The Lion King, Rain Main • Won for Best Music, Lion King • Golden Globes • Nominated for 12 Years a Slave, Inception, Frost/Nixon, The Da Vinci Code, Spanglish, The Last Samurai, Spirit, Pearl Harbor, Gladiator, Prince of Egypt, The Lion King • Won for Gladiator, and The Lion King

  5. Songs of His I Picked • 160 BPM- Angles and Demons • 6:42- Released May 12, 2009 • Discombobulate- Sherlock Holmes • 2:23- Released January 12, 2010 • Solomon- 12 Years a Slave • 3:33- Released November 1, 2011 • Terraforming- Man of Steel • 9:49- Released June 11, 2013

  6. 160 BPM- Angels and Demons • :00 The song begins with only drums and slight choral voices. Slow crescendo with choir and percussion instruments. Strings are added in about :25. There becomes more of an emphasis on the singers around :35 seconds. It is difficult to determine what they are saying. Around :50big drums pick up and add to the song every 6 counts. The song appears to be in 6/8 time. • 1:15 This is when the song really bursts, becoming very forte, and very creepy. I am assuming creepy is the feel they were going for, since the song is for the Angels and Demons soundtrack. It is definitely working. The melody changes and goes to a scale down. At 1:22 it is quiet for about 3 seconds before bursting again. It repeats the scale. • 1:57 There are more bells at this part of the song, but it very repetitive of the beginning. Around 2:13 it repeats the beginning, only more intense and more forte. Bells come in around 2:35. • 2:41 There is silence with only a faint organ playing. Slowly bells come in, with faint choir voices again. Strings begin to build and then stop. • 4:25 Drums build to a large crescendo to repeat the beginning again until the end of the song.

  7. Discombobulate- Sherlock Holmes • :00 The song begins very quiet. There is only strings at the beginning. It sounds like plucking. • At :21 The song bursts with 4 big clashes. The song then goes into marching like music with the added strings. The strings play a big part in this song. There is classical violin strings, but there is also some that sounds like a more folk like string instrument. • 1:02 The music changes to a harmonica or horn like for about 20 seconds. Around 1:20 the music focuses its emphasis to the strings, and then at 1:37 it is focused back to a folk like string instrument. The song is pretty repetitive from there on out. • 2:11 Strings are emphasized in different pitches and at the very end, there is 3 notes that end on the folk like string instrument.

  8. Solomon- 12 Years a Slave • :00 Begins very piano with only high string instruments. One of the notes extends for about 10 seconds before moving on. • :38 The strings begin to crescendo and build with the melody staying very similar and repetitive. It grows until it is about mezzo. • 1:16 Some layers are added in and we start to see cello and bass come in instead of the just the violin. It continues to grow. • 1:49 The music is louder and the melody is focused on a cello instead of the earlier violin. The music for Solomon is described to be very peaceful and different form Hans Zimmer’s other work. From here on out, it is very repetitive like the beginning, only louder. • 3:05 It becomes silent and goes back to the very beginning with only a couple long extended notes playing until the very end.

  9. Terraforming- Man of Steel • :00 Music begins with the same note being played over and over in a specific rhythm on the cello. There is added violin, but it is very piano. • :32 There are some more strings and there is a slight crescendo, as well as the pitch rising and lowering so there is some differences in notes. • 1:15 There is added horns and the music is building up to be broader, and more like superman. At 1:30 there is a loss of everything except and eerie noise, and a few drums. This continues until • 1:55 There is added horns as well as deep drums. This is repetitive until 2:25.At this point it goes silent with only that eerie noise again. This repeats throughout the whole song. • At 8:40 Choral voices begin to form and crescendo until 9:00 when they really start to appear. The music become more resolved, and seems clearer. There is no drums or heavy beats, only strings, horns and vocals until the end when a string is the last few notes.

More Related